By Bobby Ranoco
Covering the grand procession of the Jesus of the Black Nazarene is not easy, even though I do it annually. Every year on January 9, millions of devotees crowd the streets as a life-sized, dark, wooden sculpture of Jesus Christ carrying the cross is brought through Manila’s old city.
I began to prepare days before the procession and sought permission to get a vantage point on the rooftop of the Quirino Grandstand at Luneta Park, where the procession begins, and on top of other buildings surrounding the route, to produce photographs from a bird’s eye view. It was my first time photographing from the rooftop of the Quirino Grandstand. I had to do my research on how my photographs would turn out at such an angle.
As I did all this, I was praying hard for guidance from the Jesus of the Black Nazarene that all my requests would be approved. He heeded my prayers: everything was approved and ran smoothly with time to spare.
January 9 arrived and while everyone else was sleeping, I woke up at 3 a.m. because we had to be at the grandstand by 5 a.m. to give us an hour to prepare before the mass. At last, the organizer asked me and the other local photographers to position ourselves on the rooftop.
As I stood on the grandstand, about as high as a five-storey building, I was amazed by what I saw: a sea of devotees attending the early morning mass before the procession. Millions of people come to the event every year to ask for their individual miracles. During the mass, which was officiated by Archbishop Cardinal Luis Tagle, I could feel the solemnity and the serenity of the devotees who were praying fervently to the Black Nazarene.