A front row seat to aviation history
The Atlantic Ocean off the coast of Virginia
By Jason Reed
Any news photographer that has been in the business for a decent length of time may say to you that he or she has “seen it all and done it all” or that “there is nothing new that hasn’t been shot already.” Until this week, you could also paint me with that same brush.
But for a moment in time on May 14, 2013, I was a wide-eyed kid again, thankful that my job as a photographer afforded me access to witness a world-first. The U.S. Navy made aviation history by catapulting an unmanned jet off an aircraft carrier for the first time, testing a long-range, stealthy, bat-winged plane that represents a jump forward in drone technology.
The first embrace
On the road with President Obama in Myanmar
By Jason Reed
It was something you wouldn’t dream of ten years ago. Based then as a photographer in Bangkok, our forays into neighboring Myanmar consisted of clandestine treks across a slippery border into the jungle camps of Karen rebels. Rebels who were child soldiers brandishing impossibly heavy weapons in their fight against a military junta that had not only persecuted them but also banished Nobel peace laureate Aung San Suu Kyi into years of house arrest – denying her a place in the political landscape following democratic general elections in May, 1990.
Journalist visas to Myanmar were almost impossible to obtain and the only visual fruit they bore was to strictly-controlled, officially-sanctioned photo opportunities at the ceremonial burning of illicit drugs intercepted from the golden triangle.
Chasing Obama
By Jason Reed
What a difference four years makes for someone running again for President of the United States.
Barack Obama hit the campaign trail in 2012 wearing two hats… one as the incumbent President, and one as a candidate for re-election.
Caught with Obama in a downpour
By Jason Reed
It happens about once a year. If he had waited two more minutes the pictures would not have happened but Mother Nature had other ideas. It was time for a good old soaking at an event featuring President Barack Obama.
The forecast had called for hot and humid conditions on the second day of a two-day campaign swing through Virginia, where the first ominous signs were the crash of thunder in the distance as Obama stopped at a roadside vegetable stand to pick up a crate of tomatoes for the family. On the way to the outdoor campaign rally in Glen Allen, lightning flashed in front of the motorcade. We arrived at the venue with heavy, ominous clouds and some light sprinkles that we all hoped would quickly subside. No one except the Secret Service were carrying rain jackets (they must have all been boy scouts – “Be prepared”). Not even the President was prepared to deal with the next half hour.
Obamacare under siege
By Jason Reed
President Obama’s healthcare overhaul, signed into law two years ago, is his signature domestic policy achievement. It remains a divisive issue among Americans and is likely to be a key issue ahead of the November 6 election in which he seeks a second term.
For three days this week, the nine Justices heard arguments from both sides on whether the healthcare overhaul is lawful. A ruling is expected in June.
President Obama takes the White House to the Midwest
By Jason Reed
600 miles of ice cream stops, cornfields and cow judging contests – a glimpse inside the traveling white house circus.
The scene in Washington DC, 2011 – U.S. debt ceiling negotiations, unemployment figures that wont improve, congressional deadlock – it’s enough to make you want to get out of town. President Barack Obama did just that this week, jumping on a shiny new bus and heading out to the Midwest to spend time with pretty much anyone who wasn’t wearing a business suit.
One last time in Afghanistan
One of the responsibilities of Reuters picture coverage in Washington, besides the White House, Capitol Hill and the State Department, is the Pentagon. As the top-level cabinet secretaries travel overseas, Reuters, along with other agencies The Associated Press, Agence France Press and Getty Images cover these trips on a rotational basis.
In the 4- ½ years serving as Secretary of Defense under two Presidents, Robert Gates’ made his 12th and final trip to Afghanistan this week, primarily to thank the troops for their service one last time. Fortunately for me, it was Reuters’ turn to embark on this historic journey. As we circled the earth clockwise via Hawaii and Singapore and eventually onto Brussels for a NATO Summit, Gates touched down in Kabul on June 4th and began three days of extensive travel around Afghanistan, via Blackhawk helicopter, C-17s and Osprey aircraft over the scorching desert in the south and mountainous east of the country.
