Entertainment behind the scenes
The British singer, who is not the global phenomenon that is Lady Gaga, has written a message to her fans following her embarrassing fallout with the makers of the U.S. version of “X Factor”, who apparently did not want her on the judging panel having initially said that they did.
Cole’s website was silent throughout the fiasco which dominated British tabloid headlines for days, but she has finally broken her silence with a missive posted on Sunday reassuring the world that she is fine despite the setbacks and has been spending time with her friends, family and “doggys”. Well, in fact she doesn’t mention any setbacks, but merely describes the last few weeks as “the weirdest”.
What struck me about the post was her reference to her fans as “my little soldiers” who “mean the world” to her. It recalls Lady Gaga’s description of her most avid followers as “little monsters”, a term of endearment which hints at a relationship beyond the normal star-fan connection. Some people view this axis as unhealthy, and liken it to a personality cult, whereas many of the millions of fans in question embrace Gaga and say she is an inspiration to them. Will Cole be able to replicate this kind of bond with her devotees?
Maybe Chris Evans, the handsome star of the upcoming “Captain America” movie, should book a motel room next time he’s interviewed by an impressionable young scribe from GQ. Evans is the cover story in the magazine’s latest issue, although the article is really about the drunken exploits of its author, Edith Zimmerman.
She’s single, about the same age as he is (30), and treated their interview in a Santa Monica pub as a date. Mind you, so did he, she claimed.
Muggles take note. A new and possibly unprecedented wave of Pottermania is about to hit movie goers, newspaper readers, Internet visitors and other innocent bystanders as Warner Bros gears up for the release of the eighth and final instalment of the Harry Potter film franchise.
“Harry Potter and the Deathly Hallows – Part 2″ is released in theatres on July 15th, and brings to and end one of cinema’s most successful series. For the first time it’s in 3D and there will, there absolutely has to be, resolution of the question — Harry or Voldemort? — by the end.
Phew. Eleven days gone and the end is in sight at the Cannes film festival.
2011 has had it all — good movies (I can’t tell you my personal choices — this is Reuters!), big stars, great parties, huge interest from the outside world and a big dose of controversy.
Most film makers are only too happy to share the limelight with their cast at the world’s biggest showcase, bathed in sunshine so far this year and the scene of an endless circus of screenings, press conferences and parties frequented by the beautiful people.
With jealous dads, sadistic sons and abandoned children in their key roles, many films in competition for the top prize at the Cannes film festival this year are taking on the very darkest sides of family life.
Two of the movies, Lynne Ramsay’s “We Need to Talk About Kevin” and Israeli film “Footnote”, ask what happens when jealousy or hatred take the place of love and affection in a parent-child relationship.
Robert De Niro is known for explosive performances, lighting up movies as a mobster, conquistador or evil CIA stepdad. But to journalists, he has an entirely different reputation — as one of the toughest people to interview in showbusiness.
When facing reporters, the “Goodfellas” star has not always felt compelled to wax poetic. In fact, he barely waxes at all: De Niro has been known to field questions with abrupt ‘yes’ or ‘no’ answers, leave pregnant silences that can make the most seasoned interviewers squirm — or simply shrug his shoulders.
I, along with just about every other reporter and critic in Cannes for the film festival this year, was a little nervous about Woody Allen being chosen to open the event with his romantic comedy “Midnight In Paris”. Many cinephiles feel the 75-year-old Oscar winner has failed to live up to his famously high standards in recent outings. In Britain, at least, “Match Point” was not much loved while “Cassandra’s Dream” was broadly unpopular.
But Midnight In Paris quickly won over the notoriously picky Cannes crowd at a press screening today, with laughter (in all the right places) and warm applause as the credits rolled on what he has described as his “love letter to Paris”. The surreal tale follows Hollywood scriptwriter Gil, played by Owen Wilson, who is in Paris and travels back in time each night to the 1920s, where he meets his heroes including Ernest Hemingway and Scott Fitzgerald. As he grows closer to Picasso’s lover Adriana, played by Marion Cotillard, he moves ever further from his present-day fiancee, played by Rachel McAdams.
from Photographers' Blog:
Picture the scene; after completing more than a dozen television interviews, then facing ten photographers all clamoring for her attention on a red carpet lined with tall gold Oscar statues, Italian actress Sophia Loren was game enough to sit atop the base of one of the last Oscar statues used as backdrops. She settled herself, carefully arranged her dress so her long tan legs were shown to advantage and posed up a storm.
As she got up and prepared to head into the tribute honoring her at the Academy of Motion Pictures Arts & Sciences Tribute in Beverly Hills, I thanked her for her patience. She turned to me and said “This is fun”.
You read it here first: the 2012 Grammy nominees for album of the year are: Taylor Swift, Adele, Alison Krauss & Union Station, Paul Simon and the Foo Fighters.
Or maybe not. But with five months to go until the eligibility period for next year’s ceremony ends, some blue-ribbon Grammy laureates are getting an early start on their campaigns for the music industry’s top awards.