There appears to be one factor and one factor only in dictating chart success in Britain at the moment, and that factor is X.

Alexandra Burke, last year’s winner of the talent TV contest, performed her new song “Bad Boys” recently on the popular show and stormed to the top of the UK charts with the fastest-selling single so far this year. The 185,000 copies sold was more than twice the total shifted by Robbie Williams, who is making his long-awaited comeback.

Williams also showcased his new song “Bodies” on the X Factor, but the magic failed to rub off after a disjointed performance during which the former Take That singer appeared nervous. Still, one of British pop’s biggest names clearly felt the need to appear on the programme in order to reach an audience that can peak at nearly 15 million viewers.

And now there is Cheryl Cole, a judge on the contest and member of girl band “Girls Aloud” who is launching her solo career. Needless to say, she was invited to perform her new single “Fight For This Love” on the show, and, despite a performance many viewers would describe as mediocre at best and possibly something much worse, looks set to top the charts when they are announced on Sunday.

The Official Charts Company, which compiles the weekly music ratings, says the singer is on course for a tally close or even higher than Burke’s.

 The stars of Fox’s “American Idol” expect great things from new judge Ellen DeGeneres , but they are all saying something different about her addition to the judging panel of Simon Cowell, Randy Jackson and Kara DioGuardi, and her replacement of songstress Paula Abdul.

Host Ryan Seacrest told Fox News at the Primetime Emmy awards on Sunday that DeGeneres, a comedian with her own daytime chat show, is a “superstar.”

“She will change the sexual tension,” Seacrest said of DeGeneres, who is lesbian and last year married longtime girlfriend and actress Portia de Rossi in California, before voters in the state banned same-sex weddings during the November 2008 election.

“Simon and Paula had a specific kind of tension, but this will be quite different…” Seacrest told Fox.

DioGuardi, who only joined the show this past season, told People magazine at an Emmy after-party that “Idol” producers’ recruitment of DeGeneres was a “genius decision,” and that she wishes she had thought of it herself.

One of the most pointed comments about DeGeneres’ addition came from director Bruce Gowers, who won an Emmy for his role with “American Idol.”

“I think there will be a lot more fun on the show than there was before,” Gowers told reporters backstage.

“I think we’re going to get even higher ratings,” he said.

But Gowers backtracked when asked if he meant the show suffered with Abdul in the judge’s chair, saying that was not the case.

Despite drawing more viewers than any other show on television, “American Idol” did not win its first Emmy until 2007, which was six years into the show’s lifespan, and even that was for the relatively unexciting category of best technical direction.

 Will next season’s arrival of DeGeneres, a highly respected figure in Hollywood, change things and get the show more respect from Emmy voters?

“American Idol” producers moved swiftly to replace Paula Abdul with comedian and TV chat show host Ellen DeGeneres  as the new judge on the show which starts again in January.

But is Ellen the right fit for the show?

Fans are split and even media watchers were stunned by the move, which serves the dual function of closing the door permanently on Paula, and making the show talked about all over again after a summer of shock announcements.

For a TV show that’s primarily about finding America’s next instant pop star — and one which is ultimately chosen by the public — there’s been a lot of hoo-hah this year about the judging panel, whether its Kara DioGuardi’s return, Simon Cowell’s future, Ryan Seacrest’s lucrative new contract or Abdul’s ultimately failed contract manoevres.

So what do you think is ultimately the most important and/or entertaining part of “Idol” — the contestants, or the chemistry on the judging panel?

And how will Ellen fit in, and will her presence on the “Idol” panel make you more or less likely to watch next year when the show has finished tossing out all the thousands of hopeless singers and gets down to the Top 20?

Susan Boyle has been admitted to a private clinic in London after suffering from exhaustion, and, according to the Sun tabloid, an “emotional breakdown”. After capturing people’s imagination the world over in April with her singing performance on “Britain’s Got Talent”, the 48-year-old Scot’s travails are headline news once again, at least in her home country. Predictably, the blame game has already begun, and following is a list of the main culprits in the whole saga, if press reports, commentators and pundits are to be believed:

1. The press: Some sections of the media, which had a big part in Boyle’s meteoric rise to fame, have apparently relished the chance to knock her off her perch. Those blaming the press point to reports late last week of Boyle throwing tantrums, of her threats to quit the show ahead of Saturday’s final and more generally of her inability to cope with the pressure.

2. The public: Rather like the press, the British public has also been blamed by some for wanting to bring Boyle down a peg or two. They did this in part by failing to vote for her on the night of the final, meaning she failed to win as expected.

3. The show: Should the show’s producers have seen this coming? Family members and others have criticised Britain’s Got Talent, aired on the commercial ITV channel, for not doing enough to support Boyle. According to Piers Morgan, one of the programme’s judges, Boyle had learning difficulties at school, which may have exacerbated the problem.

4. Susan Boyle: Britain’s Got Talent is a hugely successful format and anyone who enters the competition will know that they may be watched by millions of viewers and could become overnight stars. In her defence, however, Boyle’s trajectory has probably been unprecedented in terms of the number of people tuning in to watch her on the Internet and the global reach of that following.

