By Jason Reed

President Obama’s healthcare overhaul, signed into law two years ago, is his signature domestic policy achievement. It remains a divisive issue among Americans and is likely to be a key issue ahead of the November 6 election in which he seeks a second term.

For three days this week, the nine Justices heard arguments from both sides on whether the healthcare overhaul is lawful. A ruling is expected in June.

I covered the story and gathered pictures, sound and video from the circus-like atmosphere outside the Supreme Court, and compiled supporting images from other Reuters Photographers for this multimedia project. With a Zoom H4N digital audio recorder mounted to the hotshoe of a camera, I was able to capture some ambient sound of the debate raging between participants outside the courthouse.

By Jason Reed

600 miles of ice cream stops, cornfields and cow judging contests – a glimpse inside the traveling white house circus.

The scene in Washington DC, 2011 – U.S. debt ceiling negotiations, unemployment figures that wont improve, congressional deadlock – it’s enough to make you want to get out of town. President Barack Obama did just that this week, jumping on a shiny new bus and heading out to the Midwest to spend time with pretty much anyone who wasn’t wearing a business suit.

It was surely a nice change of scenery for Obama and definitely for photographers assigned to the White House who have been fed a steady diet of presidential remarks in front of all the familiar Washington backgrounds for weeks on end. The message was however, the same. Getting the nine per cent of unemployed Americans back to work.

One of the responsibilities of Reuters picture coverage in Washington, besides the White House, Capitol Hill and the State Department, is the Pentagon. As the top-level cabinet secretaries travel overseas, Reuters, along with other agencies The Associated Press, Agence France Press and Getty Images cover these trips on a rotational basis.

In the 4- ½ years serving as Secretary of Defense under two Presidents, Robert Gates’ made his 12th and final trip to Afghanistan this week, primarily to thank the troops for their service one last time. Fortunately for me, it was Reuters’ turn to embark on this historic journey. As we circled the earth clockwise via Hawaii and Singapore and eventually onto Brussels for a NATO Summit, Gates touched down in Kabul on June 4th and began three days of extensive travel around Afghanistan, via Blackhawk helicopter, C-17s and Osprey aircraft over the scorching desert in the south and mountainous east of the country.

As a Washington-based photographer more accustomed to mundane political assignments where making a great and memorable picture is akin to creating a “silk purse out of a sow’s ear”, I relish the chance to mix it up and cover the “real world” outside the Washington beltway. Yes, the Secretary of Defense trips are insanely long (11 days this time) and force you to work in some difficult environments, but I love them because you are given a little more access behind the scenes and are generally allowed almost as much freedom to move around as the Secretary’s own Pentagon photographer, the only other on the trip. In getting the best pictures, access is everything.

The call came at 10pm on a Sunday night at home. “How soon can you get to the White House”? Reuters had got the urgent call that President Barack Obama was due to make a statement within 30 minutes. It had to be something big to bring the press back so late on a weekend night. Even if I dropped everything now and raced down there, would I be too late?

I was there in 14 minutes – a new personal best, from my home three miles away. Running through White House security gates with my shoe laces still untied, I was thinking that I hadn’t made it in time for whatever the big news was. The scene outside the famous 1600 Pennsylvania Avenue address was familiarly quiet, with a couple uniformed Secret Service officers and their squad car.

Inside the press briefing room, wire and newspaper photographers started filtering in, showing varying states of preparedness but all wondering the same question. Why are we here?

In the U.S. TV network booths, a closed circuit live shot from the East Room of the White House showed lighting technicians, cameramen and producers readying the Presidential lectern for remarks. They were scrambling faster than I had seen, and these guys are always pretty slick.

After 20 minutes, a tight group of five photographers were led through the quiet night by staff up to the state floor of the White House, waiting for President Obama to deliver a statement. It was there that I glimpsed the words flashing on the teleprompter that I won’t forget any time soon. President Obama was about to declare Osama bin Laden had been killed.

Eerily, the muted sounds of cheering were heard from outside the White House. It seemed the news had just hit the streets but weren’t there just a couple of police out there a minute ago? We knew Obama’s speech was just seconds away. He emerged from the Blue Room and strode past us to the lectern and as Obama began to read the statement to the nation and the first TV frame-grabs were being taken back in our office, I was able to run the camera’s memory disk to Jonathan Ernst, another photographer here for Reuters who was ready to transmit those early pictures.