Ready to record history
The call came at 10pm on a Sunday night at home. “How soon can you get to the White House”? Reuters had got the urgent call that President Barack Obama was due to make a statement within 30 minutes. It had to be something big to bring the press back so late on a weekend night. Even if I dropped everything now and raced down there, would I be too late?
I was there in 14 minutes – a new personal best, from my home three miles away. Running through White House security gates with my shoe laces still untied, I was thinking that I hadn’t made it in time for whatever the big news was. The scene outside the famous 1600 Pennsylvania Avenue address was familiarly quiet, with a couple uniformed Secret Service officers and their squad car.
Obama signs historic health care bill: An easy assignment?
The White House East Room has been, through the decades, the site for countless ceremonies, speeches and historic moments. I have lost count of the number of times I have covered events in there, but on Tuesday, the most historically important moment in the young presidency of Barack Obama unfolded in the most packed working conditions I have ever seen in that grand room. Hundreds of invited Congressmen and women, who each had a hand in bringing about the health care reform bill, sat shoulder-to-shoulder and right up against the stage. Along with dozens of photographers, journalists and television crews, there wasn’t room to breathe and this presented a rare challenge for those that regularly cover the White House – the chance that you may not even see the event taking place!
With the front row of the audience about 3 feet (one meter) from the signing desk, it was almost impossible to see the Presidential Seal and that important document that President Obama was about to sign. Even on step ladders, which normally elevate us sufficiently above the audience, it was touch-and-go, and that’s before camera phones, the new nemesis for any working photographer shooting over a crowd, would inevitably start popping up. Not to mention the audience members standing up themselves to see over the rows in front. I even had to negotiate a compromise with one Congresswoman from New York that if she would refrain from pulling out her cell phone and blocking us behind her, I would ensure that she would receive a copy of one of my pictures as a trade off. She thankfully obliged and I emailed her a jpeg file later in the day for her private collection, for which she was grateful. Other congressmen in the audience were not as considerate, and anticipating this (hey, even elected officials can’t resist pulling out their cameras too), I set in place an “insurance policy”, because news photographer’s never get a second chance at capturing history.
White House moments: A time lapse view
What does a typical day at the White House look like?I set out to capture a sense of everyday life at 1600 Pennsylvania Ave, armed with basic knowledge from a course in video editing at the Kalish workshop. Starting with a couple of early experiments of the Marine Guards at the West Wing and a daily press briefing, I was hooked on time-lapse sequences that came to life when they were played at high speed.I began taking along extra cameras, tripods, clamps and pocket wizard radio remote triggers. This involved slightly more work as I had to start thinking of the best place for a time lapse sequence that may not make a good still image itself, but rather as part of a larger project.From the East Room, where most official functions are held, to the Rose Garden, the South Lawn and the West Wing, I set the cameras up to fire one picture every 5 to 10 seconds before, during and after the events. Thousands of pictures were shot over the course of those weeks, and I slowly began to put together a narrative that follows what we typically photograph on any given day at the White House.Shooting “a day in the life” would have been nice, but it was impossible to have cameras in all the locations on one particular day.All of what you see in this project was made with just two cameras on the time lapse and one hand-held camera — it’s a very basic set up. Shooting handheld, I had to shoot major burst sequences with long lenses, all the while ensuring that I didn’t move the camera around too much. Even slight movements can render an entire sequence unusable. Tripods are too cumbersome to use at the White House and you have to stay mobile to make pictures, so I would innovate by propping myself against a ladder and holding my breath or putting the handheld cameras on the ground — whatever it takes to shoot a short burst without moving the camera at all.This worked well for the walkout of the Oval Office in the segment where President Obama walks towards us. That’s a 70-200mm lens on the ground, prefocussed and composed with live view switched on, as I hold the camera perfectly still as he walks in and out of the frame.Making it all come together in one coherent package is done in the edit. The most challenging aspects: Being a newcomer to video editing, seeing a project in terms of a narrative, not just in single moments, and getting my head around the 8,000 images that sat in a folder called “Multimedia” as the weeks wore on. I tried to edit for the project as I went along, so that when it came to putting together the sequence, there would be chunks of loosely finished product ready to drop into the appropriate part of the story.











