What director Manish Tiwary was trying to achieve in “Issaq”, his version of Romeo and Juliet, only he can say. If you didn’t know you were watching a modern-day retelling of Shakespeare’s classic, you’d be forgiven for walking out halfway through the film.
Deepika Padukone has obviously never gone on a trek before. Why else would she be wearing a mini-skirt and fur boots on the Himalayas? She’s also got perfectly set, blow-dried hair during these treks, and even after a day of playing Holi during the festival of colours, which would render most of us looking like something the cat dragged in, Padukone looks radiant. But that is the world she and other characters in Ayan Mukerji’s “Yeh Jawaani Hai Deewani” inhabit.
Preity Zinta’s comeback Bollywood film features the characteristic Zinta elements her fans have loved over the years. Effervescence and her famous dimples. Both are present in “Ishkq in Paris”, albeit in heightened form. Zinta is a little too bubbly, too jumpy and flashes her dimples far too often for them to be endearing. It’s like enthusiasm on steroids.
Mohit Suri may have done the impossible and crammed every single romantic movie cliché in “Aashiqui 2”. There are traces of the 1973 hit “Abhimaan” along with the original “Aashiqui” (1990). Director Suri tries to inject an intense vibe in his new film, but fails miserably.
Director Sachin Kundalkar’s “Aiyyaa” is based on one of three stories in his earlier Marathi film called “Gandha”. The story, about a girl who falls in love with a man because of the way he smells, is 30 minutes long, simply and honestly told. There are are no frills, no side characters and certainly no sign of any of the absurdity that Kundalkar brings to “Aiyyaa”.
You know that time when you chance upon this new product at the supermarket? Maybe it’s a new drink or a bottle of jam — it comes in a really nice looking bottle and looks so enticing that you have to pick it up and bring it home. And then you open it and realise it only looks good on the outside. The product is past expiry, the fizz has gone out of the drink and all you are left with is a nice looking bottle. Yes, that.
As they sit sipping coffee at a roadside café in London, Radha (Priyanka Chopra) tells Krissh (Shahid Kapur) “sometimes life is a suitcase but you feel like it’s a lunch-box” (or was it the opposite?), and if you are sitting in the audience, you might be forgiven for going “Huh? Did she really say that?”
At first glance, Habib Faisal’s “Ishaqzaade” has a lot going for it — there’s some great casting, good direction and performances. The milieu is different — arid, rugged, rural India and this is about feisty, gutsy lovers who are smart enough not to view the world through rose-tinted glasses.
‘Tis the season for romance — at least in Bollywood. After “Ek Main aur Ekk Tu“ and “Ekk Deewana Tha“ this month, comes Ashwini Chaudhary’s “Jodi Breakers“, another film that attempts to bring together romance and comedy and hopes to leave you with a warm, fuzzy feeling in your tummy. And fails spectacularly, I might add.
Sometimes even the worst films can redeem themselves with a moment of lucidity. Just as you are struggling to make sense of Gautham Menon’s “Ekk Deewana Tha“, the heroine — in a fit of emotion — tells the hero “there is nothing here, no chemistry or anything at all. Nothing”. And just like that, she hits the nail on the head.