I have been visiting the Kabul bureau this week and reflecting on how things have changed since I reported from Kabul in the heady days after the flight of the Taliban in
November, 2001.
The Reuters office is a house in a relatively upscale neighborhood of Kabul with bedrooms where foreign journalists sleep during their stay. When I first stepped through the front gates of the compound five years ago I entered a world of controlled chaos.
All of us, writers and photographers, worked, ate and socialized in a single room on the second floor. It was cramped, thick with smoke from all the cigarettes and stuffy from the wood burning stove that jutted into the room. Evenings were spent under curfew in the same room, often huddled around a laptop watching a DVD. The best we could get on the television was a snowy image of Afghan TV. The sound would fade in and out, often during news broadcasts.
The food was, to say the least, basic. Please get them to stop serving us cauliflower all the time. Were fed up with it, one of my colleagues pleaded when I arrived to help bring some order to an operation that had exploded almost overnight from a single correspondent under the Taliban to about a dozen journalists. The only way to file photographs and news stories was over satellite phone. I later learned that one of the monthly phone bills hit $150,000.
The house is still the same, the faces familiar. But five years have brought a world of difference to working conditions. Gas heaters have replaced the wood burning stoves and the office has moved down a floor into three rooms. The house even has wi-fi. Sat phones still come in useful on reporting trips outside Kabul but the days of mega phone bills have gone. So has the cauliflower. The old cook is still here but he now works as the gatekeeper. We have a new cook who makes superb potato chips. But were still using generators for most of our electrical power a sign of how little basic infrastructure in Kabul has developed since 2001.
The familiar faces mean continuity in the newsroom, now run by Chief Correspondent Terry Friel, an Australian who moved here from New Delhi in August. its good to see that Afghan journalists are taking leadership roles. I wanted to say a little about two of them — Ahmad Masood and Sayed Salahuddin.
Many fine journalists are accidents of history; individuals who turn to this craft unexpectedly when tumultuous events upset their hopes and dreams. Journalism is not something you need a diploma for, unlike the law, accountancy or medicine. The best way to learn is on the job, from people who know h
ow to do it. Many try and fail. A fair few succeed and Ahmad Masood is one of them.
In late 2001, Masood was 21 and living in the town of Jab-al-Sarraj, a staging post for Northern Alliance forces in the Panjshir Valley. His dream had been to flee Afghanistan and join a brother in London. Then 9/11 happened. With excellent self-taught English, he offered himself as a fixer to foreign journalists converging on Jab-al-Sarraj for the war. His first job, earning $100 a day, was with a Reuters Television cameraman, then with a Reuters photographer and journalist Ros Russell. He accompanied them into Kabul on the heels of the Northern Alliance.
Hes the best by far. Use him, Ros told me when I inherited Masood from her. For four weeks we roamed Kabul and its surroundings, venturing as far as Bamiyan, the site of monumental ancient Buddhas carved into the rock face that the Taliban had blown to pieces earlier in 2001. Ros was right about Masood. He was an excellent interpreter, a skilled negotiator who could get you most places and an engaging guide to Afghan history and culture. He clearly had talent and for a while tried his hand at reporting and writing for Reuters.
Then, one day, he had to go north to the town of Mazar-i-Sharif on a story and there was no photographer to accompany him. So he took a small digital camera and the rest is history. Masood discovered he had a gift for news photography and after learning the ropes from experienced visiting staff photographers, he is a staff photographer himself, running our Afghan photos operation from Kabul. Last year, he helped cover the Kashmir earthquake. Next month he will go to India to work for several weeks and he hopes one day for an assignment abroad. Here’s a selection of Masoods photographs.
Sayed Salahuddin, known to everyone as Salah, is the backbone of the Reuters newsroom. He speaks and writes deliberate English, learned at Kabul University where he
had dreamed of going abroad for postgraduate studies after earning a bachelors degree in modern languages and literature. It was not to be. The civil war intervened after the end of Soviet-backed rule in 1992 and Salah stayed on in Kabul putting his English to use in journalism. He joined Reuters full-time in 1996 after previously working for Reuters and the BBC. He was the only Reuters permanent correspondent in Afghanistan during the dark years of Taliban rule and one of only four journalists able to report from the country in the weeks leading up to the collapse of the Taliban and its flight from Kabul on the night of Nov 12, 2001.
Salah reported, shot video and took still photographs until the end of Taliban rule and is now the Senior Correspondent for Reuters, focusing on reporting. His wisdom, institutional knowledge and understanding of Afghan culture are fundamental to our operation.
