India Masala

Bollywood and culture in an emerging India

Dil Toh Baccha Hai Ji: Excruciatingly boring

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- There are many things wrong with Madhur Bhandarkar’s “Dil Toh Baccha Hai Ji”, but the worst part is that nobody seems to have even bothered to rise above mediocrity in this excuse of a film. Bhandarkar veers away from his “slice of life” style of cinema and moves to comedy, but it has the same clichés, the same dumbed-down dialogues, and strangely enough for a comedy, very crass humour that is more offensive than funny. Ajay Devgan plays Naren, an executive who is in the middle of a divorce and attracted to his secretary, who is half his age and exhibits entirely inappropriate behaviour (like asking her boss when he lost his virginity). Naren lives with two roommates – Milind (Omi Vaidya), a meek poet, and Abhay (Emraan Hashmi), a Casanova, who actually checks out girls at funerals and romances a mother-daughter duo at the same time. The film follows the three on their quest for love, but the journey is unbelievably dull and tedious and there are no funny moments. I could have spent the entire time asleep and I still wouldn’t have missed much. Bhandarkar resorts to double entendre homosexual jokes, and there are no gags or funny incidents. The guys spend two and a half out of the three hour-long film wooing the girls, and Bhandarkar drags the end interminably. He could have cut this film by an hour and it would still have been considered a long film. At the end of it, you just want to bolt for the exit door. This one did absolutely nothing for me – avoid.

Dil toh baccha hai jiThere are many things wrong with Madhur Bhandarkar’s “Dil Toh Baccha Hai Ji”, but the worst part is that nobody seems to have even bothered to rise above mediocrity in this excuse of a film.

Bhandarkar veers away from his “slice of life” style of cinema and moves to comedy, but it has the same clichés, the same dumbed-down dialogues, and strangely enough for a comedy, very crass humour that is more offensive than funny.

Ajay Devgan plays Naren, an executive who is in the middle of a divorce and attracted to his secretary, who is half his age and exhibits entirely inappropriate behaviour (like asking her boss when he lost his virginity).

Naren lives with two roommates – Milind (Omi Vaidya), a meek poet, and Abhay (Emraan Hashmi), a Casanova, who actually checks out girls at funerals and romances a mother-daughter duo at the same time.

Jail: Avoid this three-hour sentence

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Fortunately or unfortunately, I rented a DVD of Frank Darabont’s “The Shawshank Redemption” last weekend, watching this landmark film for the umpteenth time. So when I went in to watch “Jail”, expectations were high.

Obviously, Madhur Bhandarkar’s “Jail” is not a patch on Andy and Red’s story but it doesn’t even qualify as a gripping entertainer, mainly because of a sloppy script and characters who might as well have been caricatures.

Fashion — clichéd, but watch it for Priyanka

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Fashion is suddenly a huge part of our lives. Models, fashion shows, haute couture, prêt and wardrobe malfunctions are dominating news headlines and beauty contests are springing up even in small towns across India.

That is why Madhur Bhandarkar’s “Fashion”, which makes an attempt to take a long hard look at the world of fashion, with its pressures and pitfalls, is a topical film.

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