He was no stranger to Delhi’s National Gallery of Modern Art. He spent several years in this Lutyens’ Delhi edifice because his father, a sculptor, was the gallery’s director. So it’s a homecoming of sorts for the museum to hold a retrospective of photographer Prabuddha Dasgupta, whose sudden death three years ago during an assignment shocked the art community.
Opera singer Anando Mukerjee discovered his love for music while listening to crooner Al Martino’s Here In My Heart on state-run All India Radio when he was 13. Now, he is India’s only male tenor performing on the international stage.
India is falling behind China as an emerging powerhouse on the global art scene because it rarely turns up at international art fairs or invests in new museums to promote its artists, an official at auctioneer Christie’s said.
In the 1960s, historian Geeti Sen visited Indian artist Jamini Roy’s workshop in what was then Calcutta to buy a painting for her father. Although she eventually picked up a Gopal Ghose, what struck her most about Roy was his accessibility.
Nandita Das might be one of the few Indian actors known outside of India, but she isn’t sure that she wants to be identified as an actor. Currently on a four-month fellowship at Yale University, Das has myriad interests besides acting and directing, the latest of which is CinePlay, a new venture started by her husband, the industrialist Subodh Maskara.
A new exhibition in India’s capital showcases some of the earliest photographs from South Asia, taken between 1850 and 1910 when the region was under British rule.
‘The Body in Indian Art’, on exhibit at the National Museum in New Delhi, is a pan-India project showcasing over 300 artworks from 44 institutions. The show is an exhaustive study of the body’s myriad representations in Indian art, roughly covering a period of 4,000 years across regions, religion and culture.
Dada (2010-13) (grandfather)
Artist Subodh Gupta’s exhibition in New Delhi features images from everyday Indian life on a grand and theatrical scale. The cycle rickshaw, the sewing machine, utensils and the Mumbai taxi are some of the motifs that dominate his work in ‘Everything is Inside’.
Indians give high importance to the concept of identity and kinship, especially in a land that is home to hundreds upon hundreds of different languages and ethnic groups. Indian curator Latika Gupta explores this theme in “Homelands”, an exhibition of works by 28 leading contemporary British artists, all wrestling with the idea of what “home” means in the 21st century.