A new Bollywood film traces the fictional journey of a real-life writer of erotica whose racy low-cost works in Hindi spurred sales at bookstalls and pavement shops across India in the 1980’s and 90’s.
By Sankalp Phartiyal and Ankush Arora
Indian shares rose around 2 percent on heavy buying by foreign investors in what was a holiday-truncated week. Foreign investors have been net buyers of cash shares in each of the previous 10 sessions, with net inflows totalling around $600 million, exchange and regulatory data show.
By Jo Winterbottom
This sepia-toned landscape could have been painted a century ago. A lazy sunset tints bullock carts, women in bright red and turquoise saris thresh rice by hand. Farmers swirl golden staves of corn in the fields.
(Any opinions expressed here are those of the author and not of Thomson Reuters)
Saket Chaudhary seems to be a fan of sitcoms and SMS jokes. He combines the two to put together a script and make “Shaadi Ke Side Effects”, a movie about the modern Indian marriage, where men are trying to escape and women are obsessed with their children.
For 11-year-old Jahanabi Prasad, it’s a busier month than usual. After eight hours at school, she returns home for a quick lunch before attending classes for her annual exams a few weeks away. Still, she always finds time to read her favourite comic book series.
(Any opinions expressed here are not those of Thomson Reuters)
Aam Aadmi Party’s Ashutosh might have been a TV news host, but now he talks like an experienced politician. “I am enjoying” being on the other side of the microphone, the former managing editor of Hindi news channel IBN7 told India Insight during an interview in which he discussed his decision to stand for Parliament.
Bangalore’s garbage problem stems from its two-decade transformation into India’s technology capital, so it seems appropriate that a new plan to clean up the mess is coming from an executive at one of the city’s technology companies.
Rana Dasgupta’s first non-fiction book is an investigation into what makes Delhi a city of unequal transformation, salted with ambition, aggression and misogyny. “Capital: A Portrait of Twenty-First Century Delhi” takes its shape from an “outsider’s” anxiety about not being able to understand a city that is primarily the by-product of refugees from India’s partition in 1947.
Rohit Gulati always wanted to buy a car that would have enough space for all eight members of his family. But with his limited savings, he didn’t see that happening for some years.