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Bollywood has always it’s own genre of films – masala entertainment, the re-birth saga, etc. “Heroine” belongs to the “Madhur Bhandarkar” genre of films. Pick any field, or place (Corporate, Jail, Fashion), stuff it with every cliché you can think of and more, add a gay character (irrespective of whether the story needs it or not), throw in some over-the-top dialogue, and of course, package the whole thing as “realistic cinema”.
Through the first half, Shakun Batra’s romantic comedy “Ek Main Aur Ekk Tu” follows an entirely predictable path — boy and girl meet, get drunk, get married and realise they don’t want to stay married. Circumstances dictate they must spend time together while waiting for their marriage to get annulled. At the interval, one of them even has the “I’m in love” epiphany.
Watching a Salman Khan film ‘first day first show’ is an experience in itself. I watched it in a multiplex, where there were snaking queues full of excited fans, hoping they’d get tickets for the first show of “Bodyguard”. They were hooting, cheering and screaming in the aisles even before the movie started.
If you’ve seen the earlier two “Golmaal” films, you have a fair inkling of what the third one is about. These are custom-made films, tailored to the “festive mood” when filmmakers think audiences will laugh at anything and pay any amount of money if you promise them a fun-filled entertaining film.
Before I get to talking about the film, I have one question about “We are Family” and films like it — why is it that they are invariably based in foreign countries and feature designer clothes, homes and even designer deaths?
Watching “Milenge Milenge” is like finishing an entire bottle of tomato ketchup. Ketchup that was manufactured a decade or two earlier. So eating it/watching this movie will ensure that a) you won’t enjoy it and b) it will be harmful to your health because the product is long past its expiry date.