Fan Fare

Entertainment behind the scenes

Oct 26, 2009 14:49 EDT

U2 played live for the world, were you listening?

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U2 played live for the world on Sunday night via YouTube.com, and as they were in Hollywood, Bono gave the band a movie star sheen when he introduced each member. He compared drummer Larry Mullen Jr. to James Dean, bassist Adam Clayton to Clark Gable, The Edge to Mr. Spock of “Star Trek” and himself to a mix of Arnold Schwarzenegger and Danny DeVito.

But if the setting was L.A. (Pasadena’s Rose Bowl to be exact), the show’s direction was aimed at a global audience. Before U2 performed “Sunday Bloody Sunday,” images flashed on the screen of green-glad protesters in Iran, some of them stained in blood. The crowd reacted with cheers of support for Iranian dissidents, just as they cheered on Bono’s rendition of “Walk On,” a tribute to Burmese opposition leader Aung San Suu Kyi, later on in the show.

“Thank you America, thank you everyone watching on YouTube on all seven continents,” Bono said at one point in the show, as he acknowledged the global audience that was tuned in for the live Web stream.

U2′s new concert contraption, The Claw, performed without flaw, transporting the band members around on giant moving bridges over the audience, with a huge video screen that slowly expanded and contracted like an accordion.

The big surprise of the show came during the opening act when the Black Eyed Peas brought on former Guns N’ Roses guitarist Slash to play “Sweet Child of Mine.” Fergie leaned on Slash’s shoulder during a solo, and Will.i.am moved his head to the beat. But anyone hoping to see The Edge and Slash trade licks on stage went home disappointed because that did not happen.

Bono said after U2 took the stage that having the Black Eyed Peas open for the band was like, “Xena the Warrior Princess joins Parliament-Funkadelic.”

The crowd of nearly 100,000 fans at the Rose Bowl sang to their favorite tunes and held up their cell phone lights when asked, first by Will.i.am and later by Bono. On that note, during the sound check a member of the stage crew who introduced himself as “nobody” told the crowd that the reason the live YouTube show was done from Los Angeles is because of the sing-along factor.  ”L.A. sings U2 songs better than anyone except my bosses,” the purported U2 employee said. What would Paris or Rome think about that? Or Dublin for that matter?

COMMENT

I have to say that I stayed up for the You Tube webcast last night from Pasadena and was pleasantly surprised by the quality of the proceedings. I am gone beyond lining up all day for live concerts, being manhandled by over zealous security people and then having drunken fans fall over themselves on the way to the can whilst one of your most favoured songs is in full throttle. That is why I swerved going to the summer gigs to see them in person. I also enjoyed rolling into bed a few seconds after the show rather than the dreaded trip home on either public transport or busy roads. What was amazing was that viewers on the website could share the experience, broadband internet connection accepted, for free. Pro Bono indeed, although how the impoverished kids in the African plains got on is debatable! The event will probably open up huge opportunities for pay per view webcasting in years to come. Would I have paid for it beforehand? Probably not. Would I pay for it now, having had the experience, most certainly yes. It occured to me that live football on the telly can be equally as exciting as been in a ground at the event. The sound and picture resolution on You Tube was mighty impressive and the site never stalled. What impressed me most was that they made a seemingly plain set of new songs sound richer in the live setting. Although the stage looked silly and the vastness of the platforms made them seem remote to the audience in the stadium it appeared a pretty flawless delivery (although there were technical problems in the stadium for thos who had shelled out up to $250 each) that will probably now help sell their poor selling album, which perhaps set the agenda for the redirected PR machine following poor performances in the charts.

Sep 29, 2009 18:41 EDT
Dean Goodman

U2′s fans not “groovy” enough?

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As U2 enters the third week of its North American tour, smashing sales records along the way, the big elephant in the room is the disappointing sales of the band’s new album. “No Line on the Horizon” has sold about a million copies in the United States since its release in February, according to Nielsen SoundScan, becoming one of U2′s least-commercial efforts.

“I walk out and sing (album track) ‘Breathe’ every night to a lot of people who don’t know it,” frontman Bono says in a Rolling Stone magazine cover story. (We have pictured drummer Larry Mullen at left, playing in Chicago on Sept. 24, since he and bassist Adam Clayton were omitted from the cover.)

“They’re great songs live, and I think it’s a great album,” Bono added. ”I think it will be seen as ‘Gosh, one of their more challenging albums.’”

None of the album’s three singles managed to click with fans, particularly the first single “Get On Your Boots,” which stalled at No. 37 on Billboard’s Hot 100 singles chart. With the exception of guitarist The Edge, the band now acknowledges it was the wrong choice, according to the article.

