The year can’t finish soon enough, as far as Bollywood is concerned. The world’s biggest film industry by output struggled to churn out hits, with only a handful of films managing to make money at the box office due to an increasingly picky audience.
Kalki Koechlin is one of the few actresses in recent years to build her star power while proving her talent in indie and mainstream Indian cinema. Last year, she played what many would consider a side role in one of Bollywood’s biggest romantic movies, “Yeh Jawaani Hai Deewani”, decked in designer, slinky outfits and danced to peppy dance numbers.
When Danis Tanovic chose Bollywood star Emraan Hashmi to play a Pakistani whistle-blower in his new project, the Oscar-winning Bosnian film-maker wasn’t aware of the actor’s notoriety as Indian cinema’s “serial kisser”.
Tanovic eventually watched some of Hashmi’s Bollywood hits and found it funny that the actor had such a different image in India.
Priyanka Chopra is not a Bollywood actor who waits around for assistants to mic her up, set a TV camera’s white balance and tell her where to look during an interview. When I met her on Tuesday at a posh hotel in Gurgaon, she used the paper I brought with my questions on it for the white balance, told the assistant how and where to set up the mic and opened a bottle of cough syrup, sparing the poor staffer who was struggling with it for her.
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When you think about it, David Dhawan’s latest comedy is more tragic than comic. In almost every frame of “Main Tera Hero”, you see glimpses of a film-maker desperately trying to restore his former glory by using the same gags in a newer, more polished setting — and failing miserably.
(The views expressed here do not represent those of Thomson Reuters)
The scene is in a theatre in Chennai. The lights go off and the screen flickers. The first images appear on screen, and the crowd goes nuts — jumping in their seats, screaming incoherently. There is pandemonium, and the movie hasn’t even started.
from Photographers' Blog:
The sleepy Indian village of Ond comes alive for a week every year when trucks loaded with tents and projectors reach its outskirts. The tents are pitched in open fields, converting the trucks into projection rooms for screening the latest Indian blockbusters to exuberant villagers, who otherwise have few chances to see a film at all.
from Photographers' Blog:
I first encountered the 52-year-old Maratha Mandir movie theater while I was on one of my walks to explore Mumbai. Being new to the city, I do this often. It was just a casual walk down the lanes of the city when I saw a huge billboard promoting a film outside the cinema. The billboard proudly advertised it as the longest-playing film in Indian history.