Reuters blog archive
from Photographers' Blog:
By Bobby Ranoco
Covering the grand procession of the Jesus of the Black Nazarene is not easy, even though I do it annually. Every year on January 9, millions of devotees crowd the streets as a life-sized, dark, wooden sculpture of Jesus Christ carrying the cross is brought through Manila’s old city.
I began to prepare days before the procession and sought permission to get a vantage point on the rooftop of the Quirino Grandstand at Luneta Park, where the procession begins, and on top of other buildings surrounding the route, to produce photographs from a bird’s eye view. It was my first time photographing from the rooftop of the Quirino Grandstand. I had to do my research on how my photographs would turn out at such an angle.
As I did all this, I was praying hard for guidance from the Jesus of the Black Nazarene that all my requests would be approved. He heeded my prayers: everything was approved and ran smoothly with time to spare.
January 9 arrived and while everyone else was sleeping, I woke up at 3 a.m. because we had to be at the grandstand by 5 a.m. to give us an hour to prepare before the mass. At last, the organizer asked me and the other local photographers to position ourselves on the rooftop.