Afghan Journal

Lifting the veil on conflict, culture and politics

Aug 22, 2011 00:16 EDT

America in Afghanistan until 2024 ?

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The Daily Telegraph  reports that the status of forces agreement that the United States and Afghanistan are negotiating may allow a U.S. military presence in the country until 2024 .  That’s a full 10 years beyond the deadline for withdrawal of U.S. combat troops and handing over security responsibilities to Afghan forces.

The negotiations are being conducted under a veil of security, and we have no way of knowing, at this point at least, if the two sides are really talking about U.S. troops in the country for that long. ( The very fact that a decade after U.S. troops entered the country there is no formal agreement spelling out the terms of their deployment is in itself remarkable)

But it does seem more likely than not that there there will be a U.S. military presence, however small, in Afghanistan beyond 2014, and that is going to force the players involved in the conflict and those watching from the sidelines with more than a spectator’s interest to rethink their calculations.

Indeed, the talk of an extended force deployment may be an attempt to reverse the perception that America was in full retreat following President Barack Obama’s announcement  of a drawdown that many in the military believe has only hardened the resolve of the Taliban insurgents and their backers in Pakistan to wait out the departure.

Now with troops, including a sizeable element of Special Forces, backed by the United States’ aggressive and unparalleled air power, to be based in the turbulent south and east of the country beyond 2014, the  players have to shuffle their cards again. For those elements in the Taliban who may have explored the idea of reconciliation, the plan for a long-term U.S.military involvement in the country has just made their task even more  difficult.

For Pakistan, the country most affected by what happens in Afghanistan, the idea that the United States is not going to walk away, sharpens its dilemma and once again goes to the heart of its role as a conflicted partner in the war against Islamist militancy.  On the face of it, a U.S. military presence next door means continued pressure on Pakistan to act against the militant groups that operate from its soil. It means the drones will continue to fly in its skies and fire missiles at will.

COMMENT

@Sanjeev

Have you ever given thoughts to the alternative course for the President to follow which is going to provide jobs for the brave american soldiers when they return home sooner than later? This is not stated in your articles and shoul be considered in future articles, just a suggestion. Mr Obama has announced a plan but the republicans are not going to support him simply to retire the afro with a one time presidency. At least he was given a chance to live in white house one time.

Mr Obama could have closed down the torture chambers, the torture bases abroad but for employment problems which the military veterans face due to recession at home. No chance for the bases to close down in Japan, Germany and midddle east either.

Rex Minor

Posted by pakistan | Report as abusive
Aug 15, 2011 10:20 EDT

from Russell Boyce:

Asia – A week in pictures 14 August 2011

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This week Pakistan marked its day of independence from British rule with parades, parties, face painting and bombs.  Two pictures of faces covered in colour, one paint, the other blood, seems to sum up all there needs to be said about the national pride Pakistan feels while facing so many challenges. Visually the complementary colours of green and red (colours on opposite sides of the colour spectrum) make the pictures jump out of the page especially when put side by side. The angry eye staring out of the face of green in Mohsin Raza's picture engages the viewer full on while in Amir Hussain's picture the man seems oblivious of his wound as blood covers his face, again more opposites, this time not in colour but mood. India too is preparing to celebrate its independence and Dehli-based photographer Parivartan Sharma's picture of festival preparations came to mind after I put together the red-and-green combination picture from Pakistan.  

 

(top left) A man, with his face painted depicting the colours of the Pakistan national flag, attends a ceremony to mark the country's Independence Day at the Wagah border crossing with India on the outskirts of Lahore August 14, 2011. Pakistan gained independence from British rule in 1947. REUTERS/Mohsin Raza

A man, his face bloodied by a head injury, is held by a resident as he waits to be evacuated from the site of a bomb blast in Dara Allah Yar, located in the Jaffarabad district of Pakistan's Balochistan province, August 14, 2011. A bomb ripped through the two-story building in Pakistan's restive southwest on Sunday, killing at least 11 people and wounding nearly 20, police said. REUTERS/Amir Hussain 

