Reuters blog archive
from India Insight:
(The views expressed here do not represent those of Thomson Reuters)
Yet, Mathew manages to combine these elements into an unusual film that sparkles with humour and witty repartee, and despite a few bumps along the way, makes for a fun ride. The humour is reminiscent of TV sitcoms, and draws on several modern Indian pop culture references, including campy Bollywood songs and cult TV favourites like CID, to draw laughs.
At its heart, “Hasee Toh Phasee” is about Meeta and Nikhil, who meet a few days before he is to get married to her sister. Nikhil is stressed because his fiancée wants him to be successful and rich, while he is struggling with his event management business. When Meeta -- who gets mysterious phone calls from China; compulsively gulps down mysterious pills; and seems decidedly neurotic -- returns home, Nikhil is asked to take care of her and ensure she doesn’t ruin the wedding.
At first, he looks at Meeta (Parineeti Chopra) as a nuisance who just has to be kept at bay to ensure a stress-free wedding, but slowly, a bond develops. Alongside, the film also delves into the relationship between Meeta and her father, played endearingly by Manoj Joshi, and gives us some of the film’s most touching moments.
from India Insight:
The scene is in a theatre in Chennai. The lights go off and the screen flickers. The first images appear on screen, and the crowd goes nuts -- jumping in their seats, screaming incoherently. There is pandemonium, and the movie hasn't even started.
The object of this frenzy is a 62-year-old, balding man, known to his legion of fans as Anbu Thalaivar (beloved leader) -- Rajnikanth, aka Shivajirao Gaikwad, a former bus conductor who is arguably India's biggest film star.
from India Insight:
from India Masala:
(Any opinions expressed here are those of the author and not of Reuters)
Suparn Varma’s “Aatma”, about a violent man who abuses his wife in life and in death, is one film that doesn’t scare you most of the time. Instead, there is much twiddling of thumbs as you wait for the next predictable twist and yet another person to die on the way to the climax.
from Photographers' Blog:
By Danish Siddiqui
I believe that sometimes you learn about a city and its society from its local cinemas and the genre of films they choose to screen.
Coming from the heart of the Indian film industry in Mumbai, popularly known as Bollywood, I had no idea what to expect from the cinemas in Kabul. I had several questions on my mind. Did families go out to watch films or was it only a getaway for men? Is watching films at the cinema as popular as it is in other parts of the world? What kind of films entice the Afghan cinema-goer?
from The Great Debate:
The opinions expressed are his own.
Certain events are seared into the collective memory of those who lived at the time the event occurred. Those most affected are those who experienced the event during their critical ages of adolescence and early adulthood; those least affected are those who are born after the event occurred because of their psychological distance from the event. The attack on Pearl Harbor and the assassination of John F. Kennedy may be historical footnotes for those born after the event, but few that heard of the tragedy at the time fail to remember where they were or what they were doing when they first learned of its occurrence.
The collapse of the WTC may be even sharper on the mind than earlier historical events for those who lived through it. In part, this is due to the extensive television coverage that took place as the twin towers collapsed and to the ensuing search for survivors and cleanup efforts that followed. In part, it is also owing to the video-recording equipment widely available to the man on the street. This visual coverage of the collapse of the twin towers, the narrator of In Memoriam: New York City 9/11/2001 points out, is the reason it is “the most documented event in history.” The amount of film footage also explains the outpouring of documentaries examining the collapse.
Can't wait until Thanksgiving dinner to witness a pointless conversation between a pompous fundamentalist Christian and a sneering atheist? Then "The Ledge" is the movie for you.
Six months after Tunisia's uprising, religious tension is rising over the limits of freedom of expression, as Islamists challenge the dominance of liberals in what was once a citadel of Arab secularism. Last week several dozen men attacked a cinema in Tunis that had advertised a film publicly titled in French 'Ni Dieu, Ni Maitre' (No God, No Master) by Tunisian-French director Nadia El-Fani, an outspoken critic of political Islam.
A young bride silently sobs on the floor watching her mentally disturbed husband gorge on chicken, rub his greasy hands through his hair and scream at her for more, just another chapter in the couple's violent life together. Film director Saba Sahar anxiously watches the scene by the cameraman, squatting in blue jeans and wearing a bright pink headscarf. "Cut!" she calls.
Witch hunt or wise decision? That was the question on the lips of movie-goers, critics and executives at the Cannes film festival after the sudden expulsion of Danish director Lars Von Trier. The annual cinema showcase is the world's biggest and well-known as a haven for provocative voices like Von Trier's. But organizers clearly decided the 55-year-old director had overstepped the mark when he jokingly told the world press on Wednesday that he was a Nazi who sympathized with Hitler.