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Reuters blog archive

from Full Focus:

Burning Man

Over 65,000 revelers from all over the world gathered at the sold out festival to spend a week in the remote desert cut off from much of the outside world to experience art, music and the unique community that develops.

from India Insight:

First pictures of Taj Mahal to ‘Hairy family of Burma’: subcontinent photos from 1850-1910

A new exhibition in India’s capital showcases some of the earliest photographs from South Asia, taken between 1850 and 1910 when the region was under British rule.

Around 250 images from India, Sri Lanka, Myanmar and Nepal are on display at the “Drawn from Light: Early Photography and the Indian Sub-continent” exhibition in New Delhi.

from Breakingviews:

Now Dan Loeb, Sotheby’s director, has work cut out

By Richard Beales
The author is a Reuters Breakingviews columnist. The opinions expressed are his own.

Dan Loeb now has to help Sotheby’s catch Christie’s – not just blast its failure to do so. Christie’s on Tuesday threw down the gauntlet with a record $745 million contemporary art sale in New York. It’s one area of the business where Loeb has criticized Sotheby’s, which holds its rival auction on Wednesday.

from Photographers' Blog:

15 seconds

Sderot, Israel

By Finbarr O’Reilly

“If you want to learn about a city, look at its walls.”

-Greek graffiti artist iNO

In springtime, the fields around Sderot are carpeted with red and yellow flowers swaying in the breeze. Yet the pastoral setting is at odds with drab concrete tenements rising up from the impoverished Israeli city under constant threat of attack.

Nowhere in Israel has been as heavily bombarded as Sderot. More than 8,600 rockets fired from Gaza, the Palestinian territory controlled by the Islamist group Hamas, have landed in and around the city since 2001 according to the local media center. Ten people have been killed by rocket fire in Sderot since June 2005 and dozens more have been injured. Psychological stress also takes its toll.

from Felix Salmon:

The Wu-Tang’s self-defeating unique album

I've had a couple of requests to write about the economics of the The Wu – Once Upon A Time In Shaolin, the new album from the Wu-Tang Clan. The album is being released in a beautiful box, in an edition of exactly one:

Like the work of a master Impressionist, it will truly be one-of-a-kind.. And similar to a Monet or a Degas, the price tag will be a multimillion-dollar figure.

from India Insight:

Photo gallery: The body as an art form in India

Bodhisattva Head, 1st-2nd century AD (Lucknow State Museum)

Bodhisattva Head, 1st-2nd century AD (Lucknow State Museum)

‘The Body in Indian Art’, on exhibit at the National Museum in New Delhi, is a pan-India project showcasing over 300 artworks from 44 institutions. The show is an exhaustive study of the body’s myriad representations in Indian art, roughly covering a period of 4,000 years across regions, religion and culture.

The exhibition has been put up in eight adjoining galleries, each with a specific theme such as death, birth, divinity or rapture.

from India Insight:

Photo gallery: Inside is everything in Subodh Gupta show

Dada (2010-13) (grandfather)

Artist Subodh Gupta’s exhibition in New Delhi features images from everyday Indian life on a grand and theatrical scale. The cycle rickshaw, the sewing machine, utensils and the Mumbai taxi are some of the motifs that dominate his work in ‘Everything is Inside’.

The show, on view at the National Gallery of Modern Art in New Delhi, is an artist’s journey to the “inside” of his home and his roots. His preoccupation with utensils stems from his passion for cooking. And in ‘Bihari’, painted around the time he moved to Delhi in the 1990’s, the 50-year-old artist seeks to assert his regional identity.

from The Great Debate:

The other Egyptian crisis

Like most artists, I often wonder what art’s place is in a world that seems consumed by violence during these times of social upheaval.

It frequently seems like hell is breaking loose in the world while I work in the serenity of my art studio in New York. Like most people, I’d rather believe that what takes place outside of my comfort zone is only a fiction, that the terrible images and footage of people suffering are all fabricated. However, my daily conversations with my mother in Tehran are my constant reminder of how removed I am from reality. Indeed it is I who lives in a fiction, not them.

from Breakingviews:

Modern financial arts get special exhibition

By Jeffrey Goldfarb

The author is a Reuters Breakingviews columnist. The opinions expressed are his own.

Modern financial arts have been given a special exhibition. Washington’s estimable Corcoran Gallery, with its de Koonings and Twomblys, is being carved up like a common conglomerate. Los Angeles played host to a hostile museum takeover bid and Detroit’s restructuring features the paintings and sculptures of the city’s art institute. A blank spreadsheet is proving just as able to inspire as a canvas.

from Felix Salmon:

Is there opportunity in art history?

Last month, at an appearance in Wisconsin, Barack Obama made a mild dig at art history graduates like myself. “A lot of young people no longer see the trades and skilled manufacturing as a viable career,” he said, "but I promise you, folks can make a lot more potentially with skilled manufacturing or the trades than they might with an art history degree.”

It took Obama roughly 1.5 seconds to backtrack — or at least to emphasize that he loves art history. “I’m just saying,” he clarified, that "you can make a really good living and have a great career without getting a four-year college education, as long as you get the skills and training that you need.”

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