Entertainment behind the scenes
“Who Owns My Heart” ponders Miley Cyrus in her new single.
Certainly not Disney, judging by the latest writhe and grind music video from the teen who found fame, and millions of tween girl fans, as “Hannah Montana”.
Cyrus has spent most of the past year trying to distance herself from her Hannah Montana alter-ego, even though the TV series is still running on the Disney Channel.
But with still a month to go before she turns 18 in November, the raunchy video for “Who Owns My Heart” has sparked another round of raised eyebrows and hand-wringing about her sexed-up new image.
“Who Owns My Heart” finds Cyrus lying on a bed in a seedy room, making come-to-bed eyes at the camera, trying on skimpy outfits for a party, flashing a leg in a limo and grinding with party-goers (male and female) on the dance floor. It follows the release in June of the raunchy “I Can’t Be Tamed” pop video from her new album which Cyrus said at the time was all about girls empowering themselves.
The latest movies from Sylvester Stallone, Julia Roberts and Michael Cera will forever be remembered by film buffs as the last to be reviewed on the weekly TV show “At the Movies,” which ended its influential 35-year run this past weekend. Syndicator Disney announced in March that it was canceling the show because it no longer made financial sense to produce.
The show, originated by rival Chicago newspapermen Gene Siskel and Roger Ebert, brought film criticism to mainstream America. The two scribes passionately debated each other on the merits of Hollywood blockbusters and small art-house releases, making or breaking movies with their trademarked (literally) thumbs-up and thumbs-down recommendations.
Summertime, and the livin’ is easy. And Brian Wilson is raising the temperature with an album of Gershwin covers. The 14-track album, “Brian Wilson Reimagines Gershwin,” comes out in the United States and Canada (and Brazil) on Aug. 17 via Disney, in time to make the Grammys’ eligibility deadline. It reaches Australia and Asia the following week, and finally makes it to Europe on Sept. 6.
Among the usual suspects — “Someone to Watch Over Me,” “They Can’t Take That Away From Me” and “Summertime” — are two obscure tunes likely to excite fans of George and Ira Gershwin: “The Like in I Love You” and “Nothing But Love.” The former is an outtake from the 1924 musical “Lady, Be Good!” The latter is based on an unfinished 1929 song “Say My Say.” They are drawn from more than 100 piano demos left by composer George Gershwin at his death in 1937, and made available last year to Wilson by the Gershwin estates and their publisher Warner/Chappell Music. Wilson completed the pair with bandmate Scott Bennett.
(Writing and reporting by Corinne Heller)
Appearances by glam rocker Adam Lambert on two additional shows broadcast on the ABC network have been canceled following complaints to the Disney-owned station.
ABC had also canceled an appearance by Lambert on its “Good Morning America” news program a day after he performed at the live American Music Awards November telecast on ABC in November, during which he kissed a male keyboardist and simulated oral sex and other racy acts.
And he’s not the only one. “Twilight” stars Robert Pattinson and Kristen Stewart are not exactly talking their own work up either.
John Lasseter, the Walt Disney Co’s chief creative officer, walked onto the stage at the company’s D23 Expo in Anaheim, California, on Sunday wearing a suit jacket over a Hawaiian shirt, and the crowd greeted him with the cheers and shouts usually reserved for a conquering rock god. At one point, a fan held up a flashing red Buzz Lightyear toy the way someone might hoist a cigarette lighter at a concert.
With an adoring audience of more than 3,000 Disney fans before him, Lasseter spent much of the presentation talking about Disney’s new push to reclaim its former glory in hand-drawn animation, an artform the studio abandoned after 2004′s box office failure “Home on the Range.” Lasseter is known for pioneering computer-generated imagery (CGI) on animated movies like “Toy Story” at Pixar Animation Studios, but he went to great lengths to promote Disney’s upcoming projects in that other style of filmmaking, which paradoxically Pixar helped to make less popular through the success of its CGI movies before Disney acquired the studio in 2006.
In a sign of the merchandising potential the Walt Disney Co bought with its $4 billion purchase of comic book house and movie studio Marvel Entertainment, Marvel on Tuesday teamed up with ring-tone company Vringo to launch a new service — cell phone videos of characters like Wolverine, Captain America and the Fantastic Four.
Customers can view animated clips of Marvel characters on their mobile phones, and turn them into video ringtones. In addition to video ringtones, Vringo also has a service that allows customers to call their friends, who would then see a Marvel super-hero or villain on their phones, and identify the caller that way.
Many of the movies entering theaters in the next few weeks may be forgettable afterthoughts unfurled on the post-summer masses, but at least some of the reviews promise to be memorable now that a pair of veteran critics are back at the helm of the influential TV show “At the Movies.”
The series, a descendant of the longtime vehicle for Roger Ebert and the late Gene Siskel, relaunched at the weekend with familiar faces Michael Phillips (right) of the Chicago Tribune and A.O. (Tony) Scott of the New York Times.
The lovelorn vampires of “Twilight” will vie for top honors at the Teen Choice Awards on Aug. 9 with the singing stars of “High School Musical 3: Senior Year.”
Call it a Cannes-style recession, courtesy of Disney magic. Even though there are fewer people at this year’s film festival — merchants say business is down some 30 percent — the opening night premiere party for the movie “Up” still lit up the Croisette late Wednesday night.
The new Disney/Pixar animated movie about an old man who ties balloons onto his house and floats into the air on the journey of a lifetime opened to solid reviews by critics, and fans at last night’s premiere almost unanimously seemed to buy into its sentiment.