What does a typical day at the White House look like?

I set out to capture a sense of everyday life at 1600 Pennsylvania Ave, armed with basic knowledge from a course in video editing at the Kalish workshop. Starting with a couple of early experiments of the Marine Guards at the West Wing and a daily press briefing, I was hooked on time-lapse sequences that came to life when they were played at high speed.

I began taking along extra cameras, tripods, clamps and pocket wizard radio remote triggers. This involved slightly more work as I had to start thinking of the best place for a time lapse sequence that may not make a good still image itself, but rather as part of a larger project.

From the East Room, where most official functions are held, to the Rose Garden, the South Lawn and the West Wing, I set the cameras up to fire one picture every 5 to 10 seconds before, during and after the events. Thousands of pictures were shot over the course of those weeks, and I slowly began to put together a narrative that follows what we typically photograph on any given day at the White House.

Shooting "a day in the life" would have been nice, but it was impossible to have cameras in all the locations on one particular day.

All of what you see in this project was made with just two cameras on the time lapse and one hand-held camera -- it's a very basic set up. Shooting handheld, I had to shoot major burst sequences with long lenses, all the while ensuring that I didn't move the camera around too much. Even slight movements can render an entire sequence unusable. Tripods are too cumbersome to use at the White House and you have to stay mobile to make pictures, so I would innovate by propping myself against a ladder and holding my breath or putting the handheld cameras on the ground -- whatever it takes to shoot a short burst without moving the camera at all.

This worked well for the walkout of the Oval Office in the segment where President Obama walks towards us. That's a 70-200mm lens on the ground, prefocussed and composed with live view switched on, as I hold the camera perfectly still as he walks in and out of the frame.

Making it all come together in one coherent package is done in the edit. The most challenging aspects: Being a newcomer to video editing, seeing a project in terms of a narrative, not just in single moments, and getting my head around the 8,000 images that sat in a folder called "Multimedia" as the weeks wore on. I tried to edit for the project as I went along, so that when it came to putting together the sequence, there would be chunks of loosely finished product ready to drop into the appropriate part of the story.

I would characterize President Bush as a person of single-minded determination, a man guided by a moral compass to protect the nation, all the while bringing a style of Texas swagger into the oval office. We shared a passion of mountain biking and on several occasions I was fortunate enough to ride on his ranch in Texas where, away from the prying eyes of the press, I witnessed a man who loved the sport, always rode fast at the front of the pack and showed genuine interest in those around him.

Two of my favorite pictures center around perhaps the most definitive legacy of  Bush’s presidency – the war in Iraq.

On an unannounced clandestine trip into the Iraqi desert province of Anbar in 2007, Bush is seen casting harsh shadows onto the desert sand made with dramatic side lighting in front of two humvees. Secretary of State Condoleezza Rice and Defense Secretary Robert Gates appear to symbolically follow Bush into the desert night, both as second-term appointees following the controversial departure of Colin Powell and Donald Rumsfeld.

Another image that I think defines the man as commander-in-chief is this simple composition of Bush looking very presidential among heavily-armed soldiers during his visit to Fort Irwin in the Californian desert in 2007.

It was rare for Bush to let his guard down in public but if you follow one of the most photographed people on earth long enough, it's just a matter of time before an unguarded moment presents itself and you have to be ready to capture it. Bush’s goofy facial expression as he strains to open a locked door following a press conference in Beijing was a fleeting moment that I wasn’t even aware had happened until I looked at the back of the digital camera moments later. At the time I got a lot of grief from Bush’s press staff for putting it on the wire as they tried to protect ‘the honor of their president” but it occurred in front of the world's cameras so it was my duty to record the moment, which later was the fodder of late night talk shows everywhere. The man is only human.

Dancing with Senegalese performers in the Rose Garden of the White House during a cultural event was another rare instance when Bush let his guard down. After being encouraged to get up on stage, he proceeded to lead the group in a silly dance which he may or may not have regretted later, after seeing our pictures.

In photographing President Bush, I learnt to never drop the camera from my eye, because the very next moment could be one of those that will define his presidency for all of history.

 Reuters Washington staff photographer Jason Reed has been traveling with the campaign of Democratic U.S. presidential nominee Barack Obama. He and his colleague Brian Snyder traveling with the McCain campaign have been posting daily photographers blog entries sharing their experiences and favorite pictures of the day from their campaign coverage.

