Photo gallery: The body as an art form in India
‚ÄėThe Body in Indian Art‚Äô, on exhibit at the National Museum in New Delhi, is a pan-India project showcasing over 300 artworks from 44 institutions. The show is an exhaustive study of the body‚Äôs myriad representations in Indian art, roughly covering a period of 4,000 years across regions, religion and culture.
The exhibition has been put up in eight adjoining galleries, each with a specific theme such as death, birth, divinity or rapture.
Chances are you may get lost during the tour as the show is cyclical in its set-up, representing the circle of life the body stands for.
Curator Naman Ahuja has devoted a section to works belonging to traditions, such as that of Islamic art, which are opposed to depicting the body. Rare copper sheets inlaid with silver calligraphy, probably belonging to Mughal emperor Aurangzeb, depict the 99 names of Allah.
A giant egg of stainless steel (Subodh Gupta, 2010), defies the idea of corporeality. A steel tree-of-life, a Mughal-era tomb and modern reproductions of clay pots used in Vedic rituals also have the same theme.
Many of the exhibits were publicly displayed for the first time in Brussels last year.
Among the rare artworks on display was a tall 9th-century sculpture of a snake god made of porous stone that gave it the appearance of snakeskin. Also being displayed for the first time is an animal-headed ‚Äúanthropomorph‚ÄĚ (first or second millennium BC) that was found lying in a store room of the Archaeological Society of India. Figurines from the Harappan civilization (from around 2500 BC) are being publicly shown for the first time since their excavation in 1933.
‚ÄėThe Body in Indian Art‚Äô show closes on June 7.