A worker installs decorations to a tent to be used for independence day celebrations in Noida, in the outskirts of New Delhi August 14, 2011. India commemorates its independence day on August 15. REUTERS/Parivartan Sharma

A roller-coaster week in global markets kept many of the team in Asia busy illustrating one of the hardest stories to shoot pictures for, the fall and rise of stocks, currencies and markets. On news of the United States losing its triple-A rating the markets fell only to be later buoyed by good news on employment. Gold prices rose and currencies fell on more bad news from the euro-zone, the Asia market always being one of the first to react. The question in every photographers' mind was "what to take pictures of?". One minute the markets are up and the  next down, currency changes are good for one part of the country's economy but bad for another. From Pakistan and India across to China, Japan, South Korea and down to Australia, the pictures the team produced are a visual feast of the turmoil.

COMMENT

Assign me when you need photos of the fall and rise of stocks, currencies and markets, I am a specialist, having done it at Bloomberg News for years!
Lucas
http://www.pictobank.com/

Posted by Photoluc | Report as abusive
Aug 8, 2011 08:47 EDT

from Russell Boyce:

Asia – A Week in Pictures 7 August 2011

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After rioting in Xinjiang left 11 dead at the start of Ramadan the Chinese authorities stated that the insurgents who started the trouble had fled to Pakistan. Security forces quickly deployed in numbers to ensure that any further trouble was prevented or quickly quelled. Shanghai-based Carlos Barria travelled to Kashgar to shoot a story on the renovation of the old Kashgar centre, an example of China's modernising campaign in minority ethnic regions. A busy week for Aly Song, who is also Shanghai based, with taxi drivers on strike over rising fuel costs while Lang Lang had local fishermen preparing for typhoon Muifa to hit. In both pictures, the eye is cleverly drawn  to the distance to show in one image, a line of  striking taxi drivers, and in the other, rows of boats bracing for the imminent typhoon.

Ethnic Uighur men sit in front of a television screen at a square in Kashgar, Xinjiang province August 2, 2011. Chinese security forces blanketed central areas of Kashgar city in the western region of Xinjiang on Tuesday, days after deadly attacks that China blamed on Islamic militants highlighted ethnic tensions in the Muslim Uighur area.  REUTERS/Carlos Barria

Armed police officers are deployed at a square in Kashgar August 2, 2011. Chinese police have shot dead two suspects being hunted for a deadly attack in the restive western region of Xinjiang, which an exiled regional leader blamed on Beijing's hardline policies towards her people. The two suspects, Memtieli Tiliwaldi and Turson Hasan, were shot by police late on Monday in corn fields on the outskirts of Kashgar city, where on Sunday assailants stormed a restaurant, killed the owner and a waiter, then hacked four people to death, according to the Khasgar government website.  REUTERS/Stringer

 

A woman cooks in her house next to the remnants of other houses, demolished as part of a building renovation campaign in the old district of Kashgar, in Xinjiang province August 3, 2011. The 'renovations' of the old Kashgar center is a prime example of China's modernizing campaigns in minorities ethnic regions. However many city residents have mixed feelings about the disappearance of the narrow streets and adobe homes once hailed as the best surviving example of Central Asian architecture. REUTERS/Carlos Barria

Aug 7, 2011 21:35 EDT

from Pakistan: Now or Never?:

When there are no people in Pakistan

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Rarely does a story reveal so much so unintentionally as this month's article in the New Yorker by Nicholas Schmidle reconstructing the May 2 raid by U.S. forces who found and killed Osama bin Laden in the Pakistani garrison town of Abbottabad. The article, beautifully written in the genre of Black Hawk Down, purports to tell the inside story of the Navy SEALS on the raid, right down to what they were thinking, or indeed, in the case of one of them, what he had in his pockets.

The problem, as reported initially by The Washington Post, was that Schmidle had not actually spoken to any of the SEALS involved in the raid but relied on the accounts of others who had debriefed the men. That, along with his failure to disclose this fact in the article, has prompted a vivid debate on Twitter and elsewhere, both about journalistic ethics and the accuracy of the story.