In the past year and a half I have been priviledged to have a front row seat to American political history - on a personal journey as a Reuters photographer on the road to the White House with Barack Obama.
 
In the first 24 hours that we have all had a chance to absorb the historic election of Democratic Senator Barack Obama to become the 44th president of the United States, I have finally had time to catch my breath after an incredible 21-month journey photographing his unlikely rise on the political world stage, alongside my Reuters photographer colleagues. From the very earliest beginnings of his campaign, at his announcement speech on those frozen steps of the State House in Springfield, Illinois to the grand stage in Chicago's Grant Park where he delivered his victory speech last night, I feel incredibly privileged to have gone along for the ride and witnessed one of the great ascensions to the U.S. presidency in history.
 

 
Of all of those who aspired to the highest office in the land, from the early days when we chased many Republican and Democratic candidates from coffee shop photo-ops to town halls across the state of Iowa, it always seemed to me as a photographer that it was Barack Obama who stood out from the crowd. This was not at all just because of the color of his skin, although the press has made much of his race as the first African-American candidate to go all the way to the White House. When I was taking pictures, it was in observing his quiet grace, the way he engages people from all walks of life and of course his famous ability to crystallize into words the hopes and aspirations of millions through his campaign for 'change'. The reactions he evokes from his followers and supporters are like no other recent candidate's I have seen. I have tried to convey this through my pictures on the wire.

On the eve of the election on Monday night, the very day that he had just lost his grandmother to cancer and on the back of his final grueling campaign push through Florida, North Carolina and Virginia in one day, Senator Obama walked to the back of his plane en route to Chicago and personally thanked every one his staff and then the independent traveling press corps for their hard work during the collectively long journey to election day. I thought that showed a lot of character and class. The long, arduous road to Washington appeared to have taken its toll on Obama himself just an hour before our encounter with him on the flight, as he showed a rare display of emotion and broke down in a few tears as he mentioned the death of his grandmother while addressing one of his final campaign rallies. 

 
We have made many classic images of Obama at campaign rallies which, with the help of the campaign prop department and lots of red, white and blue flags, show Obama looking presidential as he speaks at the podium.

But among my favorite pictures are those that show the human side of the story, the faces of the people who waited up to six or seven hours to watch Obama walk onto the stage and chart a path for the country over the next four years. Often, I would come across people from all walks of life who appeared mesmerized by Obama's words as he addressed rallies, spoke in Union Halls and bumped into people on the street.

 
It has been once-in-a-lifetime experience documenting the presidential campaign of Senator Obama, but while it's easy to think that the road to the White House has been covered and it's all over, the focus is now on the coming transition period until he is sworn-in to office on January 20, 2009 and then the critical first 100 days of his new administration. The American people and the world will be waiting to see how or if Obama can start delivering the change that they put him into office to create. He now has to prove that he can live up to the lofty expectations of an American public weary of a floundering economy, a war in two countries and other political strife. Reuters photographers will be there every step of the way to record the key moments as history continues to unfold before our eyes and our cameras.

Following an election rally in the small town of Pueblo, Colorado Democratic presidential candidate Barack Obama took his family for a meal at Jorge's Sombrero, a Mexican restaurant in the quaint desert town. Accompanying the Illinois Senator were a gaggle of dozens of traveling press, who managed to squeeze their way between the tables of diners, who I am sure had not expected their own meals to be interrupted by a sudden horde of tv cameras and correspondents charging in among the waitresses.

Obama, who it appears may be getting a little tired of the intense media attention that now follows his every move, this time played nicely for the cameras, following the previous day's incident where he appeared to run from the press on his way to a Halloween party in his Chicago neighborhood (previous blog entry). As eight traveling photographers managed to shoehorn their way into the four person booth opposite that of the Obama's, I thought this is appeared to be about as natural a scene as it can get, considering the popularity of the subject matter and the sheer number of press in that room.

TRICK OR TREAT! - Obama brings Halloween home.
 
Following a Halloween pumpkin shopping spree in Florida on Thursday (previous blog entry), U.S. Democratic Presidential nominee Barack Obama brought it home on Friday to celebrate Halloween with the family in Chicago. After carrying his pumpkin off the plane, Obama was soon spotted walking down the street in his neighbourhood, with his 7-year-old daughter Sasha in her ‘corpse bride’ outfit, as they went to visit with neighbors at a Halloween party.

