Reuters blog archive
(Photo: An archive negative image of the Shroud of Turin (L) next to one created by Luigi Garlaschelli and released in Pavia, Italy, on 5 Oct 2009/Turin Diocese (L) and Luigi Garlaschelli (R)/Turin Diocese (L) and Luigi Garlaschelli)
Italian scientist Luigi Garlaschelli tells me he has been getting lots of hate mail as well as emails of support since our Oct 5 story that he had reproduced the Shroud of Turin with material available in the Middle Ages, a feat that he says proves definitively that the linen some Christians revere as Jesus Christ's burial cloth is a medieval fake.
Given the controversy that has surrounded the Shroud, particularly since the 1988 carbon dating tests, this was hardly a surprise. One of Christianity's most disputed relics, it is locked away at Turin Cathedral in Italy and rarely exhibited. It was last on display in 2000 and is due to be shown again next year. The Catholic Church does not claim the Shroud is authentic nor that it is a matter of faith, but says it should be a powerful reminder of Christ's passion.
How much fun -- really -- can you make of religion? A U.S. marketer of board games may find out with "Playing Gods" which it calls "the world's first satirical board game of religious warfare." It had its European premier this week at the London Toy Fair and will make a U.S. debut at the New York Toy Fair in February.
Ben Radford, head of the company that put the game together, said in a news release it is designed for two to five players who act as "gods" and ...
When John Lennon said in 1966 that the Beatles were "more popular than Jesus," there was a furious reaction in the United States. Dozens of radio stations in the South and Midwest banned Beatles music and some concert venues cancelled scheduled appearances by the band. Their manager Brian Epstein quickly flew to the U.S. to try to quell the storm. Soon afterward, Lennon told a news conference in Chicago that he was sorry for making the comparison, although he added he still thought it was true. The Vatican, as far as I can see from online archives, stayed silent and aloof even thought it could hardly agree with or approve Lennon's message. (Photo: Japanese band performs in Lennon's memory, 8 Dec 2005/Toshiyuki Aizawa)
When the Vatican daily L'Osservatore Romano came out with a nostalgic look back at the Beatles on the 40th anniversary of their 1968 White Album on Saturday, it lead off the article with Lennon's famous quote and promptly shrugged it off. "The remark by John Lennon, which triggered deep indignation mainly in the United States, after many years sounds only like a 'boast' by a young working-class Englishman faced with unexpected success, after growing up with the legend of Elvis and rock and roll," it wrote. The Beatles' music was creative and original, even more so than their haircuts and clothes, and has stood the test of time, it said. The Italian-language original has now been overtaken on the OR website by the latest edition, but an English translation will certainly pop up somewhere (on Zenit?).
Did Rick Warren's Saddleback Civil Forum with John McCain and Barack Obama violate the separation of church and state? Was it right for a pastor to ask U.S. presidential candidates about their belief in Jesus Christ or their worst moral failures? Will the success of the Saddleback Civil Forum mean that major televised interviews or debates about faith will become a regular fixture in American political campaigns?
I didn't think questions like this got enough of an airing in U.S. media before Saturday's event. The fact that Warren made it such an interesting evening made me think the fundamental question -- should there be a televised "faith quiz" at all? -- would be crowded out of the public debate. The initial reactions angled on the winner/loser question or the "cone of silence" issue seemed to bear this out. But some commentators and blogs are now zeroing in on the deeper question.
from Fan Fare:
Creation is different. One of the biggest Christian music festivals in the United States, it has a dress code (no bare bellies for girls, shirts to be worn at all times by both sexes) and alcohol and drugs are strictly off limits.
The Creation Festival drew around 70,000 people to rural Pennsylvania last month to listen to Christian music, ranging from hard rock to R&B, hip-hop and punk.
The mainstream Austrian press has now got hold of the debate over a controversial exhibition in Vienna's Cathedral Museum and the director is wading right in. Austrian papers have not given the Alfred Hrdlicka exhibition too much attention until recently. The celebrated 80-year-old Austrian artist's outspokenness and bold paintings are nothing new to country with a tradition for daring art.
Now the museum's director Bernhard Böhler has told Die Presse newspaper he is amazed by the fierce criticism the museum has received for exhibiting a homoerotic version of the Last Supper, which had to be taken down on the request of Vienna's Cardinal Christoph Schönborn. The exhibition provoked some complaints from visitors but it was the uproar on religious blogs in German and in the United States that really hit both the museum and the cardinal hard.
We recently wrote about an exhibition in Vienna's Roman Catholic Cathedral which has caused quite a stir -- it included a homoerotic version of Christ's Last Supper by Austrian artist Alfred Hrdlicka. The picture was quickly taken down at the request of Cardinal Christoph Schönborn, the archbishop of Vienna.
The cardinal has now made a statement about the exhibition regretting the work was ever shown but describing Hrdlicka as one of Austria's most notable artists. He also says art inspired by biblical subjects is something to be welcomed, even if the artists themselves are atheists. The full statement, sent to Reuters in English, is copied below.
The sketchy black-and-white picture shows the Twelve Apostles drinking, dancing, and well, getting extremely friendly with each other. It certainly isn't the version of Christ's Last Supper that most people are familiar with...
Austrian artist Alfred Hrdlicka's version of the Last Supper as a homosexual orgy was supposed to be one of the highlights of an exhibition at the Dommuseum, the museum of Vienna's Roman Catholic cathedral. An initial favourable review by the local Catholic news agency didn't seem to find anything wrong. But blink and it's gone -- thanks to the intervention of Cardinal Christoph Schönborn, the archbishop of Vienna, after the painting sparked criticism in Austria and as far away as the United States. Here's a protest article in German (with 61 comments and an explicit video about the exhibition) and a comically bad machine translation into English.