In the small town of San Dona di Piave near Venice last Friday, an imam, Raoudi Albdelbar, asked Allah to, “Kill them all (the Jews), down to the last one; make poison of their food; transform the air that they breath into flames, and put terror in their hearts.” The imam was so proud of his sermon that he made a video of it and posted it on his Facebook page — from where it went viral. Earlier this week, Italian antiterrorist police showed up and arrested the imam on charges of inciting violence, and began the process of expelling him to his native Morocco.
The existential vise in which the state of Israel lives is tightening as the civilian body count and property destruction in the Gaza Strip mount. The latest war between Israel and Hamas is further testament to the historical fact that Israel’s forefathers had to conquer the land that today’s Israelis dwell in and ferociously defend. What hope is left of finding a lasting settlement with the Arabs?
After Asher Susser, an Israeli scholar and one of his country’s foremost experts on Middle Eastern affairs, gave a talk in Oslo a few years ago, an audience member asked him a question: How soon, once a Palestinian state is created, will Israel and Palestine unite to form one country? “Twenty-four hours!” Susser said he replied. “Twenty-four hours after Norway and Sweden unite into one Scandinavian state!”
The Tunisian Foreign Minister, Rafik Abdesslem, visited Gaza last week to give a speech. Abdesslem, who spent many years in exile studying international relations at the University of Westminster in London, is an intellectual with little adult experience of the rougher side of the Middle East.
For most of the world, the memory of the slaughter of the Jews, pursued with such disciplined ferocity to the bitter end, demands respect. It gets it, not just in the thousands of records of the event, but in art, too. Primo Levi, the Milanese Jew who survived Auschwitz itself, wrote memoirs (If This Is a Man; The Truce) and novels (The Wrench; If Not Now, When?) that have the power of understated horror and serve as a kind of standard for all others. Films – Roman Polanski’s The Pianist (2002) and Stephen Daldry’s The Reader (2008) – two of the better known of the past decade – are somber, tragic affairs, the subject matter with which they work precluding anything approaching a happy ending.