Bollywood and culture in an emerging India
When you find the villain of the film more endearing than the hero and even 90 minutes seem like a lifetime, there has to be something wrong with the film.
That’s right. Charlie Anna, the heavy, farting and bespectacled bulldog with a south Indian accent, who throws a spanner in Romeo’s plans, is way more entertaining and funny than the protagonist of Roadside Romeo
Romeo, the actual hero, comes across as a somewhat cowardly, smooth-talking snob. And the Jugal Hansraj-directed Walt Disney co-produced “Roadside Romeo” seems like an incredibly long, boring film merely because the script is quite shoddy.
In fact, I felt everyone associated with the film sat down one day, decided they were going to make an animation film about a dog, realised at the last minute they actually needed a script, and threw together the most clichéd plot line, hoping this would be masked by some good animation.
A few years ago, my brother Jose met a girl at an acting workshop in Delhi. He was surprised to learn of her name and couldn’t stop himself from revealing that our neighbour’s dog was also called Sheena.