An untitled work by abstract painter Vasudeo S. Gaitonde sold on Dec. 19, fetching $3.7 million (237 million rupees) – a record for modern Indian art. Another of his works will be the showpiece in Sotheby’s South Asian art sale in New York in March. It’s not just Gaitonde. The Christie’s auction raked in $15.4 million (966 million rupees), doubling pre-sale estimates and defying the economic downturn. A November report by art market analysts Art Tactic said confidence in Indian modern art was on the rise.
Each evening, after pulling their shutters down, sari salesmen in Delhi’s Chandni Chowk market sit down for three hours to fold their wares: embroidered, embellished saris and lehengas that customers browsed all day.
Lehengas, embroidered and pleated long skirts, are serious business in Chandni Chowk, a busy Mughal-era market whose name means “moonlit square”. Despite numerous boutiques and malls opening across New Delhi, the old wedding market has kept its charm, its customers and its business.
Two Indian social media consultants, Avinash Kalla and Bhaskar Pant, plan to release “Twittamentary India”, a film made in collaboration with Singapore-based documentary filmmaker Tan Siok Siok. Like Siok’s 2012 original “Twittamentary”, the new film will take a look at the Twitter community with the help of people on the social media website. “Twittamentary India” will explore the interactions that politicians, journalists and ordinary people have on Twitter in the country.
(Also read: Twitter in India to come alive in new documentary)
Arnika Thakur spoke to Siok about social media, “Twittamentary” and how India became the first country chapter. Edited excerpts from the interview.
Four years ago, Singapore-based documentary filmmaker Tan Siok Siok asked her Twitter friends to contribute ideas for a Twitter documentary. That was the beginning of her crowd-sourced film ‘Twittamentary’. She spent three years travelling across the United States, meeting strangers and documenting experiences on Twitter as she made the film.
Later this year, two Indian social media consultants, Avinash Kalla and Bhaskar Pant, in collaboration with Siok, plan to release a new film for India. “Twittamentary India” will look at the interactions that politicians, journalists and ordinary people have on Twitter in the country.
It’s been a hundred years since the first Indian feature film “Raja Harishchandra” in 1913. Since then, Bollywood has made tens of thousands of films – good, bad and middling.
Tell us the movie that you feel is Bollywood‘s best. To help you make that choice, we have compiled a list of 100 films we have seen and loved, films that are sensitive and sensible in their own way and films that brought ‘larger than life’ into our living rooms.
Beautiful clothes aside, designer Aneeth Arora’s show was remarkable for its models — they seemed to be having fun on the runway. It almost seemed like Arora’s creations let them be their usual selves.
Fashionable comfort is perhaps what makes Arora’s designs stand out. Hers are the kind of clothes that don’t require you to tuck your tummy in, or sit in a certain posture and not slouch or worry about clothes getting dirty — all this while being fashionable. Alas! The kind of clothes you don’t find easily on the runway.
The phrase ‘richness of Indian culture and tradition’ is used so often that it almost loses its meaning. Unless there is a close encounter with it. Mine was a sartorial one.
Indian textiles, fabrics, weaves and embroideries have been used in clothing in India and outside for hundreds of years, and exported to numerous counties but have still not lost their charm. Designers have reinvented them over and over again to suit contemporary clothing.
While millions washed away a lifetime of sins in the Ganges, some people brought back interesting things from the largest religious congregation on earth – the Maha Kumbh Mela. Designer Tarun Tahiliani brought back ideas for his latest collection.
More than 2,000 years old, the festival is a meeting point for Hindu sadhus, some of whom live in the forest or in Himalayan caves. The sadhus at the Kumbh can be quite a spectacle – some are ash-smeared, some naked, sporting dreadlocks and beads, while some wrap themselves in saffron clothing.
Just when you think that there is nothing more that you can do with a sari, someone will prove you wrong. On the first day of the Wills Lifestyle India Fashion Week in New Delhi, we saw saris with lipstick prints and telephone booth imprints, a sari wrapped around a bikini top and hot pants, and Peter Pan collars on sari blouses.
“It’s sexy, it’s a sari, it’s comfortable, but it is hot.” said designer Anupama Dayal, who brought her collection “Ishq-e-Dilli” (“Delhi Passion”) to the show.