Reuters blog archive
from Russell Boyce:
I do enjoy a coincidence. The week after calls for prodemocracy demonstrations under the social media tag of "Jasmine Revolution" and the week before the National People's Congress (NPC), International journalists (and I of course include photographers under this title) are brought in by the authorities for "chat". During the "chat" they are reminded of the terms of their journalist visas and how quickly these visas can be revoked if the rules are broken on illegal reporting. Also outlined are places that special permission is needed to report from, Tiananmen Square heading the list. Our picture of a member of the PLA leaving the Great Hall in Tiananmen Square appearing to almost step on the photographer with this low angle picture, as I said I do love a coincidence.
A military delegate from the Chinese People's Liberation Army (PLA) leaves the Great Hall of the People after a meeting during the annual session of China's parliament, the National People's Congress, in Beijing March 4, 2011. China said on Friday that its official military budget for 2011 will rise 12.7 percent over last year, returning to the double-digit rises that have stoked regional disquiet about Beijing's expanding strength. REUTERS
Inside the Great Hall Jason shot this fantastic, Daliesque image of the headless conductor who appears to radiate waves from the central red star that has replaced his head. Another picture that caught my eye is the image of the patient watching the national address by China's Premier Wen Jiabao from her hospital bed. I wonder if the remote is within reach as these speeches tend to go on for quite a long time and imagine that if you are in hospital in pain there is only so much economic news you can absorb at one time ? Moving away from Beijing and the NPC I am really drawn to Aly's picture of the construction site which was shot to illustrate the housing inflation story in China (not an easy one at any stretch of the imagination). The metal reinforcement supports look like leafless trees, the solitary figure trudging through a lifeless, snowy landscape.
The conductor of a military band performs during the rehearsal prior to the opening ceremony of the National People's Congress (NPC) at the Great Hall of the People in Beijing March 5, 2011. REUTERS/Jason Lee
from Russell Boyce:
As India heads towards their Republic Day celebrations, Prime Minister Singh makes minor adjustments to his cabinet while outside on the streets people demonstrate over food and fuel price inflation and corruption. Adnan Abidi produces a great picture as a middle-aged demonstrator gets to feel the full force of a police water canon. In stark contrast, B Mathur gets a glimpse of the dress rehearsal of the full military parade planned to celebrate India's independence where the security forces are deployed in a somewhat different manner. Danish Siddiqui added to the file this week with a well seen picture to illustrate a government spending initiative with a man pulling a pipe across a building site, the shadow creating an eye like image that almost seems to wink at the viewer.
Police use water canons to disperse supporters of India's main opposition Bharatiya Janata Party (BJP) during a protest in New Delhi January 18, 2011. Thousands of the supporters on Tuesday in New Delhi held a protest against a recent hike in petrol prices and high inflation. REUTERS/Adnan Abidi
from Russell Boyce:
This week the blog should be called A Week (and a few extra hours ) in Pictures as I wanted to share a couple of images that came in late last Sunday and evaded my net as I trawled through the file. Both are from Thailand and both were shot by Sukree Sukplang. The first is a strong portrait of Thai King Bhumibol Adulyadej as he leaves hospital in a wheelchair to attend a ceremony to celebrate his 83rd birthday. The picture seems to me to mirror the respect that the Thai people have for their King. What makes me think this I am not sure; maybe its the side light which creates studio-like modelling on the king's face highlighting every detail of his appearance, the crispness of the clothes, the beauty of the ceremonial medals and the rich colour of the royal sash. Or maybe it's just the way he is looking back into the lens, his eyes full of dignity and determination.
Thailand's King Bhumibol Adulyadej leaves the Siriraj Hospital for a ceremony at the Grand Palace in Bangkok December 5, 2010. King Bhumibol celebrates his 83rd birthday on Sunday. REUTERS/Sukree Sukplang