from India Insight:

Movie Review: Ab Tak Chhappan 2

February 27, 2015

(Any opinions expressed here are those of the author and not of Thomson Reuters)

Shimit Amin’s “Ab Tak Chhappan” (“56 So Far”, which refers to the number of gangsters the protagonist has killed) was a slick film about an encounter cop with a heart of gold. Aejaz Gulab’s sequel to the 2004 police drama takes away all the good qualities but retains the film-making style of the original film’s producer Ram Gopal Varma - streaky shots, contorted camera angles, and ear-shattering background music.

from India Insight:

Movie Review – MSG: The Messenger of God

February 13, 2015

(Any opinions expressed here are those of the author and not of Thomson Reuters)

Watching most Bollywood movies calls for a healthy suspension of disbelief, but if you dare make the trip to see the wonder that is “MSG: The Messenger of God”, make sure to leave behind every ounce of common sense or sanity that you possess, and submit yourself to the events unfolding on screen.

from India Insight:

Movie Review: Shamitabh

February 6, 2015

(Any opinions expressed here are those of the author and not of Thomson Reuters)

Every director has his muse. Farah Khan has Shah Rukh Khan, Ayan Mukerji has Ranbir Kapoor, and R Balki has Amitabh Bachchan. The one actor they admire so much that, at times, their films are nothing more than a simpering tribute to their favourite artist.

from India Insight:

Movie Review: Hawaizaada

January 30, 2015

(Any opinions expressed here are those of the author and not of Thomson Reuters)

At first glance, Vibhu Puri’sHawaizaada” ("Prince of the air") looks like it’s been made from the leftover set pieces of a Sanjay Leela Bhansali film. You are treated to opulent mansions, cobbled streets and raindrops falling in slow motion. While they make for great visuals, they don’t really help the story.

from India Insight:

Movie Review: Rahasya

January 30, 2015

(Any opinions expressed here are those of the author and not of Thomson Reuters)

Manish Gupta’sRahasya” (mystery) might be in the news for being loosely based on the Aarushi Talwar double murder case, but other than a few cosmetic details, the film is more of an ode to "Queen of Crime" Agatha Christie.

from India Insight:

Movie Review: PK

December 19, 2014

(Any opinions expressed here are those of the author and not of Thomson Reuters)

First things first. All those guesses about who PK is were right after all. Aamir Khan’s bulging eyes, pointy ears and unblinking stares do mean that he is an alien from a planet far, far away, who lands on earth to “research” us human beings.

from India Insight:

Movie Review: Action Jackson

December 5, 2014

(Any opinions expressed here are those of the author and not of Thomson Reuters)

There's a scene in the rock music mock documentary "This Is Spinal Tap" in which Christopher Guest, playing the brainless guitarist Nigel Tufnel, shows off his amps to a documentary filmmaker. One special amp, he says, is so loud that its dials don't just go up to 10, they go to 11.

from India Insight:

Movie Review: Sulemani Keeda

December 5, 2014

(Any opinions expressed here are those of the author and not of Thomson Reuters)

Sulemani Keeda“Sulemani Keeda”, a slacker comedy about two struggling writers in Bollywood, seems like an inside joke that only a few people are let in on. Produced on a shoe-string budget, it almost seems like the director is describing his own struggling days through the film. And while it might be an engaging story, most people may not be able to relate to it.

from India Insight:

Movie Review: Ungli

November 28, 2014

(Any opinions expressed here are those of the author and not of Thomson Reuters)

 Rensil D’Silva’s “Ungli” (The Finger), about a gang of vigilantes who set out to right the wrongs in a rotting system, seems to take off from where “Rang De Basanti” (a film he co-wrote) ended. Young, angry and frustrated, four friends form a secret organisation that aims to get rid of every single pet peeve that the Indian urban middle class has - from corrupt government officials to errant rickshaw drivers and bribe-seeking traffic policemen.

from India Insight:

Movie Review: Zed Plus

November 28, 2014

(Any opinions expressed here are those of the author and not of Thomson Reuters)

One of the reasons whyA photo taken from the official Facebook page of "Zed Plus" Adil Hussain took the lead role in Director Chandra Prakash Dwivedi's "Zed Plus" (a play on ‘Z-plus security’, the highest level of security provided by the government to VIPs barring the prime minister) was that he felt it was a rare and sensible Bollywood script.