India Insight

Short skirts, bad stars, chow mein: Why men in India rape women

Demonstrators from All India Democratic Women's Association (AIDWA) hold placards and shout slogans during a protest against the recent killings of two teenage girls, in New Delhi May 31, 2014. REUTERS/Adnan Abidi

The 2012 Delhi bus rape case and an ever-longer list of rapes and murders in India have prompted politicians and public figures in India to cite plenty of implausible reasons why rape happens and why men brutalise women or portray women in ways that suggest they had it coming. Many people, when speaking out, tend to minimise the crime or rationalise it in ways that sound ludicrous to many. We created this list of such comments more than a year ago, but it seems like it’s time to add some new entries.

(Updated July 15, 2014) Binay Bihari, minister for art, culture and youth affairs in the state of Bihar: The minister said that mobile phones and non-vegetarian food are reasons for a surge in rape cases, NDTV reports. “Many students misuse mobile phones by watching blue films and hearing obscene songs which pollute their mind,” he said. On food, he reportedly said that non-vegetarian food “contributed to hot temper… and cited sermons of sants that pure vegetarian food kept the body and mind pure and healthy.” (NDTV)

(Updated July 2, 2014) Tapas Pal, lawmaker from Trinamool Congress: The popular Bengali actor was caught on camera threatening workers of the Communist Party of India (Marxist) and their families. “If any opponent touches any Trinamool girl, any father, any child, I will destroy his entire family. I will unleash my boys, they will rape them, rape them,” Pal said in the video. Pal later apologised for what he termed a “gross error of judgement”. (Indian Express)

(Updated July 1, 2014) Sudin Dhavalikar,  member of BJP ally Maharashtrawadi Gomantak Party in Goa, India’s beach-party-central state for sun-touched Westerners: Dhavalikar said women should not wear bikinis on Goa’s beaches “for their own safety”, and “girls in short skirts visiting pubs” is against local culture. ”For their own protection on public beaches, women should not wear bikinis. I am not against wearing bikinis in private places,” Dhavalikar, 57, told NDTV. ”Pub culture is not Indian culture and we don’t want Western culture. Young people go drinking and it often leads to law and order problems. Our sisters and daughters are getting spoilt. Goa was a city of temples and churches. We don’t want pub-tourism.” (NDTV)

Babulal Gaur, BJP minister from Madhya Pradesh: ”This is a social crime which depends on men and women. Sometimes it’s right, sometimes it’s wrong… Until there’s a complaint, nothing can happen,” Gaur told reporters. More, from CNN-IBN: ”Unless the person wants, no one can dare touch her. The item numbers in films create a bad environment,” … The minister cited the instance of a Hindi movie actress who was kissed on the cheek by a leading Hollywood actor on stage in Delhi in 2007. The actress had seen nothing wrong with it, he said. He also suggested that women learn karate and judo to defend themselves, CNN-IBN reported. (Reuters and CNN-IBN)

Colour is India’s over-hyped commodity, fashion designer Rahul Mishra says

(Any opinions expressed here are not those of Thomson Reuters)

Rahul Mishra is the man of the moment in fashion. He just brought home the international Woolmark Prize, the most coveted prize in the fashion world, and one that has gone to some of the biggest names in the industry, such as Karl Lagerfeld.

Mishra, who made his debut at the Lakme Fashion Week in 2006, has created a new kind of fibre from Merino wool that can be worn in the summer. Mishra’s fashions will be on sale at Saks Fifth Avenue in New York, Harvey Nichols in London, 10 Corso Como in Milan, Colette in Paris and elsewhere.

Mishra spoke to Reuters on day three of the Wills Lifestyle India Fashion Week in New Delhi. Here are excerpts from the interview.

Photo gallery: The body as an art form in India

Bodhisattva Head, 1st-2nd century AD (Lucknow State Museum)

Bodhisattva Head, 1st-2nd century AD (Lucknow State Museum)

‘The Body in Indian Art’, on exhibit at the National Museum in New Delhi, is a pan-India project showcasing over 300 artworks from 44 institutions. The show is an exhaustive study of the body’s myriad representations in Indian art, roughly covering a period of 4,000 years across regions, religion and culture.

The exhibition has been put up in eight adjoining galleries, each with a specific theme such as death, birth, divinity or rapture.

Chances are you may get lost during the tour as the show is cyclical in its set-up, representing the circle of life the body stands for.

Photo gallery: Inside is everything in Subodh Gupta show

Dada (2010-13) (grandfather)

Artist Subodh Gupta’s exhibition in New Delhi features images from everyday Indian life on a grand and theatrical scale. The cycle rickshaw, the sewing machine, utensils and the Mumbai taxi are some of the motifs that dominate his work in ‘Everything is Inside’.

The show, on view at the National Gallery of Modern Art in New Delhi, is an artist’s journey to the “inside” of his home and his roots. His preoccupation with utensils stems from his passion for cooking. And in ‘Bihari’, painted around the time he moved to Delhi in the 1990’s, the 50-year-old artist seeks to assert his regional identity.

Gupta’s work acquires an earthy quality in an installation put together with cow dung and wood. Titled ‘My Mother and Me’, it is also his favourite. Another is a virtual kitchen, called the ‘Family Portrait’.