The Obama ‘protective travel pool’, introduced only in recent months, now travels everywhere with the presidential nominee, a tight group of journalists, photographers and a television crew - with one spot being reserved for a Reuters News Pictures still photographer. The protective pool, similar to that of the U.S. president as part of the White House coverage, is in place in the event of news occurring that would require a presence of the media to record it, such as a presidential or candidate statement on an overseas crisis, or after all of the past attacks on U.S. presidents and U.S. presidential candidates, an attempt by someone to harm the candidate. For the most part however, it is just an exercise in endless patience.

Participation in the protective pool requires hours of patiently waiting for any chance of news and always requires an extremely early morning wake up time, even when the only thing to cover is the senator traveling one mile from his hotel to a local gym in the wee hours of the morning for a workout before starting his official engagements for the day. As with some recreational presidential movements in the Bush administration, Obama gym trips are "off the record" and not something we can photograph, a rule ordained by this particular campaign. We are there just 'in case' a newsworthy event or occurrence develops to cover that is not planned. If something truly striking or newsworthy other than him just walking in and out of a gymnasium occurs we will certainly photograph it and have pictures of it on the wire within minutes regardless of the "off the record" rule.

Another example of this protective coverage that rarely produces newsworthy pictures is when the president (or in this case the senator) goes out to a dinner at a restaurant or private home and the White House or presidential campaign media pool sit in a van outside for hours at night while our subject is inside enjoying his meal. A good suggestion for those wanting to experience this hurry-up-and-wait existence - be sure to bring an iPod and/or a good book!
 
Not expecting to see Senator Obama during his few precious hours at home with his family for Halloween on Friday, which is a much needed break from his busy campaigning in the remaining days of this election, the protective pool stood by just down the street from his house, now a miniature fortress of U.S. Secret Service roadblocks and fences in an upscale Chicago neighbourhood. As Halloween night unfolded, cute little kids started wandering around the streets with their parents, knocking on doors and seeking candy and chocolates from generous neighbours. In a departure from the norm of kids dressed as ghouls and witches, we couldn’t believe our luck when a boy came on the scene, dressed as none other than Barack Obama. Bored and looking for something to do, some local press and the Obama press travel pool pounced on the chance to 'interview' the boy, who took it all in his stride and asked people 'Can I count on your vote?’
 

As the light faded and night drew closer, we heard that Obama himself was on the move. Jumping into the travel pool bus, we quickly learned that Obama was going to visit with neighbors at a Halloween party a couple of blocks away, and he was going to walk the few blocks to get there!

After circling in the bus once around the block we spied Obama with his daughter Sasha already on a sidewalk near his home, and we all poured out of the bus to take advantage of the precious few seconds that he would be visible, before respecting his request that we be as unintrusive of his time with his children as possible. We shot a couple of pictures and left him alone. A Polish television crew, operating independently of the campaign staff chaperoned travel pool across the street, and who claimed not to have understood enough English to understand the situation, pursued Obama down the street, inspiring the presidential nominee to break into a run.

The accompanying journalists all speculated on the reason why the stroll became a jog. It was an unusual moment that was uncharacteristic for a man who has a reputation for keeping cool under pressure. Who would have guessed that it was the press that would spook Obama on Halloween?

For the account from the Reuters news wire of the incident see: Rare flash of anger from Obama on Halloween night.

Pumpkins, pumpkins everywhere! It's Halloween on the Obama presidential campaign trail.

One of the quirkiest American traditions I know, which, as a child growing up in Australia I didn't really experience and therefore still find a little hard to understand what it's all about, is Halloween. A custom brought over to the United States in some version by Irish immigrants in the 1800's, Halloween had its origins in a Celtic end-of-harvest festival celebrated by pagans, and in its modern form invokes ghoulish-themed activities such as trick-or-treating, ghost tours and the carving of jack-o'-lanterns from giant pumpkins.
 
Every four years the paths of Halloween traditions and the U.S. Presidential election collide and so it played out once again in front of the cameras Thursday, during our travels with Democratic Presidential candidate Barack Obama in Florida. Following a campaign rally in Sarasota, Florida, we passed by the United Methodist Church's pumpkin patch and stopped by for Obama to buy a couple of pumpkins.

 
Positioned a few vehicles back in the motorcade behind Obama's car, gathered in a bus were the 'embedded' photographers, journalists and cameramen, plus a smattering of local tv news crews and newspaper writers. The bus door flung open and we all spilled out onto the pavement, rushing like a stampeding herd of elephants over garbage cans and roadside curbs, resembling a Japanese game show where the winner is subjected to a series of punishing and humiliating hurdles in order to win the prize. Our prize today was a prime spot in just the right place to cover the five-minute pumpkin circus.