Some journalists who have covered wars and other upheavals tend to like to talk about their experiences. Theres a certain bravado in some of them, a sort of Baghdad Bob attitude that can become tiresome. Salah, 36 and a father of three, is not one of those people. Hes extremely modest. In fact, when I worked with him back in 2001 it was only by chance, and with a lot of coaxing, that I learned just how perilous his work had been under the Taliban. The movement was highly suspicious of journalists, especially those working for foreign news organizations and Salah needed to tread warily.
The Talibans severe interpretation of Islam included a ban on images of the human form, which is bad news for a journalist trying to take photographs and video. I was amazed to learn from Salah that the crew of a Taliban armored personnel carrier rumbling through Kabul smashed into his car when he tried to photograph them in the dying days of Taliban rule. Salah had a lucky escape which he recalls in this interview on the road where the incident happened.
Paul Holmes is the Editor for Political & General News.
If you’d like to ask Paul, Masood or Salah anything about the realities of reporting from Afghanistan then please post a comment below before 3 p.m. Eastern on Dec. 3. Replies will be posted at the same time on Dec. 5.

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21 comments so far
Masood, this is a bit off-topic, but your photos are stunning. What’s the best trick-of-the-trade that you learnt in your path from amateur to professional?
- Posted by Canon FodderMr. Salahuddin,
I am curious as to what the attitude was towards journalists by the Taliban during their reign? Were you able to freely take and publish photos and stories? Were there occasions where you were not allowed to cover a particular story about the Taliban? Thanks, Craig.
- Posted by CraigI would like to hear your impression of rural Afghanistan versus urban Afghanistan. Is the cultural divide as large as I imagine? And, if so, do you think the Kabul government has been able (or will be able) to effectively address the concerns and needs of rural Afghanis?
Secondly, and to completely change subject ….What do you all do in order to handle the stress of living there and working as journalists? Is there “nightlife” in Kabul? Music? Movies? Bookstores or libraries?
- Posted by From ArizonaI’ve seen reports that opium production from poppies accounts for up to two-thirds of the Afghan economy. Are there signs on the streets of Kabul of a drug trade–in the way that there was in Saigon during the Vietnam War, when many U.S. troops became addicted–or is really something that is meant for export only?
- Posted by PatrickMasood’s photographs are fantastic and inspirational. The light and composition really stand out and give unusual and positive impressions. Please post a further selection and publish a book of your work.
- Posted by HUWBeing of Afghan origins, does your ancestry reflect upon your reporting style? Is the way you report an event any different from your american colleagues?
- Posted by DineshI detect a pro-arab bias in everything that Reuters reports about the Middle Ease. I note, for example, that like Agence France, Reuters uses predominantly Palestinian journalists to report on issues in Israel and the occupied territorories. In fact, eight out of ten articles will feature an Arab journalist, 1.5 times a pro-Arab western journalist. You do not, for example acknowledge that Hamas and Hezbollah are proscribed terrorist organisations. They are everywhere referred to as “militants” as if they were unruly trade unionists.
- Posted by David LongYours is the type of organisation that would have interviewed the last surviving Jew of Auschwitz and then sought comment from Adoph HItler on the pre-text that you are impartial.
God help democracy if your organiation is suporting it.
In response to David Long: It’s time to get your head out of the sand. Reuters is one of the few relatively impartial news agency reporting on the middle east. You realize the only reason that Hezbollah is “a terrorist organization” is because of the power of the US, Israels biggest ally, biggest funder and the only reason Israel is able to exist - they have and do use to power to determine such titles. Its clear that when an outside spectator views the violence, not one but both sides commit terrible acts of violence, and engage in terrorism. Comparing this to Hitler is absolutely ridiculous. It’s time for you to start investigating the other side to every story. War crimes have been committed by both sides, none is inherently “evil” and bad. On the bright side you make a good American.
- Posted by alex georgeFirst, to Masood, your photographs are striking. There is an easy intimacy and respect in there that is missing from a lot of photojournalism — I think yours is beautiful work.
Second, to the three of you, what kind of space do you see for women journalists — and especially Western women journalists — in Afghanistan? Is it the case that because they are women they enjoy limited access to the facts and experiences that make a story? If they are reporting through veils, so to speak, and we set aside the fact that that reportage is in itself is valuable and tells a story not accessible to male journalists, is there any aspect of Afghan life where women journalists enjoy greater access than their male colleagues?