C. Christine Fair, a South Asia expert at Georgetown University in the United States, complained that the lack of transparency on the sourcing of the story was an "egregious exercise of incaution"  that left it impossible for readers to judge its credibility.  It was an issue, she said, that went beyond journalism, but played into conspiracy theories about American policy and particularly about whether bin Laden was dead at all.  That those theories are alive and well was highlighted by this story in Pakistan's The News, claiming that all witnesses to bin Laden's death were killed in a U.S. helicopter crash in Afghanistan on  August 5. Actually, although members of SEAL Team 6 were among the dead, none of them had been involved in the raid.

As a journalist writing about Pakistan, I would be wary of taking too strong a stance either way - the expression "people who live in glass houses shouldn't throw stones" springs to mind. I would probably split the difference and say that the more transparency on sourcing the better when it comes to Pakistan. We are all subject to manipulation and propaganda when we rely on unnamed sources, so much so that a journalist friend in Islamabad made the case to me that we should collectively decide to use only named sources. (For the record, I would try to counter that manipulation by seeking out two or more sources, preferably of different nationalities in different countries, to corroborate a story.)

At the same time, unlike a news story, a magazine article like this one is closer to book form where the demands of stylistic coherence require a huge effort of imagination, not of invention, but of empathy. It requires laborious questions about the kind of details we would not normally have time to ask - like the contents of someone's pockets. We cannot entirely judge it by the same standards as we would apply to daily, or even weekly news. 

That said, what we do have in front of us with the New Yorker's reconstruction of the bin Laden raid is a text. We know it exists since we can link to it (primary sourcing). Where we will differ is over interpretation.

In a post over the weekend which prompted me to re-examine the New Yorker story, Jakob Steiner at RugPundits complained about Orientalism. That in turn led me to look at how small a role Pakistanis play in the story. Pause here, and consider that Pakistan is a country of some 180 million people of diverse religious, social, linguistic and cultural backgrounds. People who fret about their children's education and grieve for their parents like the rest of us. People who in the office will bitch around the water cooler, and over dinner  talk about the weather. And yes. I simplify people's lives, because those of us who live them (signpost irony here) know how simple they are.

COMMENT

Beautifully written.

Posted by American213 | Report as abusive
Aug 1, 2011 08:25 EDT

from Russell Boyce:

Asia – A Week in Pictures 31 July 2011

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Ramadan started in Asia on Sunday and Indonesia-based photographer Ahmed Yusef produced this beautiful image to mark the start of the most important period in the Muslim calendar. The viewer focuses on the young woman's eyes as the red scarf draws you to her through a sea of swirling white created by a slow exposure. Also in Indonesia, Dwi Oblo's picture draws you into the picture through  light and smoke to evoke a real feeling of people humbling themselves as they pay respects to their dead relatives as they also prepare for Ramadan.

Muslim woman attend mass prayer session "Tarawih", which marks the beginning of the holy fasting month of Ramadan, at Al Markaz Al Islami mosque in Makassar, South Sulawesi July 31, 2011. Muslims around the world abstain from eating, drinking and conducting sexual relations from sunrise to sunset during Ramadan, the holiest month in the Islamic calendar. REUTERS/Ahmad Yusuf 

 Indonesian Muslims pray at the graves of their relatives in Bantul in central Java, July 25, 2011, ahead of Islamic holy month of Ramadan. Indonesian Muslims traditionally visit the graves of their loved ones before and towards the end of the holy month. REUTERS/Dwi Oblo

Pakistan Chief photographer Adrees Latif, Karachi-based photographer Akhtar Soomro and Peshawar-based Fayaz Aziz marked the year since the Pakistan floods to return to the area that was devastated by the disaster which forced millions to move in search of shelter, drinking water and food.   Adrees tracked down the people and scenes he photographed a year ago and using the format of combination pictures produced a revealing set of pictures that just won't let you look away and prompts the question - how much better off are these people a year on? I was tempted to just to highlight the combination pictures but Akhtar's picture of the crying child cradled in his father's legs just too strong to leave out.

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