There is a workshop near my home in Noida, east of Delhi, where sculptors mould clay into idols of Hindu gods and goddess all through the year for festivals. These occasions mean brisk business for the craftsmen, who work in a makeshift hut covered by tin sheets. The idols sell for 500 to 700 rupees, depending on the size.
Photographers say you need to have an eye to take pictures. These children, who lack some or all of their vision, have applied the same maxim to their photography. The pictures that you see below are images that I took of an exhibition by the Mumbai-based project ‘Blind With Camera’. The show is on display at the Alliance Francaise in New Delhi until Oct. 18th, and I shot these images on the World Health Organization’s World Sight Day.
As an iPhone owner and an avid Hipstamatic user, I’ve been capturing daily life on the streets of Delhi for the past few months. As someone who was born and raised outside of India, I’m struck by how much of life is played out on the streets here. From bathing to cooking to sleeping, India’s streets are truly an extension of the home, and in many cases, is home itself.
I spent some time talking with Jeet Thayil, whose book on Mumbai and opium culture is a contender for this year’s Man Booker Prize, which will be awarded on Oct. 16. You can read the interview that we published on the Reuters news wire. Here are some excerpts:
Next time you plan a visit to the Qutub Minar, venture beyond its crowded complex. Walk past the parking lot, which is on your left, and take the first right turn. Next to the Qutub Restaurant is an obscured path. Take the path, walk down a few steps and this is what you see:
Rani enters her home for the first time in more than a week. She switches on the light, but it doesn’t work. Tsunami Colony, where she lives in the village of Idinthakari, has been deserted for months, and the electricity supply has been patchy.