India Insight

Costa-Gavras prefers Bollywood fantasy to American action

Filmmaker Costa-Gavras, best known for the 1969 political thriller “Z“, has documented prickly themes such as dictatorship, dissent and oppression over the past half-century.

“Z”, which won the Oscar for best foreign film, was a fictionalized account of the assassination of Greek politician Grigoris Lambrakis and inspired the 2012 Bollywood film “Shanghai“.

The French director of Greek descent made several critically acclaimed films, including the 1982 American drama “Missing” which won him an Oscar for best adapted screenplay.

Costa-Gavras, 80, received a lifetime achievement award at the ongoing Mumbai Film Festival and spoke to Reuters about cinema, what he thinks of Bollywood and why he cannot stand American action thrillers. Edited excerpts from the interview.

Your film “Z” was the inspiration for India’s “Shanghai”. Does your cinema have global resonance and global themes?
Yes, I heard about it. The story of “Z”, apart from being a Greek story, was about non-democratic power, usually the police and the army. And you always have people resisting against this. It was the same with “Capital“. You have people speculating with banks and doing negative things in society. The banks are legal, what they are doing is legal, but they decide what to do — it is a kind of dictatorship. It is a legal dictatorship.

Interview: Srinivasan Narayanan on the Mumbai Film Festival

The Mumbai Film Festival has the parts that its organisers need to make the show a big deal on the international film circuit: appearances by world-class directors such as Costa-Gavras and Oliver Stone, screenings of films like “The Social Network” and “The Fifth Estate,” and the backdrop of a city that is home to the world’s largest movie production business. And yet, it isn’t enough. Festival director Srinivasan Narayanan spoke to Reuters about his roadmap for the festival and the hurdles in his path.

What is your ambition for the Mumbai Film Festival?
I want the festival to take shape in such a way that it emerges as one of the best festivals – getting the best films and the important celebrities to participate…

Any international festival that you are looking to emulate?
Why do people want to go to Berlin and Cannes and Toronto? The minute we demonstrate an ability to put films under a global film festival, only then can we aspire to be a global film festival. Right now, I am trying to give some sort of national promotion to film-makers and films, and even that is proving to be a daunting task because there is limited coverage in India in the electronic and print media, because most of the media in India is, well, commercial. In the sense, paid news. And as of now, the festival doesn’t have the kind of financial muscle to do that kind of promotion.

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