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from India Insight:

Movie Review: Finding Fanny

(Any opinions expressed here are those of the author and not of Thomson Reuters)

In Homi Adajania's version of Goa, there are winding pathways, crumbling mansions, and the sleepy village of Pocolim where "life doesn't pass you by, it passes you by at the pace you want it to."

There is an oddball cast of characters to add to the picturesque location, and some lovely lines. The setting is perfect for a road movie with quirky characters, but Adajania's film falters for want of a strong premise and its inability to see these characters and their story to some sort of a rightful conclusion.

There is Angie (Deepika Padukone), a young widow who lives with her rather crabby mother-in-law Rosie (Dimple Kapadia) and a cat named Nareus. Angie is friends with Ferdie (Naseeruddin Shah), a lonely old man who pines for the love of his life - a woman who he thinks turned him down. Thanks to the chance discovery of a decades-old letter, he finds that this isn’t the case. Angie insists that they must find Fanny and achieve closure. No one, she tells Ferdie, deserves an incomplete love story.

Angie enlists the help of Savio (Arjun Kapoor), her one-time friend, who fell in love with her but left the village after she married another man. Back in Pocolim after six years, Savio spends his time rifling through his ancestral home and looking longingly at Angie’s long legs as she passes him by. Angie decides she needs Savio’s old car for the road trip, but since the car has been sold to local artist Don Pedro (Pankaj Kapoor), they both also come along for the ride.

from India Insight:

Movie Review: Raja Natwarlal

(Any opinions expressed here are those of the author and not of Thomson Reuters)

Kunal Deshmukh, going by his filmography, loves two things - Emraan Hashmi and cricket. After "Jannat" - a movie about cricket and match fixing - and the caper film "Jannat 2", director Deshmukh seems to have combined the storylines for his latest offering - a caper film about cricket starring Hashmi.

Raja Natwarlal"Raja Natwarlal" is a flimsily written and half-heartedly directed film, which falls short of its lofty ambitions because no one associated with it seems to have any concern for detailing or authenticity on celluloid.

from India Insight:

Movie review: Supercop ‘Singham Returns’ with a roar

(Any opinions expressed here are those of the author and not of Thomson Reuters)

He can punch legions of hired hoodlums into submission. Troublemakers on speeding bikes can’t get past him, for he grabs them by their collars without suffering so much as a sprain. His stunts are out of this world, because gravity bends to his will and friction doesn’t slow him down.

4Meet Bajirao Singham, the one-man army in director Rohit Shetty’s ‘Singham Returns’, a black-and-white world of sententious dialogue, over-the-top action, loud background music and mildly entertaining humour.

from India Insight:

Movie Review: This ‘Pizza’ is half-baked

(Any opinions expressed here are those of the author and not of Thomson Reuters)

If the rule of thumb to gauge the worth of a horror movie is how badly it scares you, then Akshay Akkineni’s supernatural thriller ‘Pizza’ is successful only in parts. That’s tragic, considering the plot held promise and would’ve worked had it been treated more intelligently and with attention to finer detail.

pizzaaKunal (Akshay Oberoi) and Nikita (Parvathy Omanakuttan) are a married couple. Kunal is a pizza delivery man while Nikita writes horror novels. Money is scarce and they struggle to make ends meet. One night Kunal delivers a pizza to a woman (Dipannita Sharma) at her bungalow.

from India Insight:

Movie Review: ‘Lekar Hum Deewana Dil’ is an insipid disaster

(Any opinions expressed here are those of the author and not of Thomson Reuters)

Director Arif Ali’sLekar Hum Deewana Dil” will try your patience from the word go, so here’s a game you can play to make the experience more tolerable. It’s called ‘Spot the Movie’ and its rules are simple: name the films that this particular snorefest reminds you of. I promise you, there’ll be many.

In “Lekar Hum Deewana Dil”, Karishma Shetty (Deeksha Seth) and Dinesh ‘Dino’ Nigam (Armaan Jain) are college classmates in Mumbai who get along like a house on fire. Everyone else is convinced they are in love but the lead pair says they are just good friends. Such good friends that Karishma begs Dino to marry her to avoid the arranged marriage her rich, tyrannical father has planned for her. They elope when neither family consents to the match.

from India Insight:

Movie Review: ‘Humshakals’ is best avoided

(Any opinions expressed here are those of the author and not of Thomson Reuters)

In the opening scene of director Sajid Khan's "Humshakals" (lookalikes), Ashok Singhania (Saif Ali Khan) rattles off a series of unfunny jokes at a club as unamused guests flee. In a way, the scene is a sign of things to come, portending a long-winded tale with dull, contrived and ineffective humour.

Humshakals With "Humshakals", Sajid Khan returns with his particular brand of slapstick comedy (remember "Housefull"?). The plot is predictably threadbare. Ashok is taking care of his comatose father’s business empire; he’s an amateur comedian, a devoted son and a caring lover. Kumar (Riteish Deshmukh) is his best friend. Then there is Kunwar Amar Singh (Ram Kapoor), Ashok's scheming maternal uncle who wants to seize his property by proving he is mentally unstable.

from India Insight:

Movie Review: Bhoothnath Returns

(Any opinions expressed here are those of the author and not of Thomson Reuters)

The one thing to be said for Nitesh Tiwari’s “Bhoothnath Returns” is that it has impeccable timing. At a time when India is caught up in election fever, and every TV news channel is celebrating “the dance of democracy”, the film delivers the same message, albeit with a higher budget and a stronger medium than public service advertisements.s

Combining a children’s film with a sermon on the importance of voting couldn’t have been easy, and at times, the film falters. Yet, you cannot help but warm up to the characters and the rather uneven storyline, thanks to the generous dose of honesty that director Tiwari brings to the table.

from India Insight:

Movie review: Youngistaan

(Any opinions expressed here are those of the author and not of Thomson Reuters)

Syed Ahmad Afzal's "Youngistaan" is supposed to be a funny and clever look at the reign of a carefree young man who finds himself sworn in as the prime minister of India.

Abhimanyu Kaul (Jackky Bhagnani), the son of the incumbent premier, is partying one minute and sitting by his dying father's bedside the next. Our young hero is oblivious to his parent dying of cancer and knows nothing about the vagaries of politics in India, but is still trusted with the highest office in the country.

from India Insight:

Movie Review: Bewakoofiyaan

(Any opinions expressed here are those of the author and not of Thomson Reuters)

Nupur Asthana’s “Bewakoofiyaan” deals with money, its effects on modern-day relationships, and how couples deal with societal pressures.

But the treatment of the film is quite outdated. There are autocratic fathers who don’t trust their daughters, and grown men who are out of a job but splurge on vacations and designer clothes.

from India Insight:

Movie Review: Gulaab Gang

(Any opinions expressed here are those of the author and not of Thomson Reuters)

Soumik Sen's "Gulaab Gang" wants to assure us, through its promos and marketing campaigns, that it speaks of women's empowerment and the power they can wield against a corrupt and insensitive system.

On the contrary, this is a movie that does women’s empowerment a huge disservice -- it depicts the protagonists as one-dimensional characters; equates justice with mob violence; and would have you believe that the punishment for a heinous crime is to slice off the perpetrator’s body parts.

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