It’s not easy to sustain interest in a film that is about two people talking on the phone all night long. The characters have to be interesting enough, the dialogue has to sparkle and the length has to be just right.
If director Pankaj Kapur hadn’t gone to pains to establish that “Mausam” plays out between the mid-90s and the early years of this century, you’d be forgiven for thinking this film takes place in the 20s — when there was no internet, no phones and no technology. Why else would two, reasonably well-off, intelligent people who obviously have access to technology be unable to trace each other? It makes no sense, and instead of feeling sad for them, you feel frustrated.
“Luv Ka The End” is Yashraj Film’s first foray into a genre they call “youth films”, or films they think are tailor-made for the under-25 audience. But as all teenagers will know, there’s a thin line between being cool and trying too hard. This film is trying too hard, and there’s no two ways about it.
Making a film with just two characters and about their journey towards love is a concept that has worked quite well in the past.
Watching “Milenge Milenge” is like finishing an entire bottle of tomato ketchup. Ketchup that was manufactured a decade or two earlier. So eating it/watching this movie will ensure that a) you won’t enjoy it and b) it will be harmful to your health because the product is long past its expiry date.