The White House East Room has been, through the decades, the site for countless ceremonies, speeches and historic moments. I have lost count of the number of times I have covered events in there, but on Tuesday, the most historically important moment in the young presidency of Barack Obama unfolded in the most packed working conditions I have ever seen in that grand room. Hundreds of invited Congressmen and women, who each had a hand in bringing about the health care reform bill, sat shoulder-to-shoulder and right up against the stage. Along with dozens of photographers, journalists and television crews, there wasn’t room to breathe and this presented a rare challenge for those that regularly cover the White House – the chance that you may not even see the event taking place!

With the front row of the audience about 3 feet (one meter) from the signing desk, it was almost impossible to see the Presidential Seal and that important document that President Obama was about to sign. Even on step ladders, which normally elevate us sufficiently above the audience, it was touch-and-go, and that’s before camera phones, the new nemesis for any working photographer shooting over a crowd, would inevitably start popping up. Not to mention the audience members standing up themselves to see over the rows in front. I even had to negotiate a compromise with one Congresswoman from New York that if she would refrain from pulling out her cell phone and blocking us behind her, I would ensure that she would receive a copy of one of my pictures as a trade off. She thankfully obliged and I emailed her a jpeg file later in the day for her private collection, for which she was grateful. Other congressmen in the audience were not as considerate, and anticipating this (hey, even elected officials can’t resist pulling out their cameras too), I set in place an “insurance policy”, because news photographer’s never get a second chance at capturing history.

My insurance policy was a Canon 5D camera and 24-105mm lens clamped high above my head on one of the towering light stands, atop of which is enough illumination to set an exposure of 400th sec @ f4, at 1000 asa. They do light White House events well, as administrations past and present recognize the power of the well-crafted image. I know a lot of photographers who shoot indoor events and would dream of soft, plentiful light rather than messing with high ISO speeds or the dreaded flash/strobe. With one dedicated radio transmitter attached to the hotshoe of my handheld camera, and a radio receiver connected to remote camera on the light pole, I could wirelessly fire the remote every time I pushed my shutter button. After editing the pictures from the remote camera for the Reuters wire shortly after the event ended, I thought it would be cool to put the entire sequence together with some sound to give you a sense of being in that room on this historic occasion.

One peculiar quirk you will quickly notice that has become a standard at President Obama’s signing ceremonies are multiple pens to sign just one document. He starts his signature by making one pen stroke, replaces that pen with another, signs another part of his signature with that one and carries on writing his name until all the pens are used. That ensures that all the important participants on the stage, in this case key congressmen who helped pass the bill in the House of Representatives, receive a ceremonial pen that actually was put to paper. You can see Obama reaching for the pens in this time lapse sequence.

What does a typical day at the White House look like?I set out to capture a sense of everyday life at 1600 Pennsylvania Ave, armed with basic knowledge from a course in video editing at the Kalish workshop. Starting with a couple of early experiments of the Marine Guards at the West Wing and a daily press briefing, I was hooked on time-lapse sequences that came to life when they were played at high speed.I began taking along extra cameras, tripods, clamps and pocket wizard radio remote triggers. This involved slightly more work as I had to start thinking of the best place for a time lapse sequence that may not make a good still image itself, but rather as part of a larger project.From the East Room, where most official functions are held, to the Rose Garden, the South Lawn and the West Wing, I set the cameras up to fire one picture every 5 to 10 seconds before, during and after the events. Thousands of pictures were shot over the course of those weeks, and I slowly began to put together a narrative that follows what we typically photograph on any given day at the White House.Shooting “a day in the life” would have been nice, but it was impossible to have cameras in all the locations on one particular day.All of what you see in this project was made with just two cameras on the time lapse and one hand-held camera — it’s a very basic set up. Shooting handheld, I had to shoot major burst sequences with long lenses, all the while ensuring that I didn’t move the camera around too much. Even slight movements can render an entire sequence unusable. Tripods are too cumbersome to use at the White House and you have to stay mobile to make pictures, so I would innovate by propping myself against a ladder and holding my breath or putting the handheld cameras on the ground — whatever it takes to shoot a short burst without moving the camera at all.This worked well for the walkout of the Oval Office in the segment where President Obama walks towards us. That’s a 70-200mm lens on the ground, prefocussed and composed with live view switched on, as I hold the camera perfectly still as he walks in and out of the frame.Making it all come together in one coherent package is done in the edit. The most challenging aspects: Being a newcomer to video editing, seeing a project in terms of a narrative, not just in single moments, and getting my head around the 8,000 images that sat in a folder called “Multimedia” as the weeks wore on. I tried to edit for the project as I went along, so that when it came to putting together the sequence, there would be chunks of loosely finished product ready to drop into the appropriate part of the story.