Bollywood and culture in an emerging India
“What is my soul trying to tell me?” Karisma Kapoor asks a character in ‘Dangerous Ishhq’. It’s a serious moment in the film, one that is expected to lead to a major plot point, but all you can do is try hard not to burst out laughing.
All the characters in Vikram Bhatt’s latest 3D project are trying so hard to “act” in a film that has inane dialogue, a ridiculous storyline and absolutely no honesty at heart — that their acting rings hollow.
Karisma Kapoor, in her comeback film, plays one of her most lacklustre characters, that of supermodel Sanjana who gives up a flourishing career (in Paris, no less) so that she can be with her boyfriend Rohan (Rajniesh Duggall), the son of a rich industrialist. When unknown men kidnap Rohan, Sanjana starts “seeing” incidents from her past lives (three of them), giving her clues to Rohan’s whereabouts.
With the help of police officer ACP Singh (played by Jimmy Shergill), she helps track down her fiancé, firm in the belief that events from past lives are still relevant. “Dangerous Ishhq” harks back to the tried and tested Bollywood formula of rebirth and reincarnation, but Bhatt attempts to give it a slick look with 3D.