Bollywood movie review: Shuddh Desi Romance

September 6, 2013

(Any opinions expressed here are those of the author and not of Thomson Reuters)

The hero of Maneesh Sharma‘s Shuddh Desi Romance is a confused young man. Raghu is never sure of what he wants. As a character in the film puts it, Raghu just flirts with himself.

Gayatri, on the other hand, knows exactly what she wants from life. She is an independent woman – and the man of the house – figuring out living expenses, insisting that her live-in boyfriend takes turns cooking and is unapologetic about having had relationships in the past.

These are characters poles apart from their Bollywood stereotypes. They don’t make a big deal about their love life, dealing with it as casually as one would drink a beverage or smoke a cigarette – at least on the outside. All this bravado ends when it comes to marriage.

Raghu and Gayatri take turns running away from marriage. When Raghu ditches Tara at the altar, he and Gayatri end up in a live-in relationship.

In the film’s first half, writer Jaideep Sahni and director Maneesh Sharma depict the flowering of a relationship with panache. Raghu and Gayatri find their way around each other, alternating between suspicion and trust, and an all-consuming lust. The writer and director weave a lovely background in the city of Jaipur, merging its modernity with the straitjacketed thought process typical of the Indian middle class.

When a drunken Diwali night leads to a warped proposal, Raghu and Gayatri find themselves about to get married to each other, at a time when neither is enchanted by the prospect.

Sahni, who pens some sparkling dialogue, explores the dilemmas the new generation must face when it comes to love – a witness to arranged marriages, told that marriage is the ultimate goal in life, and yet aware that the formula may not always work.

The first half of Shuddh Desi Romance is racy enough to hold your attention, but then it loses steam. The director’s technique of getting the characters to talk to the camera is jarring – almost as if he is too lazy to reveal their motives through action.

The lead pairing of Sushant Singh Rajput and Parineeti Chopra is brilliant. Their chemistry shines through and they pull off even the unconvincing scenes with conviction.

This is a film that will require a bit of patience as it trundles towards its conclusion, but spare some time and you will be rewarded with a fresh take on love that you haven’t seen in a long time.

(Follow Shilpa on Twitter @shilpajay)


We welcome comments that advance the story through relevant opinion, anecdotes, links and data. If you see a comment that you believe is irrelevant or inappropriate, you can flag it to our editors by using the report abuse links. Views expressed in the comments do not represent those of Reuters. For more information on our comment policy, see

Movies like this are propagating the idea that generally if a girls is smart and has slightly modern dressing style then they have loose morals. Exactly the idea that the Delhi rapists had when they attacked Nirbhaya.
The lower class populace has the access to these movies but does not have the intelligence to understand what is being portrayed.

Posted by Shivbhakt | Report as abusive

Ordinary review by an extra-ordinary critic. This piece lacks the insight and conviction that was brimming to the top in the Madras Cafe review. That was par above excellence, hands down.

Posted by ShashwatGoel | Report as abusive