Bollywood and culture in an emerging India
Sometimes even the worst films can redeem themselves with a moment of lucidity. Just as you are struggling to make sense of Gautham Menon’s “Ekk Deewana Tha“, the heroine — in a fit of emotion — tells the hero “there is nothing here, no chemistry or anything at all. Nothing”. And just like that, she hits the nail on the head.
This almost three-hour romance is the cinematic equivalent of listening to someone scratching their nails on a blackboard. You want to pull your hair out and tell them to stop it already. Unfortunately, Menon seems to be in no mood to listen. Just when you think it’s all over, it goes on for a little bit more.
A remake of Menon’s 2010 Tamil hit “Vinnaithaandi Varuvaayaa“, the film tells the story of Sachin (Prateik) an aspiring film-maker who falls for his upstairs neighbour Jessie (Amy Jackson) at first sight. But Jessie is loath to return his affections, telling Sachin her conservative Christian family in Kerala wouldn’t take kindly to her falling in love with a Hindu boy.
Some films have you hooked from word go. Some grow on you, getting your attention as the story moves along. Raaghav Dar’s “My Friend Pinto” falls in the third category. You keep waiting for the movie to hook you, but it never does.
The film is a disjointed effort that never seems to find its peak and is hampered by a weak script that ensures you don’t feel for any of the characters or keep up with any of the chaos that seems to be unfolding on screen.