Reuters blog archive
from India Insight:
The scene is in a theatre in Chennai. The lights go off and the screen flickers. The first images appear on screen, and the crowd goes nuts -- jumping in their seats, screaming incoherently. There is pandemonium, and the movie hasn't even started.
The object of this frenzy is a 62-year-old, balding man, known to his legion of fans as Anbu Thalaivar (beloved leader) -- Rajnikanth, aka Shivajirao Gaikwad, a former bus conductor who is arguably India's biggest film star.
People who don't know Indian cinema beyond the concept of Bollywood are unlikely to know who Rajnikanth is. He is by far the brightest star in a constellation of actors in the many centres of regional-language films in India. West Bengal, Tamil Nadu, Karnataka, Kerala, Maharashtra, Assam and Punjab are among the Indian states that feature a rich historical and contemporary cinema, usually in their people's local languages, especially for the benefit of the millions of Indians who speak little or no Hindi.
These local film industries often are financially successful in their own right, with many stars in these markets taking a shot at Bollywood success where the big time means covering the whole country. Rajnikanth has acted in some Bollywood films, but is among the few to have achieved country-wide stardom in the southern Indian languages of Tamil, Telugu, Kannada and Malayalam.
from India Insight:
from India Masala:
(Any opinions expressed here are those of the author and not of Reuters)
Suparn Varma’s “Aatma”, about a violent man who abuses his wife in life and in death, is one film that doesn’t scare you most of the time. Instead, there is much twiddling of thumbs as you wait for the next predictable twist and yet another person to die on the way to the climax.
from Photographers' Blog:
By Danish Siddiqui
I believe that sometimes you learn about a city and its society from its local cinemas and the genre of films they choose to screen.
Coming from the heart of the Indian film industry in Mumbai, popularly known as Bollywood, I had no idea what to expect from the cinemas in Kabul. I had several questions on my mind. Did families go out to watch films or was it only a getaway for men? Is watching films at the cinema as popular as it is in other parts of the world? What kind of films entice the Afghan cinema-goer?
from The Great Debate:
The opinions expressed are his own.
Certain events are seared into the collective memory of those who lived at the time the event occurred. Those most affected are those who experienced the event during their critical ages of adolescence and early adulthood; those least affected are those who are born after the event occurred because of their psychological distance from the event. The attack on Pearl Harbor and the assassination of John F. Kennedy may be historical footnotes for those born after the event, but few that heard of the tragedy at the time fail to remember where they were or what they were doing when they first learned of its occurrence.
The collapse of the WTC may be even sharper on the mind than earlier historical events for those who lived through it. In part, this is due to the extensive television coverage that took place as the twin towers collapsed and to the ensuing search for survivors and cleanup efforts that followed. In part, it is also owing to the video-recording equipment widely available to the man on the street. This visual coverage of the collapse of the twin towers, the narrator of In Memoriam: New York City 9/11/2001 points out, is the reason it is “the most documented event in history.” The amount of film footage also explains the outpouring of documentaries examining the collapse.
Can't wait until Thanksgiving dinner to witness a pointless conversation between a pompous fundamentalist Christian and a sneering atheist? Then "The Ledge" is the movie for you.
Six months after Tunisia's uprising, religious tension is rising over the limits of freedom of expression, as Islamists challenge the dominance of liberals in what was once a citadel of Arab secularism. Last week several dozen men attacked a cinema in Tunis that had advertised a film publicly titled in French 'Ni Dieu, Ni Maitre' (No God, No Master) by Tunisian-French director Nadia El-Fani, an outspoken critic of political Islam.
A young bride silently sobs on the floor watching her mentally disturbed husband gorge on chicken, rub his greasy hands through his hair and scream at her for more, just another chapter in the couple's violent life together. Film director Saba Sahar anxiously watches the scene by the cameraman, squatting in blue jeans and wearing a bright pink headscarf. "Cut!" she calls.
Witch hunt or wise decision? That was the question on the lips of movie-goers, critics and executives at the Cannes film festival after the sudden expulsion of Danish director Lars Von Trier. The annual cinema showcase is the world's biggest and well-known as a haven for provocative voices like Von Trier's. But organizers clearly decided the 55-year-old director had overstepped the mark when he jokingly told the world press on Wednesday that he was a Nazi who sympathized with Hitler.
from Photographers' Blog:
The inhabitants of a Caribbean fishing village with no cinema, have become movie stars.
When I was invited to attend the screening of the movie “The Kid Who Lies” (El Chico que Miente) in the same village on Venezuela’s Caribbean coast where it was filmed, I had no doubt it would be a fantastic experience.