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from India Insight:

Movie Review: ‘Sonali Cable’

(Any opinions expressed here are those of the author and not of Thomson Reuters)

Handout picture from the movie "Sonali Cable"Charudutt Acharya’s “Sonali Cable” telegraphs its intention in the title: it’s a communications movie, focusing on the Internet, that part of Indian urban life that has become indispensable to the growing ranks of India’s middle class. Grandparents use it to speak to their grandchildren living a continent away, bored housewives surf for erotica, and pot-bellied businessmen use it to run their businesses from home.

The growing need for Internet service is one well met by our baudy hero Sonali (Rhea Chakraborty), owner of a small cable service business. She is super-charged like the Energizer Bunny, jumping between buildings, flinging cable wires as enthusiastically as her dialogue, and zooming in and out of the screen with a perpetual grin plastered across her face. She’s a whiz with wires and definitely not the cable guy that the company usually sends out to hook up your service.

Like most smaller businesses in the communications field, Sonali is ripe for a buyout even though it seems like she has no intention to sell. That’s OK because the big, evil Shining Corporation, led by the hammy Anupam Kher (what is that cotton swab doing in his ear?), has no intention to make an offer, other than one she can’t refuse. She isn’t one to bow to threats, however, so she recruits Raghu (Ali Fazal), her childhood friend and son of local politician Meena (Smita Jaykar), to help her expand her business.

Handout picture from the movie "Sonali Cable"But the Shining gang isn’t having it, despite controlling most of the rest of the Internet access in Mumbai. It refuses to let Sonali enjoy a monopoly on her block, and isn’t above destroying property, committing fraud and even killing people to get what it wants. (Someone should have told them that decreasing the population means shrinking your potential subscriber base.)

from Expert Zone:

First Drive: Mercedes-Benz GLA

(Any opinions expressed here are those of the author and not of Thomson Reuters)

The trend of luxury crossovers was started by BMW with the X1. Audi followed suit with its Q3 and Mercedes-Benz is now entering the game with the GLA.

On sheer looks, Mercedes-Benz seems to have got it right with the GLA. It’s a great effort of making the A-Class hatchback look like a crossover. Though they may not have managed to pull off a crossover per se, the GLA definitely looks well proportioned and flaunts pronounced curves. It even looks slightly muscular from some angles. It’s a bit odd, as the GLA - to the keen eye - will look more proportionate and attractive in comparison to the A-Class. The A-Class now comes across as the GLA that the Hulk sat on.

from Breakingviews:

VC bigwigs reveal Valley’s contradictions

By Richard Beales

The author is a Reuters Breakingviews columnist. The opinions expressed are his own. 

A venture capitalist who can co-opt the opening lines of “Anna Karenina” to make a business point deserves attention. In Peter Thiel’s case, he also started PayPal and Palantir Technologies and invested early on in Facebook. His new book, “Zero to One,” describes possible features of the next peerless, world-changing startup – another Google, say.

from India Insight:

Movie Review: Gunday

(The views expressed here do not represent those of Thomson Reuters)

Ali Abbas Zafar’s “Gunday” is a film set in the 1970’s and 80’s, amid the grime of the coal mafia. It is supposed to be a gritty film about two friends and their undying bond, which is broken when a girl enters their lives.

“Gunday” is a throwback to the cinema of the 70’s and 80’s when the wronged hero was still virtuous; the heroine was seductive but still coy; and the system was something you had to fight against to get what was rightfully yours. Director Zafar gives us a more polished version of those films.

from Breakingviews:

Review: The puzzle of Fred Goodwin’s rise and fall

By Peter Thal Larsen

The author is a Reuters Breakingviews columnist. The opinions expressed are his own.

Early in 2009, the British government was preparing to bail out Royal Bank of Scotland for the second time in four months. An emergency injection of capital in October 2008 had failed to shore up confidence. Now taxpayers were being asked to cover potential losses on almost 300 billion pounds of toxic RBS assets. Yet as the details of the rescue were finalised, British public opinion was in uproar over a much, much smaller sum: the 700,000 pound a year pension being paid to Fred Goodwin, the bank’s former chief executive.

from Breakingviews:

Review: The rise and fall of an Asian tycoon

By Katrina Hamlin

(The author is a Reuters Breakingviews columnist. The opinions expressed are her own.)

Mohsin Hamid understands corruption. His new novel, How to Get Filthy Rich in Rising Asia, is as insightful fictional portrait of a crooked yet oddly sympathetic tycoon. Hamid doesn’t condone skullduggery, but this detailed profile is an instructive guide to a darker side of rising Asia.

from Breakingviews:

Review: Tales from China’s wild lending frontier

By Peter Thal Larsen

(The author is a Reuters Breakingviews columnist. The opinions expressed are his own)

Joe Zhang has impeccable timing. The former investment banker’s book about running a small Chinese microcredit firm, “Inside China’s Shadow Banking”, has hit shelves just as concerns about the country’s runaway credit boom are capturing global headlines. Yet despite the title, it’s China’s state-owned banking system that emerges as the tale’s dysfunctional villain.

from India Masala:

Gippi: The pains of growing up

(Any opinions expressed here are those of the author and not necessarily of Reuters)

Handout still from "Gippi"Sonam Nair’s “Gippi” is the coming-of-age tale of a teenage girl who stumbles through life dealing with the typical crises of adolescence. Boys, parents, body image, acne and Shammi Kapoor come together to form the crux of this story, one that was probably written with the help of a handbook on how to script a teen movie.

from India Masala:

Go Goa Gone: Die laughing

(Any opinions expressed here are those of the author and not necessarily of Reuters)

A handout still from "Go Goa Gone".To enjoy Raj Nidimoru and Krishna DK's "Go Goa Gone", you have to ignore the tacky effects and the bad make-up and concentrate on the wisecracks and repartee between the main characters. Once you’ve done that successfully, get ready to buckle in for what is an unexpectedly fun ride.

from India Masala:

The Attacks of 26/11: Revisiting the ghosts of Mumbai

(Any opinions expressed here are those of the author and not of Reuters)

Just before the intermission in Ram Gopal Varma's "The Attacks of 26/11", a police constable stumbles around with a rifle, searching for the two gunmen who had just wreaked havoc at Mumbai’s busiest train station. He slumps to his feet on the blood-stained floor and lets out a cry of anguish.

There are prolonged shots of a dead dog, fake blood squirting out of people, and much gore on screen as Varma recreates the horrifying events of Nov. 26, 2008. If the aim of the film is to chronicle these for posterity, this is certainly not how the story should be told.

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