The Roman Catholic Church in Ireland could well feel it has nowhere left to hide. As the press carried blanket coverage of this week’s meeting between the Pope and bishops summoned to Rome following the Irish church’s vast pedophilia scandal, Ireland’s national theater has joined those taking up the theme of ecclesiastical hypocrisy, to loud applause.
One of the healing measures suggested when Ireland’s Catholic clerical sex scandals shocked the country last year was a proposal to erect a monument in Dublin to all the youths abused for decades at schools and orphanages run by religious orders that looked the other way. The idea, proposed by the government’s Ryan report last May, won so much support that half a million euros were earmarked for the project. The government appointed a group to consider what the Irish Times called “the most difficult public art commission in the history of the state.”
Sweden’s Lutheran church, the Church of Sweden, has decided to conduct gay weddings in the Nordic country from Nov. 1. “We are the first major church to do this,” said Kristina Grenholm, the church’s director of theology. The decision came after the Swedish parliament earlier this year passed legislation allowing homosexuals to legally marry, changing a previous law permitting legal unions but not formal marriage.
It’s hard to watch France’s political and cultural elite rush to support filmmaker Roman Polanski against extradition to the United States on a decades-old sex charge and not wonder exactly how they interpret the national motto “liberté, égalité, fraternité.” It’s tempting to ask whether they’re defending the liberty to break the law and skip town, respecting the equality of all before the law and championing a brotherhood of artists who can do no wrong.
Indonesian artist Agus Suwage knows what it is like to run up against the religious conservatives. Four years ago, he was hauled into parliament, where lawmakers accused him of blasphemy and of producing pornography dressed up as art. Today, facing an even more restrictive climate in Indonesia, Suwage refuses to be silenced and has made those restrictions the focus of his art.