When Freida Pinto made it big on the international stage with “Slumdog Millionaire“, there were quite a few who couldn’t quite believe her success.
When Frieda Pinto made it big on the international stage with “Slumdog Millionaire”, there were quite a few who couldn’t quite believe her success. While she was feted all over the world, found herself on prestigious magazine covers, and on high-profile red carpets, in the country of her birth, there was some reluctant praise and a lot of silence, which is unusual for a country that “adopts” anyone who sounds remotely Indian and is a success in the West. After Slumdog, Pinto got to work with two of Hollywood’s biggest directors, Woody Allen and Julian Schnabel (“The Divng Bell and the Butterfly”), and I think I have seen more press about Anil Kapoor playing a bit role in the US series “24” than Pinto’s appearances in these two films. And now that the two films have done the rounds of the festival circuit, and the reviews haven’t been too good, there are media reports again, almost writing her off as an actor. I wish we would appreciate that she has been where even the biggest guns from Bollwyood tried to go and failed. She has shared the stage as an equal with names such as Anthony Hopkins and didn’t have to rely on being the geeky Indian friend/sidekick kind of roles to make her foray into Hollywood. I think we just can’t believe we didn’t discover her first.