Bollywood and culture in an emerging India
If you want to watch the rockstars in action in Imtiaz Ali’s “Rockstar“, look out for the “Kun Faya Kun” number in the first half — both A. R. Rahman and Ranbir Kapoor are at their best here — the lilting melody of the song and Ranbir’s range of expressions remind you of how good the two are at what they do.
They are the stars of “Rockstar” — the reason why you leave the movie with a somewhat positive feeling. Everything else, including the script, the direction and other performances are found wanting, much to your disappointment.
Director Ali attempts to chart the tumult that tears apart an aspiring musician, Janardan Jakhar, aka Jordan played by Ranbir Kapoor. Janardan belongs to a regular middle-class family and, as he himself says, has lived a remarkably ordinary life, except for his love for music and his desire to make it big. On the advice of his college canteen manager, who tells him that all great art comes out of pain, Janardan decides to propose to the beautiful Heer, the most popular girl on campus, and then feigns heartbreak when she rejects him.
When that plan backfires, the two become friends, and Heer, who is soon to be married, makes a list of “crazy things” she wants to do before she “settles down”. Of course, as in most Imtiaz Ali films, both characters realise they have fallen in love with each other — after one of them is married. Janardan becomes Jordan, gets thrown out of his house, develops angst and grows a beard.