So Susan Boyle DIDN’T win “Britain’s Got Talent”. After the show turned her into a household name in more countries than I could list, the 48-year-old came second in Saturday’s final, surprisingly losing out to street dancers Diversity. Now don’t get me wrong. Diversity were impressive, and the choreography was as good as the execution on the night. It’s just that the momentum behind Boyle, one of the biggest Internet stars in history, was so great that it had been widely assumed she would walk off with the cheque for 100,000 pounds and the headlines on Sunday.

It was not to be, but this is unlikely to be the end of the road for Boyle. A lucrative recording contract is surely only days away as labels, notably Simon Cowell’s very own Syco, seek to trade in on her global fame, fine voice and anti-celebrity appeal. Some might feel that losing out to Diversity could be a blessing in disguise for a woman who has struggled to cope with the demands her instant celebrity has brought. She threatened to walk out of the show, had an altercation with journalists and reports said she had to be taken to a “safe house” in the days leading to the final to escape the limelight. Perhaps coming second will give her a little space and time to recover from what judge Cowell rightly called “a weird seven weeks”.

They went head-to-head in the final showdown of “American Idol” on Tuesday night, but if any animosity exists between finalists Adam Lambert and Kris Allen, it was not apparent when they spoke to reporters backstage after the show.

The only moment of friction, and it was all a joke, came when Lambert, the taller contestant between the two, lowered the microphone for the shorter Allen after the two stepped onto a speakers’ podium. Allen laughed at the gesture.

Allen summed up his and Lambert’s attitudes when he was asked how he was handling the hype surrounding the finale.

“I think both of us are kind of chill guys, so we can totally deal with it,” Allen said.

The two finalists had been roommates until recently, and as a joke question a reporter asked which contestant looks better naked.

“We don’t get naked together, sorry,” Lambert said, to laughter from reporters.

As for the singing, the stuff that really matters in the competition, Lambert said that he found symbolism in the songs he performed on Tuesday, which included “Mad World” by Tears for Fears and “Change is Gonna Come” by Sam Cooke. 

“I think ‘Mad World’ is kind of symbolic, it talks about people that don’t feel like they fit in,” Lambert said.

“I think ‘Change is Gonna Come’ is also symbolic in that anyone who feels oppressed can relate to that song. It’s been a civil rights anthem for a long time, and there’s all sorts of new civil rights issues that are coming up right now,” he said.

When it came to praise from the judges, Lambert and his falsetto stylings seemed to edge out Allen, his more homespun competitor from Conway, Arkansas, in their final competition on Tuesday.

While alpha judge Simon Cowell called the first round of the competition for Allen, assailing Lambert’s first performance as too theatrical and comparing it to “The Phantom of the Opera,” Cowell’s criticism of the Allen’s second song, “What’s Going On” by Marvin Gaye, was notably harsh for a season finale.

“If I’m being honest with you, it was like three friends in their bedroom strumming along to Marvin Gaye,” Cowell said.

Judge Paula Abdul, appearing at the backstage news conference, provided the sunny view of the competition that she is known for, sidestepping a question about who she thought would win. Then Abdul was asked if all the judges will be back next year, an important question because Abdul’s own contract expires this season.

“Tune in,” Abdul said, as a handler dragged her away from the microphone.

Photo credit: Fox/Michael Becker

“American Idol” on Tuesday entered the last week of competition before the finale, and we at “Fan Fare” had the good fortune to land second-row seats in the talent show’s live studio audience. (For the record, this twist of fate had nothing to do with our coverage of the show — it was good old-fashioned standing in line combined with almost two years of being on a waiting list.)

Watching “Idol” in its natural habitat revealed dozens of quirks imperceptible to the 25 million or so viewers who tune in at home. First off, the studio was smaller than expected — even more intimate than watching a live show in a theater. One audience member in our row even remarked that it was smaller than her college lecture hall.

Also, the judges seemed to spend more time out of their seats than in them. Accompanied by massive bodyguards, they walked backstage at every commercial break, rushing back to their seats sometimes with two seconds to spare. Judge Paula Abdul at least spent some time greeting celebrity audience members such as Kim and Kourtney Kardashian and their mom, Kris Jenner, as well as “The Hills” star Audrina Partridge.

Many in the mostly young, female audience also appeared to be partial to one contestant — supposed dark horse Kris Allen. There were more Kris-themed homemade signs (”Krazy 4 Kris”, for instance) being waved than those for either of the other contestants. And, one young fan was overheard after the show gloating that she had waved to Allen — and that he had smiled back!

So is “Idol”’s resident pretty boy Kris really a dark horse after all? His acoustic performance of Kanye West’s “Heartless” received universal praise from the judges, with Randy Jackson deeming it “better than the original.” His first song, “Apologize,” however, was less well-received.

But Allen rival Danny Gokey’s performances were by no means stellar, getting similar mixed reviews from the judges. They loved his version of “You Are So Beautiful” but were less enthused by his take on Terence Trent D’Arby’s “Dance Little Sister,” for which he was criticized for his dancing.

