At the “Dabangg” screening, someone sitting a few rows behind me would scream hysterically whenever Salman Khan came on screen. She would cheer, shout out encouragement when he was beating up the bad guys and wolf-whistle when he was romancing the heroine.
When Freida Pinto made it big on the international stage with “Slumdog Millionaire“, there were quite a few who couldn’t quite believe her success.
Before I get to talking about the film, I have one question about “We are Family” and films like it — why is it that they are invariably based in foreign countries and feature designer clothes, homes and even designer deaths?
Nagesh Kukunoor’s “Aashayein” is one of those films that you will forget the minute you leave the theatre – there isn’t much in the film that will keep you gripped from start to end, but it isn’t so repelling that you want to get out of the theatre and leave.
There are some actors who can elevate a mediocre movie to great heights just on the strength of their craft. And there are some who will plunge their films into further depths of mediocrity. Pradeep Sarkar’s “Lafangey Parindey” falls in the second category.
There are a lot of nuances in Anusha Rizvi’s “Peepli Live” that you may not get at once. There will be a comment on the health system in villages or the lack of hygiene but they are so subtle that it may escape the notice of the less attentive viewer.
As the end credits rolled in “Aisha”, I noticed that the credits for stylists/designers and clothes sponsors never seemed to end. That should tell you something.
from Photographers' Blog:
I first encountered the 52-year-old Maratha Mandir movie theater while I was on one of my walks to explore Mumbai. Being new to the city, I do this often. It was just a casual walk down the lanes of the city when I saw a huge billboard promoting a film outside the cinema. The billboard proudly advertised it as the longest-playing film in Indian history.