‘The Body in Indian Art’, on exhibit at the National Museum in New Delhi, is a pan-India project showcasing over 300 artworks from 44 institutions. The show is an exhaustive study of the body’s myriad representations in Indian art, roughly covering a period of 4,000 years across regions, religion and culture.
The exhibition has been put up in eight adjoining galleries, each with a specific theme such as death, birth, divinity or rapture.
Dada (2010-13) (grandfather)
Artist Subodh Gupta’s exhibition in New Delhi features images from everyday Indian life on a grand and theatrical scale. The cycle rickshaw, the sewing machine, utensils and the Mumbai taxi are some of the motifs that dominate his work in ‘Everything is Inside’.
The show, on view at the National Gallery of Modern Art in New Delhi, is an artist’s journey to the “inside” of his home and his roots. His preoccupation with utensils stems from his passion for cooking. And in ‘Bihari’, painted around the time he moved to Delhi in the 1990’s, the 50-year-old artist seeks to assert his regional identity.
Rana Dasgupta’s first non-fiction book is an investigation into what makes Delhi a city of unequal transformation, salted with ambition, aggression and misogyny. “Capital: A Portrait of Twenty-First Century Delhi” takes its shape from an “outsider’s” anxiety about not being able to understand a city that is primarily the by-product of refugees from India’s partition in 1947.
Dasgupta, 42, was born and raised in England, and belongs to a family of migrants whose roots are in the Lahore of British India, now Pakistan. In 2000, he flew to Delhi after quitting a marketing job in New York and fell “into one of the great churns of the age”.