The Roman Catholic Church in Ireland could well feel it has nowhere left to hide. As the press carried blanket coverage of this week’s meeting between the Pope and bishops summoned to Rome following the Irish church’s vast pedophilia scandal, Ireland’s national theater has joined those taking up the theme of ecclesiastical hypocrisy, to loud applause.
For all of Irinej Gavrilovic’s 80 years, his Serbian Orthodox Church has kept its distance from the Vatican and the pope, maintaining a division whose roots date back a millennium. But only a few days into the job as the 45th Serbian Orthodox Patriarch, Irinej has several times repeated an invitation to the Roman Catholic pontiff, hoping that both men could celebrate a significant anniversary in 2013.
One of the healing measures suggested when Ireland’s Catholic clerical sex scandals shocked the country last year was a proposal to erect a monument in Dublin to all the youths abused for decades at schools and orphanages run by religious orders that looked the other way. The idea, proposed by the government’s Ryan report last May, won so much support that half a million euros were earmarked for the project. The government appointed a group to consider what the Irish Times called “the most difficult public art commission in the history of the state.”
Bishop Richard Williamson, the ultra-traditionalist prelate whose denial of the extent of the Holocaust created an uproar in the Catholic Church and with Jews early last year, has said the discussions at the Vatican to rehabilitate his Society of Saint Pius X (SSPX) are a “dialogue of the deaf.” Williamson, one of the four SSPX bishops whose bans of excommunication were lifted by Pope Benedict only days after his controversial views were aired on Swedish television, said the two sides had “absolutely irreconcilable” positions.