I like many of the movies of the German director Volker Schlöndorff, whose first film I saw as a grad student a long time. It was called Young Törless and was an impressive adaptation of a book by Robert Musil, catching the sadness and confusion of adolescence and longing, and its attraction. Looking at his filmography, I realize now that what he’s really good at is movies that come from good books: The Tin Drum, for example, and Swann in Love, which I took to watching for inspiration and momentum when I mired down in the early part of Proust vol 1. It got me through to the end of that volume. As you can see, he’s got a very European sensibility.
What follows are some remarks I intend to make on Friday Oct 21 2011 at a panel on global risk organized by GARP and the Federal Reserve Bank of New York.