<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:media="http://search.yahoo.com/mrss/"
	>
<channel>
	<title>Comments on: Everything we know about tech we learned from Kraftwerk</title>
	<atom:link href="http://blogs.reuters.com/mediafile/2012/04/11/everything-we-know-about-tech-we-learned-from-kraftwerk/feed/" rel="self" type="application/rss+xml" />
	<link>http://blogs.reuters.com/mediafile/2012/04/11/everything-we-know-about-tech-we-learned-from-kraftwerk/</link>
	<description>Where media and technology meet</description>
	<lastBuildDate>Wed, 22 May 2013 02:23:00 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.4.2</generator>
	<item>
		<title>By: IanKemmish</title>
		<link>http://blogs.reuters.com/mediafile/2012/04/11/everything-we-know-about-tech-we-learned-from-kraftwerk/comment-page-1/#comment-396815</link>
		<dc:creator>IanKemmish</dc:creator>
		<pubDate>Tue, 05 Jun 2012 08:12:43 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.reuters.com/mediafile/?p=34449#comment-396815</guid>
		<description>Serious musicians had been sequencing since the 1950&#039;s.  Indeed, although I was a teenager in the 1970&#039;s, Kraftwerk always sounded to me like a pale imitation of some of Morton Subotnik&#039;s works.  Nothing new here, I concluded.  Which, I remember, irritated me even then, as I thought there were thousands of electronic idioms out there just waiting to be discovered.

If the late and slow osmosis of electronic techniques into pop music tells us anything, it&#039;s that it doesn&#039;t really matter what your product is like - it&#039;s all about marketing</description>
		<content:encoded><![CDATA[<p>Serious musicians had been sequencing since the 1950&#8242;s.  Indeed, although I was a teenager in the 1970&#8242;s, Kraftwerk always sounded to me like a pale imitation of some of Morton Subotnik&#8217;s works.  Nothing new here, I concluded.  Which, I remember, irritated me even then, as I thought there were thousands of electronic idioms out there just waiting to be discovered.</p>
<p>If the late and slow osmosis of electronic techniques into pop music tells us anything, it&#8217;s that it doesn&#8217;t really matter what your product is like &#8211; it&#8217;s all about marketing</p>
]]></content:encoded>
	</item>
</channel>
</rss>
