NEW YORK (Reuters) – “It’s only a Play,” the latest revival of Terrence McNally’s show business comedy is packed with plenty of timely jokes, wise cracks and a stellar cast but Broadway veteran Nathan Lane is the undoubted star of the show.
The ensemble play, which opened on Thursday night for a limited Broadway run, is set at the opening night party of a new show, “The Golden Egg,” as its producer, playwright, cast and friends wait for the reviews.
NEW YORK (Reuters) – Blue figures swim around walls, dancers prance in a circle and flowers sprout on a huge canvas in an exhibition of the cut-out works of French artist Henri Matisse that opens next week.
The show, “Henri Matisse: the Cut-Outs,” which runs from Oct. 12 through Feb. 8 at the Museum of Modern Art (MOMA), includes 100 works from private and public collections, drawings, textiles and stained glass from the final years of the renowned artist, who died in 1954 aged 84.
NEW YORK (Reuters) – Whether it’s a serial killer, a bomb disposal expert or an investigative journalist in the political thriller movie “Kill the Messenger,” actor Jeremy Renner likes playing dark characters and ordinary men in extraordinary circumstances.
“Kill the Messenger,” which opens in U.S. theaters on Friday, is based on the true story of the late American journalist Gary Webb who wrote about links between drug traffickers, Nicaraguan rebels and the CIA.
NEW YORK, Oct 6 (Reuters) – British import “The Curious
Incident of the Dog in the Night-Time” mesmerized audiences on
Broadway in its New York opening with a dazzling display of
technical wizardry and an “extraordinary” debut performance by
newcomer Alex Sharp.
The London National Theatre production led by Sharp, 25, who
graduated from The Juilliard School in the spring, opened on
Sunday night, thrilling audiences and critics alike.
NEW YORK (Reuters) – “Inherent Vice,” director Paul Thomas Anderson’s adaptation of Thomas Pynchon’s novel that debuted at the New York Film Festival on Saturday is a hazy, drug-fueled trip back to 1970 Los Angeles with its hippies, hustlers and a persistent sleuth.
The film, the first big screen version of a Pynchon novel, is the Centerpiece selection at the 17-day fest that runs through Oct. 12.
NEW YORK (Reuters) – Ben Affleck is not interesting in playing nice guys and would choose an interesting, complicated character over a likeable one, which is what drew him to “Gone Girl,” a dark thriller about marriage, intimacy and the roles people play.
It was that and working with Academy Award nominee David Fincher, who directed the film adaptation of Gillian Flynn’s best-selling novel, which opens in U.S. theaters on Friday.
NEW YORK, Sept 30 (Reuters) – A growing middle class and
consumers’ evolving attitudes toward health and travel have
fueled a global spa and wellness industry worth an estimated
$3.4 trillion in 2013, according to a report released on
Nutrition and weight loss, preventative and personalized
health, complementary and alternative medicine, and beauty and
anti-aging treatments were the biggest growing sectors, the
report compiled by the non-profit research center SRI
NEW YORK (Reuters) – David’s Fincher’s “Gone Girl” kicked off the New York Film Festival on Friday adding a bit of Hollywood glitz and glamour to one of the most anticipated openings of the year.
The world premiere of the chilling psychological thriller and probing analysis of a marriage is a return appearance for Fincher at the 17-day film festival. The dual Academy Award nominated director premiered “The Social Network” at the festival in 2010.
NEW YORK (Reuters) – Film director Martin Scorsese knew making a documentary about a revered literary review would be a challenge, so he approached “The 50 Year Argument” like a piece of music, using interviews and archival footage to convey the emotion.
In the film, which airs on premium cable channel HBO on Monday, Oscar-winner Scorsese and co-director David Tedeschi take a behind-the-scenes look at The New York Review of Books, which celebrated its 50th anniversary last year and has influenced generations of writers and readers alike.
NEW YORK, Sept 22 (Reuters) – Cannes has its coveted prizes
and Sundance its lucrative deals, but the New York Film
Festival, unencumbered by awards or marketing, says its mission
is simple: to present the year’s best in world cinema.
The 52nd annual event, which opens Friday, is for “film
lovers of all stripes and levels of knowledge,” said its
director, Kent Jones. Its 17-day itinerary includes a main slate
of 30 feature films and a retrospective of the works of Academy
Award-winning director Joseph L. Mankiewicz.