(Any opinions expressed here are those of the author and not of Thomson Reuters)
If beauty is skin-deep, then Dibakar Banerjee’s re-telling of Sharadindu Bandyopadhyay’s detective series set in 1943 Calcutta (now Kolkata) is beautiful. Right from the costumes to the set design, everything is period-perfect. But the attention to detail never translates into atmosphere – that elusive element that makes for a successful whodunit film. The intrigue that is suggested through dialogue never turns into an edge-of-the-seat mystery, thanks to a shallow plot.