Finally, to Paul and Reuters, thank you for opening this dialogue.
- Posted by saraI have a degree in communications and journalism and have visited 14 nations. I would love to work in Afghanistan or any of the ‘Stans’ actually. I sometimes lived and often worked in the nations of the former Soviet Union in 1991-1994. I enjoy life best when it is most challenging. I salivated with envy over your stories of being huddled around a laptop DVD screening. Fun! If you ever need some help in any foreign land I would gladly pack my bags, water filters, hot sauce, hot chocolate, instant oatmeal, and baby wipes.
- Posted by Lewie WickhamLewie Wickham
I’ve been looking for balance in Middle Eastern reporting, so I’m grateful to David Long for pointing out that Agence France uses Palestinian journalists. Thanks for the tip.
- Posted by Darian>
Well, that certainly elevates the discussion to eddifying levels.
- Posted by Susan O'SheaMr Masood’s photographs are truly stunning. They have an artistic balance, tell a story of their own, and are interesting to view. Thank you.
My hunger is for news of the households. What is new/old/same for homemakers, mothers, brides, grandmothers? What food is or is not available, what’s happening to the price of onions, are you able to keep the children healthy, what do your children hope to do or be when they are adults, what do you fear these days, what did you have for breakfast this morning, what kinds of fabrics can you buy, what do you wish would happen next, how often do you visit friends or relatives???
Who among you are the journalists and photographers who are women and can tell these stories?
- Posted by Susan O'SheaIn response to Alex George: Age-21…Its only relevant because I haven’t achieved elderly wisdom. I do know that countries, organized militants (terrorist)have made it their sole purpose to wipe Israel off the face of the earth. Genocide is currently taking place around the world, namely Africa. My point being is Israel has not shown intentions of wiping anyone off the map. If the people had the means in Africa to protect themselves from the same violence Israel faces they would fight back just the same. If the U.S. can help any country or the better parts from total anillation (SCheck)it should do so. The reporters are at there best when there is no news of this kind to report.
- Posted by Shawn Suburban YouthMasood: In some ways, I’ve gone in opposite directions from you; I shot photos professionally before going back to University for my journalism degree. Now as I move into other aspects of journalism (TV and print news), I often find myself missing the photography side of it.
Do you find yourself missing your writing duties? Do you ever do both? Does Reuters prefer for you to do one over the other?
Secondly, do you worry whether you’ll do as well of a job in another country or on a different assignment?
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Salah, How is your coverage now different than it was under the Taliban in terms of story ideas? What has changed the most in the way you work? What do you think is the greatest problem with journalism in Afghanistan now?
- Posted by Jonathan GordonTo those of you arguing about impartiality and whose “side” Reuters is on, consider that Israel was installed without anyone’s consent, with guns, rockets, and bombs manufactured and fired by Western hands. Regardless of how “right” you believe it is for a Jewish nation to exist in Palestine, think for a moment how much you would like for your city, your home to be appropriated by someone citing a holy book that you have never personally read.
Then consider how ironic it is that the “Holy Land” of the three largest religions on Earth is bristling with military personnel, and that the region has been raging with war–only since the installation of Israel. What is it, exactly, that the West expected after creating a nation in the midst of someone else’s homeland? Peace? Or an apocalypse to fulfill some ancient and edited vision?
- Posted by Brad ElevenWhile a picture is worth a thousand words, somethings are too large for even words or photographs to adequately depict such as a fireworks display. You can stuff the image in, but it doesn’t convey how large it really is. What is the hardest part of stuffing this issue into words and pictures since it would rate along with a large fireworks display?
- Posted by Doug HessIs it required to be rabidly anti-American to work for Reuters?
- Posted by Chuck HarrisThere is this thought of most intellectuals that the media can manipulate (spin) the public. How is this true?
- Posted by joehanclSo how does one get into touch with reuters as im a Pukhtana ( Afghan) from the other side of the border afghan-pak border and i have a camera ( well a DSLR) and im just embarking on photography and would love to give a womans point of view on things like how woman are REALLY treated in Pukhtunkhwa (NWFP pak) etc.
- Posted by Pukhtana[…] empezó su trabajó como fixer, tal y como cuenta el propio periodista de la agencia Reuters Paul Holmes. Antes del 11-S vivía en la zona dominada por la Alianza del Norte, rivales de los talibanes. Su […]
- Posted by Guerra y Paz » Blog Archive » ‘Cuando me levanto’, el relato de un fotógrafo afgano