“Religious faith will be of the same significance to the 21st Century as political ideology was to the 20th Century,” Tony Blair said on Thursday in a statement before Friday’s launch in New York of his new Faith Foundation to improve understanding between different religions and fight global poverty by mobilizing people through faith.
The light being cast on China by the coming Summer Games is far brighter than the flickering Olympic flame now wending its way across that vast country. Politics, society, human rights, the status of Tibet and even the environment have been widely discussed.
Remember ping-pong diplomacy, the exchange of ping-pong players between the United States and communist China in the 1970s that was one of the first steps that led to a thaw in relations between the two countries? If the Vatican had a ping-pong team, perhaps China would have considered sending their squad to the walled city in Rome for a match.
Pope Benedict is just about the only world leader not to have said anything about the events in Tibet. This hasn’t gone unnoticed in Italy, where some commentators have been urging him to speak out — and others have been defending him for not doing so.
The peaceful revolution that toppled East German communism had roots going back to a prayer. The weekly peace prayer meetings started in 1982 in Leipzig’s Nikolaikirche (Church of St. Nicholas) became a rallying point for dissidents later in the decade. By September 1989, participants leaving the church defied the Stasi and arrest threats to march publicly against the government. On October 9, the protesters feared a “Chinese solution” — i.e. a bloodbath like the one in Beijing the previous summer — but marched anyway out of the Lutheran church and around the city. When the massed security forces did not fire on the marchers, who by then numbered 70,000, the protest movement began to lose its fear. The opening of the Berlin Wall followed only a few weeks later.
If a novelist twists historical facts to fit a plot, we can accept it as poetic license. When Dan Brown has the dashing “symbologist” Robert Langdon race to the American Embassy in the wrong part of Paris, we might shrug and say it’s a mistake but The Da Vinci Code is a thriller anyway. But what should we say when a major theatre production mixes fact and fiction in the life of the late Pope John Paul II so much that it misrepresents history? Is that just a little white lie? Or maybe something more?