After a short walk around, trying to lift up what must have been the largest and heaviest pumpkin in the patch and feigning a sore back from the experience, Senator Obama narrowed his choice down to two more modest sized offerings and paid cash for them to the Methodist church volunteer. The proceeds of the pumpkin sale went to help the needy.
 
Once back at the airport, enroute to the next frenzied stop on the campaign tour in Virginia, one of the pumpkins took a flight of its own, thrown up the stairs of the campaign plane by Obama Trip Director Marvin Nicholson to Obama's Special Assistant Reggie Love.
 
Hours later and hundreds of miles away, rounding out what became the theme of the day, Senator Obama took to the stage during a late night election rally in Columbia, Missouri, where the stage was decked out with carved jack-o'-lanterns with a distinctly political theme, spelling out Obama's name and encouraging the American people to vote in the November 4 election.

Reuters Washington staff photographer Jason Reed is traveling with the campaign of Democratic presidential nominee Barack Obama through election day.

Bill Clinton finally stands on the same stage with and endorses Barack Obama in the flesh - just days before election day.

Once a political foe of Barack Obama as the former president actively and energetically embraced the presidential primary campaign of his wife, Hillary Clinton, it was only a matter of time before former President Bill Clinton had to rally in person behind the Democratic party's presidential nominee, Barack Obama.

The occasion finally came at a campaign rally in the ironically-named Florida town of Kissimee on Wednesday night. Throwing his full support behind Barack Obama, Bill Clinton appeared on stage with the Illinois senator and gave a rousing speech in his endorsement of the man who may become the first African-American president in U.S. history.

I would love to know what Obama was whispering into the ear of the former president as the rally wrapped up and they waved to the thousands that had gathered. As the rally drew to a close I tried to plot the best location to capture the final moments of the pair on stage together, and took a gamble to go to the back of the stage and do the reverse angle. When Obama leaned back and whispered something into Clinton's ear, I knew it was something different that the cameras at the front of the stage may not have captured. It was striking to see the most recent Democratic president and the potential next one on stage together as the final push for the U.S. presidential election escalates, with election day just days away.

The hardships that fervent supporters of political candidates go through to catch a glimpse of their man in public are sometimes amazing. In blustery rain, bordering on freezing sleet in the Pennsylvania college town of Chester, thousands gathered from the dawn hours to score a prime position in the front row of an outdoor rally with Democratic presidential nominee Barack Obama at Widener University. The conditions were so poor that in a gesture of compassion, Obama brought the event forward by about an hour so that the poor soaked and freezing souls could shorten their waiting time to hear his stump speech.

To protect our cameras from the conditions, a couple of plastic hotel laundry bags and some duct tape were employed as makeshift rain covers for our gear. Even though I go into covering all the events as if they were my last, I remember that no picture is worth a drowned camera which no longer functions! Without working equipment,  a photographer is relegated to being just a spectator to history.

Likewise, the young supporters of Obama had brought along whatever coats and other protective gear they could find. They endured hours of miserable conditions in the muddy grass. Their close proximity to each other in the chilly wind reminded me of those of arctic penguins who huddle close together in a brave attempt to survive the worst that Mother Nature has to offer. Funny also to see a couple of protesters with global warming banners in the crowd (pictured) who picked the wrong day to rally others to their cause, considering the temperatures were just above freezing at the time.

In between the standard pictures of Barack Obama arriving at the rally and of those delivering his speech, I kept looking back to see the faces of those that seemed to have put their bone-chilling hours behind them and were now seeming to hang on every word of Obama's typically impassioned speech.

In addition to those images, my favourite moment from the rally that goes some way to illustrating the appalling conditions was that of Obama's reflection in pool of rain water that had accumulated on the stage as he spoke to the crowd.

It is on extremely rare occasions that individual wire service photographers get exclusive behind the scenes access with the U.S. presidential candidates for even just a few moments during the 2008 campaign. When we do it represents a fleeting chance to grab a few unguarded moments where the candidates are more relaxed and less wary of scrutiny away from the glare of the lights and the constant presence of dozens of intrusive cameras and microphones. When you cover the same man, day in and day out, with most of the time spent jostling with dozens of other photographers to get essentially the same shots from the same positions, any chance to get a few exclusive unguarded moments with just the candidate and yourself is a huge bonus.