India Insight

from Photographers Blog:

Bollywood dreams

Mumbai, India

By Danish Siddiqui

The Hindi film industry or Bollywood can make a star, a household name out of anyone overnight. It can bring instant money, fame and the fan-following of millions from across continents.

Bollywood is an addiction for many that attracts thousands of aspirants to the breeding grounds, the city of Mumbai, everyday. I was keen to look at this other side of the glamour world. The side that entails the struggle to enter the world of aspiring dreamers and their struggles to become a star.

There is no time limit to becoming a nationwide sensation, a star in Bollywood. As one of the aspirants told me it's a gamble you take, forgetting all your worries about the results.

To shoot this story I had to do a lot of research. A lot has been written about these 'strugglers' but they haven't been photographed yet, as ironically, they are camera-shy. Nobody wants to have a record of their struggle because they believe one day when they make it big, these records could be an embarrassment.

During the course of my assignment, I met at least thirty people who had different, amazing stories to tell about their struggles, but they had a common goal - to become a superstar.

‘Vishwaroopam’ and Tamil Nadu’s cinema of politics

(Any opinions expressed here are those of the author, and not necessarily of Thomson Reuters)

The most unfortunate aspect of the censorship controversy over Kamal Haasan’s new movie “Vishwaroopam,” which came out on Thursday, is that it is happening in Tamil Nadu. India’s southernmost state has a history of using cinema as a tool of political dissent and expression, particularly regarding the Dravidian movement, but that spirit seems to have vanished with the decision to release a truncated version of the film after Islamic groups said certain scenes offended them.

First, a recap: “Vishwaroopam” (background on that name here) is a spy thriller about a Muslim man living in New York, masquerading as a Hindu. He must thwart a plot by a group of Afghans to blow up the city. The film came out on Jan. 25 except in Tamil Nadu, where Muslim groups objected to the portrayal of some characters as bearded, wild-eyed “terrorists.” The state banned the film under India’s criminal code, and chief minister and former actress Jayalalithaa said she could not guarantee police protection at cinemas that showed the movie. She also said that the ban was a move to preserve “law and order.” Haasan agreed to remove seven scenes to mollify the groups.

from Photographers Blog:

Come, fall in love

I first encountered the 52-year-old Maratha Mandir movie theater while I was on one of my walks to explore Mumbai. Being new to the city, I do this often. It was just a casual walk down the lanes of the city when I saw a huge billboard promoting a film outside the cinema. The billboard proudly advertised it as the longest-playing film in Indian history.

A cinema goer buys a ticket for Bollywood movie "Dilwale Dulhania Le Jayenge" (The Big Hearted Will Take the Bride), starring actor Shah Rukh Khan, inside Maratha Mandir theatre in Mumbai July 11, 2010.   REUTERS/Danish Siddiqui

The film "Dilwale Dulhania Le Jayenge" (The Big Hearted Will Take the Bride), starring Bollywood superstar Shah Rukh Khan, is a simple romantic film shot in Europe and India, where a boy meets a girl and falls in love with her - girl is about to get married in India - boy takes the journey from Europe to India to win her over.

I still remember when the film was released in 1995, it became an instant hit amongst the youth. Fifteen years down the line it’s unthinkable that people still love to watch it and in a cinema to boot!

INTERVIEW – Supreme Court lawyer on Khushboo case

Pinky Anand, counsel for actress Khushboo in the Supreme Court, spoke to Reuters about the case and how the verdict would have a far-reaching impact.

from FaithWorld:

Ex-nun urges Indian Catholic Church reform in tell-all book

amenA Roman Catholic nun who left her convent in India after 33 years of service has penned an unflattering picture of life within the cloistered walls in a book that may further embarrass the Church.

In "Amen: The Autobiography of a Nun", published in India in English this month, Sister Jesme tells of sexual relations between some priests and nuns, homosexuality in the convent and discrimination and corruption in Catholic institutions...

"Amen" grabbed media headlines in February, when it was first published in Malayalam -- the regional language of Kerala. With the new English edition and offers of a film based on the book, Sister Jesme's plea for a reformation of the Church is now set to reach a wider audience.

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