The scene is in a theatre in Chennai. The lights go off and the screen flickers. The first images appear on screen, and the crowd goes nuts — jumping in their seats, screaming incoherently. There is pandemonium, and the movie hasn’t even started.
Rani enters her home for the first time in more than a week. She switches on the light, but it doesn’t work. Tsunami Colony, where she lives in the village of Idinthakari, has been deserted for months, and the electricity supply has been patchy.