Indians woke up on Sunday to front page newspaper ads announcing the TV premiere of “The Dirty Picture”, a National-award winning film that was both critically acclaimed and successful at the box-office.
You have to hand it to Shoojit Sircar and Juhi Chaturvedi — the duo have made a Bollywood film about a topic like sperm donation without a double entendre. This also speaks volumes about Chaturvedi’s skill (she wrote story, screenplay and dialogue), because ‘Vicky Donor” is hands down the funniest film of the year so far.
Reviewing a movie like Sajid Khan’s “Housefull 2” is a futile exercise. In fact, I don’t think the makers of this film made it for creative purposes — this is a money-making venture, and going by the number of people who came to watch it at 9: 15 a.m. on Good Friday morning, I would say it’s well on its way to becoming a successful one.
from India Insight:
The upcoming session of the Indian Premier League (IPL), India’s glamour-packed cricket tournament, will see a sartorial anomaly come to life -- cheerleaders wrapped in saris.
If you go by the Bollywood formula, Sujoy Ghosh’s “Kahaani” doesn’t tick any of the boxes. It’s a thriller — a genre Bollywood usually stays away from; it’s got a female lead, hardly any songs and no distractions in the form of a comedy/romance track.
from India Insight:
Pow! Biff! Bang! Dishoom! Real life action by Bollywood celebrities has caught the nation’s eyeballs. Shah Rukh Khan was accused of roughing up Shirish Kunder some days ago and made ripples as he brought the media’s gaze from corruption scams and the election circus to the one thing that never fails to draw attention -- a spicy brawl.
‘Tis the season for romance — at least in Bollywood. After “Ek Main aur Ekk Tu” and “Ekk Deewana Tha” this month, comes Ashwini Chaudhary’s “Jodi Breakers“, another film that attempts to bring together romance and comedy and hopes to leave you with a warm, fuzzy feeling in your tummy. And fails spectacularly, I might add.
Sometimes even the worst films can redeem themselves with a moment of lucidity. Just as you are struggling to make sense of Gautham Menon’s “Ekk Deewana Tha“, the heroine — in a fit of emotion — tells the hero “there is nothing here, no chemistry or anything at all. Nothing”. And just like that, she hits the nail on the head.