Ashutosh gears up for Chandni Chowk race; talks about ‘biased’ media

(Any opinions expressed here are not those of Thomson Reuters)

Aam Aadmi Party’s Ashutosh might have been a TV news host, but now he talks like an experienced politician. “I am enjoying” being on the other side of the microphone, the former managing editor of Hindi news channel IBN7 told India Insight during an interview in which he discussed his decision to stand for Parliament.

It probably won’t be easy. He is taking on Kapil Sibal, a Congress party veteran and influential government minister. Sibal, a two-time member of the Lok Sabha from central Delhi’s Chandni Chowk constituency, has a knack for landing in controversies. From trying to police social media to trashing a popular upsurge against corrupt politicians in 2011, he often has become a target of public wrath.

Ashutosh, who goes by a single name, said the media is being manipulated by political parties and corporations to make sure that Gujarat Chief Minister Narendra Modi wins the prime minister’s race in May. Regarding his own former media company Network18, which accepted a large investment from Reliance Industries in 2012 in a complex deal, he had little to say. Nevertheless, he shared his thoughts on how he sees the media now that he is on the other side of the camera. Here are edited excerpts from the interview.

Book Talk: Rana Dasgupta on a ‘vastly under-imagined Delhi’

Rana Dasgupta’s first non-fiction book is an investigation into what makes Delhi a city of unequal transformation, salted with ambition, aggression and misogyny. “Capital: A Portrait of Twenty-First Century Delhi” takes its shape from an “outsider’s” anxiety about not being able to understand a city that is primarily the by-product of refugees from India’s partition in 1947.

Dasgupta, 42, was born and raised in England, and belongs to a family of migrants whose roots are in the Lahore of British India, now Pakistan. In 2000, he flew to Delhi after quitting a marketing job in New York and fell “into one of the great churns of the age”.

The book, more than 400 pages long, documents personal lives of people from different socio-economic backgrounds, especially the “flourishing bourgeoisie” of Delhi, beginning about a decade after India liberalized its economy in 1991.

Photo gallery: A walk through the India Art Fair 2014

At the sixth edition of the India Art Fair, there were probably half as many photographers as there were makeshift art galleries from different parts of the world. For a photographer, a visit to an art fair of a global scale can be awe-inspiring, overwhelming and baffling at the same time.

As I walked through the many stalls in the sprawling grounds of a south Delhi suburb, I asked myself a question: how do I capture someone else’s story, one that is already etched on a canvas or an installation?

One of the most intriguing works was by Narendra Yadav – ‘That original may also be a reflection’. Portraits were hung upside down on a wall, with a mirror in the centre that also reflected upside down. Next to it was a dark room. You walk in by yourself. Stand in the centre. A mirror rolls out and you see eight reflections of your self. The display stays for a few seconds and you’re left wondering how long this would last.

“Levels of corruption have gone down drastically in Delhi” – The Arvind Kejriwal interview, part 3

(This article is website-exclusive and cannot be reproduced without permission)

By Frank Jack Daniel and Sruthi Gottipati

Arvind Kejriwal, Delhi’s new chief minister, stormed to power in the national capital in December on an anti-corruption platform.

His Aam Aadmi Party, or “Common Man’s Party”, uses a broom as its symbol to suggest it is sweeping the dirt out of politics. Kejriwal, a bespectacled former tax collector, spoke to Reuters in a wide-ranging interview a month after getting the top job, from the same modest apartment he’s lived in for the past 15 years. What follows is a lightly edited transcript of the third and final part of the interview.

(“Allow us to make mistakes, allow us to learn” – The Arvind Kejriwal interview, part 1)

“People need to be allowed to do business” – The Arvind Kejriwal interview, part 2

(This article is website-exclusive and cannot be reproduced without permission)

By Frank Jack Daniel and Sruthi Gottipati

Arvind Kejriwal, Delhi’s new chief minister, stormed to power in the national capital in December on an anti-corruption platform.

His Aam Aadmi Party, or “Common Man’s Party”, uses a broom as its symbol to suggest it is sweeping the dirt out of politics. Kejriwal, a bespectacled former tax collector, spoke to Reuters in a wide-ranging interview a month after getting the top job, from the same modest apartment he’s lived in for the past 15 years. What follows is a lightly edited transcript of the second part of the interview. Reuters will publish the third and final part on Sunday.

(“Allow us to make mistakes, allow us to learn” – The Arvind Kejriwal interview, part 1)

“Allow us to make mistakes, allow us to learn” — The Arvind Kejriwal interview, part 1

(This article is website-exclusive and cannot be reproduced without permission)

By Frank Jack Daniel and Sruthi Gottipati

Arvind Kejriwal, Delhi’s new chief minister, stormed to power in the national capital in December on an anti-corruption platform.

His Aam Aadmi Party, or “Common Man’s Party”, uses a broom as its symbol to suggest it is sweeping the dirt out of politics. Kejriwal, a bespectacled former tax collector, spoke to Reuters in a wide-ranging interview a month after getting the top job, from the same modest apartment he’s lived in for the past 15 years. What follows is a lightly edited transcript of the first part of the interview. Reuters will publish parts two and three over the next few days.

On Monday night — surrounded by idols of the deity Ganesh (known in Hinduism as the remover of obstacles), books on Mahatma Gandhi and the translated Quran, activism awards, plastic flowers, and of course  a broom — Kejriwal sipped a glass of warm water for his bronchitis as he spoke.

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