Golden child Adam Lambert, predictably, got rave reviews for both of his performances. Judge Simon Cowell, however, warned “Idol” viewers not to assume that Lambert would sail through to next week’s finale and reminded them that they needed to vote.

So who will be sent packing tomorrow night? Host Ryan Seacrest, toward the end of the show, made a point of saying that he had no idea what would happen on Wednesday night.

Is Lambert really the juggernaut he has been made out to be, and does Allen have a stronger wind at his back than many expected? Gokey is the only contestant never to be placed among the show’s bottom three vote-getters — but has he finally run out of steam?

In contrast to last week on “American Idol” when it seemed the contestants could do no wrong, the judges found plenty of stones to throw at the Top 4 on Rock Week. Except for Adam Lambert, who as usual thrilled the panelists.

Lambert, coming off his shocking first trip to the Bottom Three last week, sang British supergroup Led Zeppelin’s hit “Whole Lotta Love” and struck all the high notes, jerking his head to the side in rhythm with the band and glowering with an expression Elvis Presley might have worn if he was fused with John Travolta. The judges loved it. 

“You are a rock god,” said judge Kara DioGuardi, who was wearing a studded leather jacket that looked a lot like Lambert’s own outfit.

Even alpha judge Simon Cowell was impressed. “No one can top that now,” Cowell told the contestant nicknamed “Glambert,” who on Tuesday night sported his usual eyeliner.

But after Lambert wowed everyone, the rest of the contestants all ran into some criticism. Former Guns N’ Roses guitarist Slash was the night’s guest mentor, and told the camera that 17-year-old contestant Allison Iraheta had a natural rock style, but had to get past her “fear.” 

Iraheta went on to earn mixed reviews from all the judges, except the easily swayed Paula Abdul, with her version of “Cry Baby” from the late Janis Joplin. Cowell and a couple other panelists faulted her for poor song choice, which prompted an interesting exchange when Iraheta explained why she picked the song and was interrupted by Cowell. “Allison, at this point just beg,” he said. “Beg.”

“I’m not,” Iraheta said. “And you always say that I don’t talk enough, so maybe I should just talk a lot.”

“American Idol” judge Paula Abdul has opened up about the effect her dependence on painkillers had on her life, after her sometimes erratic behavior on the show and in television interviews has caused many commentators to say she at times appeared to be under the influence.

In an interview with Ladies Home Journal posted on the magazine’s Web site on Tuesday, Abdul said that for the first time in a dozen years she is no longer dependent on medication, after checking into a California resort last fall to wean herself of the medication.

“I could have killed myself … Withdrawal — it’s the worst thing,” Abdul told the magazine. “I was freezing cold, then sweating hot, then chattering and in so much pain, it was excruciating.”

Abdul, 46, said she suffered a series of a injuries that caused her lingering pain, including an accident when she was a 17-year-old cheerleader, before going on to pop star fame in the 1980s. In the 1990s, Abdul suffered a broken leg from a stage routine gone wrong, a car collision and an airplane crash into an Iowa cornfield. She told the magazine she began taking painkillers and Chinese medicine to keep up with her performance schedule.

“I didn’t want anyone to count me out,” she said. “I tried to keep everything hush-hush.”

Adbul admitted to the magazine that the pain made her “get weird.” Her admission differed from past interviews she has given. The pop star told ABC News program “Nightline” last month that she has never abused prescription drugs. In 2007 on NBC program “Today,” co-anchor Matt Lauer asked if she had been addicted to painkillers.

“I’ve never been addicted to painkillers,” Abdul told Lauer. “Painkillers don’t work for me.”

Abdul is expected to perform her single “I’m Just (Here for the Music)” on the “Idol” results show on Wednesday.

In other “Idol” news on Tuesday, the show’s alpha judge Simon Cowell said on TV chat program “The Ellen DeGeneres Show” that Kara DioGuardi, a new judge to the panel this season, will return next season. DioGuardi had said as recently as last week that she was not sure of her future on the show, telling TV Guide Magazine, “I’m only here for one season. That’s what we have discussed. So we’ll see what happens. Hopefully they’ll keep me on.”

At the time, Cowell was non-committal about DioGuardi’s future, telling TV Guide only that he would not appear on the show without host Ryan Seacrest and fellow panelists Randy Jackson and Paula Abdul, and conspicuously not mentioning DioGuardi. Despite the possible change of heart, Cowell is still complaining that the addition of DioGuardi as the fourth judge slows down the show.

“American Idol” has experienced a death in the family, as the 37-year-old brother of the show’s 2008 winner David Cook died of brain cancer on Saturday, media outlets reported.

Adam Cook had suffered from brain cancer for years, and when David Cook competed on “American Idol” last year, Adam was there to cheer him on.

Singer David Archuleta, who was last year’s runner-up to David Cook, said to People magazine that he was saddened by the death and that his “heart really goes out” to Adam Cook’s loved ones. “Idol” judge Simon Cowell told People that he met Adam Cook a few times at the show, and he called him “an incredible guy.”

David Cook announced his brother’s death on Sunday at a brain cancer fundraiser in Washington, D.C.  On his debut album last year, the artist released a song dedicated to his brother called “A Daily AntheM.”