As they sit sipping coffee at a roadside café in London, Radha (Priyanka Chopra) tells Krissh (Shahid Kapur) “sometimes life is a suitcase but you feel like it’s a lunch-box” (or was it the opposite?), and if you are sitting in the audience, you might be forgiven for going “Huh? Did she really say that?”
If director Pankaj Kapur hadn’t gone to pains to establish that “Mausam” plays out between the mid-90s and the early years of this century, you’d be forgiven for thinking this film takes place in the 20s — when there was no internet, no phones and no technology. Why else would two, reasonably well-off, intelligent people who obviously have access to technology be unable to trace each other? It makes no sense, and instead of feeling sad for them, you feel frustrated.
Watching “Milenge Milenge” is like finishing an entire bottle of tomato ketchup. Ketchup that was manufactured a decade or two earlier. So eating it/watching this movie will ensure that a) you won’t enjoy it and b) it will be harmful to your health because the product is long past its expiry date.
If any real-life kids went to the school shown in Milind Ukey’s “Paathshaala”, you can be sure they would hardly get any studying done. Instead they would be busy dancing, singing, ogling at teachers, romancing and participating in reality TV shows.
Ken Ghosh’s “Chance Pe Dance” is not what you would call an original
film, choosing to tell the age-old tale of a struggling actor looking
for a chance to make it in Bollywood. From the first scene, you can
predict exactly how the story is going to go.