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Mar 31, 2014
via India Insight

Colour is India’s over-hyped commodity, fashion designer Rahul Mishra says

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(Any opinions expressed here are not those of Thomson Reuters)

Rahul Mishra is the man of the moment in fashion. He just brought home the international Woolmark Prize, the most coveted prize in the fashion world, and one that has gone to some of the biggest names in the industry, such as Karl Lagerfeld.

Mishra, who made his debut at the Lakme Fashion Week in 2006, has created a new kind of fibre from Merino wool that can be worn in the summer. Mishra’s fashions will be on sale at Saks Fifth Avenue in New York, Harvey Nichols in London, 10 Corso Como in Milan, Colette in Paris and elsewhere.

Mar 31, 2014
via India Insight

Room for experimentation at Delhi fashion week

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(Any opinions expressed here are not those of Thomson Reuters)

The collection that designer duo Shantanu and Nikhil displayed at the Wills Lifestyle India Fashion Week in New Delhi last week had all the right elements: it was beautiful, it had lehengas and gowns, it looked regal, it looked vintage. It was an instant hit and a big “sold out” note adorned the door of their stall the very next day. Still, a guest remarked, “it didn’t do it for me.”

That’s the way it goes at fashion shows. Most established designers take the safer path, creating garments in their signature styles and adhering to what the world wants now. Few designers experiment or create avant-garde clothing or try something different than what the market knows it wants and would pay to get.

Jan 29, 2014
via India Insight

India will be an important art centre in five years – India Art Fair director

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If Christie’s debut auction in Mumbai last month is any indication, buyers are flocking towards Indian art as investors shake off the remnants of an economic downturn.

An untitled work by abstract painter Vasudeo S. Gaitonde sold on Dec. 19, fetching $3.7 million (237 million rupees) – a record for modern Indian art. Another of his works will be the showpiece in Sotheby’s South Asian art sale in New York in March. It’s not just Gaitonde. The Christie’s auction raked in $15.4 million (966 million rupees), doubling pre-sale estimates and defying the economic downturn. A November report by art market analysts Art Tactic said confidence in Indian modern art was on the rise.

Jan 16, 2014
via India Insight

In pursuit of the perfect lehenga in Delhi’s Chandni Chowk

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Each evening, after pulling their shutters down, sari salesmen in Delhi’s Chandni Chowk market sit down for three hours to fold their wares: embroidered, embellished saris and lehengas that customers browsed all day.

Lehengas, embroidered and pleated long skirts, are serious business in Chandni Chowk, a busy Mughal-era market whose name means “moonlit square”. Despite numerous boutiques and malls opening across New Delhi, the old wedding market has kept its charm, its customers and its business.

Nov 7, 2013
via India Insight

Indian women get a new look, with some help from Pernia Qureshi

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In a country where styling has not always been recognized as a worthy craft, Pernia Qureshi has put her profession at the forefront of Bollywood fashion.

Qureshi styled actress Sonam Kapoor for 2010′s “Aisha“, ushering in trendy outfits paired with designer handbags that overshadowed the film, a modern-day take on Jane Austen’s “Emma“.

Sep 13, 2013
via India Insight

Interview: India has a lot to offer in terms of Twitter stories – Twittamentary director

Two Indian social media consultants, Avinash Kalla and Bhaskar Pant, plan to release “Twittamentary India”, a film made in collaboration with Singapore-based documentary filmmaker Tan Siok Siok. Like Siok’s 2012 original “Twittamentary”, the new film will take a look at the Twitter community with the help of people on the social media website. “Twittamentary India” will explore the interactions that politicians, journalists and ordinary people have on Twitter in the country.

(Also read: Twitter in India to come alive in new documentary)

Arnika Thakur spoke to Siok about social media, “Twittamentary” and how India became the first country chapter. Edited excerpts from the interview.

Sep 13, 2013
via India Insight

Twitter in India to come alive in new documentary

Four years ago, Singapore-based documentary filmmaker Tan Siok Siok asked her Twitter friends to contribute ideas for a Twitter documentary. That was the beginning of her crowd-sourced film ‘Twittamentary’. She spent three years travelling across the United States, meeting strangers and documenting experiences on Twitter as she made the film.

Later this year, two Indian social media consultants, Avinash Kalla and Bhaskar Pant, in collaboration with Siok, plan to release a new film for India. “Twittamentary India” will look at the interactions that politicians, journalists and ordinary people have on Twitter in the country.

May 2, 2013
via India Insight

Which is the greatest Bollywood film ever?

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It’s been a hundred years since the first Indian feature film “Raja Harishchandra” in 1913. Since then, Bollywood has made tens of thousands of films – good, bad and middling.

Tell us the movie that you feel is Bollywoods best. To help you make that choice, we have compiled a list of 100 films we have seen and loved, films that are sensitive and sensible in their own way and films that brought ‘larger than life’ into our living rooms.

Mar 16, 2013
via India Insight

Fashion Week: The one to watch out for

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Beautiful clothes aside, designer Aneeth Arora’s show was remarkable for its models — they seemed to be having fun on the runway. It almost seemed like Arora’s creations let them be their usual selves.

Fashionable comfort is perhaps what makes Arora’s designs stand out. Hers are the kind of clothes that don’t require you to tuck your tummy in, or sit in a certain posture and not slouch or worry about clothes getting dirty — all this while being fashionable. Alas! The kind of clothes you don’t find easily on the runway.

Mar 16, 2013
via India Insight

Fashion Week: The traditional, the androgynous and the ultra feminine

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The phrase ‘richness of Indian culture and tradition’ is used so often that it almost loses its meaning. Unless there is a close encounter with it. Mine was a sartorial one.

Indian textiles, fabrics, weaves and embroideries have been used in clothing in India and outside for hundreds of years, and exported to numerous counties but have still not lost their charm. Designers have reinvented them over and over again to suit contemporary clothing.

    • About Arnika

      "Arnika is a multimedia journalist for Reuters India. She has previously covered Canadian equities for Reuters. Follow her on Twitter @arnikathakur"
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