A one-line review saying “this is a Rohit Shetty” film would suffice for most movies this director churns out with billion-rupee regularity, but “Bol Bachchan” is different. This time, Shetty has attempted to remake one of Hindi cinema’s most iconic comedies, one which shares its name with the series of films that gave Shetty his first hits in the industry.
You cannot help but compare the last film of 2011 with the first film of 2012. Both have a lot in common — “Don 2″ and “Players” are both heist films, both borrow heavily from Hollywood movies and have their share of over-the-top cheesy moments. There is just one thing that sets “Players” apart — there’s a lot more action in this one.
Rohan Sippy’s “Dum Maaro Dum” attempts to take a hard look at the drug mafia in the tourist haven of Goa through the eyes of a ruthless police officer.
Ashutosh Gowariker seems to have made a career out of period films – both “Lagaan” and “Jodhaa Akbar” told stories of our past, and in some way the fight for freedom. Gowariker touches on the same theme again in “Khelein Hum Jee Jaan Sey” but this time he chooses to tell a story closer to our times — just 80 years ago.
The overwhelming feeling as one leaves the theatre after having watched “Raavan” is one of disappointment. Make that huge disappointment. Could it be that one of this generation’s finest filmmakers, is credited as director in this disjointed, mediocre effort?
‘Dostana’ is a path-breaking Bollywood film alright. Maybe not for gay rights but certainly the number of times the word ‘gay’ has been used in a single film.