This week, Ron Haviv described to me the first time one of his photographs changed history.
The acclaimed war photographer was surrounded by his life’s work, which is now on exhibit in New York’s Anastasia Photo gallery. At age 23, Haviv took a photograph of supporters of Panamanian dictator, General Manuel Noriega, beating the country’s recently elected opposition vice president.
What is striking about the image is not just the crimson blood covering the man’s shirt. It is the Panamanian soldier standing a few feet away — doing nothing to protect him. The photograph appeared on the cover of Time, Newsweek and U.S. News and World Report. Months later, President George H.W. Bush cited the riveting image in his speech justifying the U.S. invasion of Panama.
“All of the sudden,” said Haviv, a longtime colleague and friend, “I had this understanding that the work I was doing was going out into the world and creating and causing a reaction. It helped cement my desire to do this for a living.”
A quarter century later, photography is our predominant means of communication. Dizzying technological advances allow a mind-boggling number of images — half-a-billion a day — to be shot and posted online. Yet the emergence of the Web and smartphones has made it harder than ever for photographers to earn a living.