“Look, sometimes our audience isn’t as groovy as we’d like,” Bono said. (Rolling Stone said he was smiling as he said that.) “People are not sure about the club side of U2. They want ‘Vertigo,’” the big crowd-pleasing single from the band’s previous album “How to Dismantle an Atomic Bomb.”

But the masses are still happy to see U2 on stage. The band’s most recent show, at Giants Stadium near New York City, pulled in just under 85,000 people, which Bono told the crowd smashed a 14-year-old record held by Pope John Paul II. U2 manager Paul McGuinness said in the story that the tour is on track to become the biggest of all time, supplanting the $558 million haul of the Rolling Stones’ 2005-2007 trek.

The next show on the itinerary takes place in Washington, D.C., on Tuesday. Dates for the North American leg are on tap through Oct. 28 in Vancouver.

COMMENT

Thank you bambam for your thoughtful and revealing words. Well, they didn’t play Acrobat – but at least they made Ultraviolet into the most exhilarating concert experience I’ve ever had, and that song wasn’t even on my radar before this tour.

For my part, I was amazed at the number of people around me at four concerts who were singing along to every word of the new songs. We may be more groovy than they think.

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Jun 19, 2009 15:54 EDT
Dean Goodman

Jimmy Page, Jack White vexed by music videogames

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Videogames like Rock Band and Guitar Hero may be one of the few bright lights in the flailing music industry, but real-life guitar heroes like Jimmy Page and Jack White are unimpressed.

“If you start with the first track on the first (self-titled Led Zeppelin) album, “Good Times Bad Times,” and you think of the drum part that John Bonham did there, how many drummers in the world can actually play that? Let alone Dad on a Christmas morning? There might be a lot of alcohol to be consumed over Christmas, he still ain’t gonna get it,” Led Zeppelin founder Page told journalists at a Beverly Hills news conference on Friday.

Added White, the frontman for the White Stripes: “I do know it’s depressing to have a label come and tell you that this is how kids are learning about music and experiencing music. That’s like the only outlet now, that you have to put it in a videogame to get it in front of them. That’s a little sad. But I don’t like to tell people what format that they get things in … But I do think there’s a loss of romance.”

The duo, along with U2 axeman the Edge, co-star in the feature documentary “It Might Get Loud,” which opens in New York and Los Angeles on Aug. 14. The film, from Oscar-winning director Davis Guggenheim (“An Inconvenient Truth”), depicts each rocker’s romance with his guitar, and climaxes on a Hollywood soundstage where they jam and swap war stories.

“There are a lot of great guitar players who are virtuosos who can be note-perfect and can play extraordinary ways, but only a few I think that are searchers,” Guggenheim said of his casting choices. “We were just trying to find three really fascinating people who are still searching, and still trying to tell their story.”

The Edge is rehearsing for U2′s upcoming world tour, so he was unable to attend the press event. Asked whether the film might inspire more-formal collaborations between Page and White, both were cagey.

COMMENT

i guess what makes me sad is that there is nothing like playing a real instrument and exploring the sounds you can make. i have tried guitar hero and it’s fine as entertainment, and maybe it could help left hand coordination on the frets for people learning guitar ‘properly’… but of course it’s nothing like the physicality and struggle of trying to master an instrument and make it your own.
truth is though many people who use these computer games are doing it for fun, not to learn an instrument, the two are completely different areas. with any luck it might inspire people to try instruments for real

Mar 10, 2009 14:24 EDT

No U2 breakup on the horizon

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(Writing and reporting by Dean Goodman)

Just in case anyone was wondering, U2 have no immediate plans to break up, even if the Irish rockers still find it a struggle to make albums after almost three decades of practice.

The band, making a whistle-stop visit to Los Angeles on Monday to promote its 12th release “No Line on the Horizon,” sat down for questions at a radio broadcast hosted by Scottish singer/actress Shirley Manson.

Perhaps unaware that U2 are mere mortals, the former Garbage frontwoman asked whether U2 was “a finite proposition.”

“One crap album and you’re out,” singer Bono immediately joked, possibly forgetting the unloved 1997 release “Pop.”

“It’d have to be a particularly crap one, though,” added guitarist the Edge, who had earlier delivered a lengthy monologue laying out his corporate vision for the band.

“It’s a mystery how we’ve managed to keep it going,” the Edge said. “We all really wanna keep it going as long as we can. Every time we go into the studio it feels like our first album. We can’t, it seems, rely on songwriting technique or any other forms that would make it easy for us. The struggle has always been the same, since the first album (1980′s “Boy”).

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